40hz

Thats fair enough! One thing I would also add is the build quality of it. Such a nicely finished little thing for £215 notes. Good plastics used, a nice matte finish and solid feeling switches and knobs. Great value.

My experience only extends to the guitars that my friends have and the quality of them is utterly shocking for the price.

[quote name='lefrash' timestamp='1435075770' post='2805203'] I've got one. Great wee amp. I can imagine it struggling to keep up with a 2 guitar band setup, but for my needs (through my high sensitive) 2x 10 is more than enough. Sounds great, and hasnt failed me yet! I would recommend it to anyone! Dont know if I'd class it as a neutral sound though... I think it does have its own character. [/quote] Interesting stuff, I thought it just amplified the sound of my Modulus with a fair dose of warmth. I didn't notice any frequency bump inherent to the sound myself but then the cab will play a huge part in the sound.

[quote name='eude' timestamp='1435047895' post='2804847'] Does anyone know how this compares to the older Italian made LittleMark 250? Eude [/quote] It is my understanding that it is more or less identical. In components and spec. Just using cheaper labour to bring cost down.

Sorry Naetharu, I realised I didn't reply to your question! It was the single PU model. Obviously not as flexible as a dual PU config but then again, it has a different flavour in itself with the pickup being right in the 'sweet spot'. Whether one or the other is down to personal preference. I would always choose a single H model of any Stingray type bass (bit more aggression)

I use a GK MBE-II 410, 4 ohm version and 800w power handling. I can honestly say in the two gigs last week (in large venues) it hasn't struggled for volume or have I noticed any form of distortion. Just a very clean, warm sound.

[quote name='discreet' timestamp='1434969096' post='2804186'] Hate it! I always carry earplugs just in case, but it's ridiculous when you have to wear them just for a pub band (for example). I blame guitarists. You only really need enough power to compete with an acoustic drum kit - why do guitarists use 100W for pub gigs? It's arse-shatteringly loud, especially if there are two of 'em. You only ever need 30W maximum for guitar, imho. *Scampers off* [/quote] Totally agree Discreet. I've always said that at small to medium venues a guitarist really doesn't need more than a 30w valve combo or a 50-100w solid state. Anything else is pure overkill. Preferably in a a 1x12 format as well. Those guitarists using anything 2x12 and above start to turn most stages into mud city due to the inherent 'thickness' of the sound.

There's a Ha3500 at my bands practice room. It's brilliant. The only way I can describe it is as a very 'strong' amp. Real authorative sound to it.

[quote name='gary mac' timestamp='1434689586' post='2801797'] It's not normally something covered in amp reviews, so I've got to be the first to ask, what is the amazing smell? [/quote] That 'new' amp smell! that is made even better by a few hundred watts being run through it

Got this a few days ago as a replacement for my GP12 SMX (recent shoulder problem put paid to heavy gear). Will post a more in depth review later but initial thoughts after 2 gigs in 2 nights (Including getting to play with John Coughlan) are positive!. Great build quality for £215. Used in conjunction with my GK cab it's a neutral but fat sounding head. Very punchy and clear tone. Very easy to modify tone on the fly using the controls with lots of different sounds available. Weighs the square root of bugger all and smells amazing to boot!. Although it doesn't have the 'shove' my Trace did, it is more musical sounding and much easier to quickly find your sound. To finish, it is also VERY loud. Through my GK cab at 4ohms this thing would go toe to toe with my Trace. Even though it's rated at 250w it has more than enough grunt for medium venues without being overly pushed.

I had one! Cherry burst, 3 band Glockenlang preamp and Sandberg pickup (not delano). A very hi-fi sounding bass with a real snarl. Slim neck profile, sub 9lbs weight, balanced great on the strap and a great fit and finish. Nothing to complain about here. They are a steal for what they go for 2nd hand.

Haven't Pink Floyd always maintained (that during the 70's at least) that they never took drugs at all? And in fact it is a common misconception about 'Dark Side' that it written under the influence?

This is REALLY weird as I was listening to Wish You Were Here at work today and remarked to a colleague what an amazing lyrics "two lost souls swimming in a fish bowl, year after year" is. Just logged on Basschat and saw this. Synchronicity.

I've used both, now I use Flexsteels exclusively. The best string I've ever used in 12 years of playing. Beautiful feel and tension with a real nice 'bounce' to the string. They have a crisp and bright, detailed sound and they last ages.

Some guy I sold my Ray34 to in Ireland put it back on sale at a higher price than I sold it (that didn't bother me). However the item description was way off and he said he was the first owner from new, that did annoy me as he was willfully being deceitful to any purchasers, which is a bit sh*tty. Anyway, yeah, just let it go. You got what you wanted out of it initially, anything else is superfluous mate!

Pop ~ James Jamerson Rock ~ John Entwhistle Funk ~ Larry Graham Disco ~ Nard' Jazz ~ Jaco Metal ~ Steve Harris/Lemmy Punk ~ Dee Dee Ramone/Glen Matlock My tuppence worth!

[quote name='Chiliwailer' timestamp='1433176824' post='2788599'] Have the seeds been sown for a slippery slide of GAS? [/quote] I couldn't sell the Flea really. It's phenomenal. It's just the cowards way out as opposed to saving the cash!

Warwick Streamer Stage 2. I'm almost tempted to sell the Modulus to get one. ALMOST.

I really don't like those CV Warwicks. It's like Warwick trying to 'Fender-ize". It, IMO, is a very messy, ugly design.

I wouldn't be dropping £600 on a Rockbass (and I have one). Hold onto that cash and wait until a German Corvette comes up. Wonderful sounding instrument and would run rings round the Ibanez.

[quote name='Painy' timestamp='1433079145' post='2787584'] I think the reason that Adam Clayton's many and varied signature basses are so widely ridiculed is that none of them are what could actually be described as his signature model i.e. synonymous with the player in the way that say a black P with mirrored pickguard would be associated with Phil Lynott. His basses are signature models only in the sense that his signature is printed on them. It seems to be a case of whenever he happens to get a new bass then the manufacturer - whoever that may be - puts his name on the headstock to shift a few extra units at a premium regardless of whether he will ever actually be seen playing live or in the studio with it. Right, I'm of to scribble my name onto my Fender Jazz that I bought a few months ago despite having played Warwicks exclusively for the previous 10 years [/quote] Nailed it.

I say it again. MiM since 2009ish onwards are a vastly superior instrument to the previous years (on the whole). I definitely think in my experience that the Mexican range should actually garner a bit more respect these days. Especially the roadworns.

I think I've said before but both pickups on full, tone wide open and . . . BOOM! that's THE sound. Never had a problem with it sounding weak either. My Jazz sounds feckin' huge! I agree with Conan on the front pickup thing. It's not 'quite' the real thing, but IMO it's pretty darn close and in the context of a full band, even closer. I think I might be in the minority when it comes to the rear pickup however. I absolutely loathe the sound of it by itself, I dislike Jaco's tone intensely (or any other rear bias tone) but that is just my personal thing. I'm sure people hate both pickups on full. When it comes to the best example of the tone, the main man for that sound HAS to be Larry Graham. He for me, IS the Jazz bass tone. The punch and 'pop' to the notes, growl in spades, that is what it's all about!

Maybe not what you want to hear but I played one circa 2005 and it still sticks in my mind as the single worst bass I have ever used.

So so sad, Rest In Peace Louis. You really were one of the greats and a huggggeeeee influence on me.