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Clarky72

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Everything posted by Clarky72

  1. [quote name='EBS_freak' timestamp='1506941783' post='3382087'] With regards to a - depending upon what wireless unit you choose to use, you may get results which are/are not acceptable to you. For example, two line 6 units used in this manner will give you less overall latency than say just one single smooth hound wireless unit. Whether you can cope with additional latency depends upon you as a player - and what other digital pedals are in play that will add latency. Its a shame that the latency on the smooth hound is bad - thats the sort of form factor you'd like hanging out the last pedal in your chain. With regards to b - shouldn't be a problem but the additional capacitance will lead to a loss of highs, a decrease in signal strength and an increased chance of additional noise being added to your signal path. Have you thought about having one of those rubber cable protectors that you find in offices to put over the top of the cables to protect them? Think they look a bit ugly... but at least it will save you on cables. What are you doing with regards to power to your board by the way? Are you battery powered - or is there still a mains cable going to it? [/quote] So here's my board (below) It does seem like a long lead might be the simplest answer though. And for what it's worth our singer doesn't own anything either. I think her mic stand is even one of our spares... OMG
  2. So I run my bass into a Line6 G50 wireless down to my board. It keeps us cable free onstage, invaluable at small gigs so we don't get tangled up as well as larger ones where you want the freedom of no lead. Here's the problem though... we have a female singer, she always wears heels. Her heels trash our cables from board to amp. Anyone else have this problem? My solutions are: a. buy a second wireless system to run from the board to the amp. b. run super long cables around the edge of the stage to the amp to keep away from high heels. Issues with the first solution is that I cant find anything designed for this and would have to attach a strap mount transmitter to my board; and with the second solution I could end up with bad lag/degradation from a loooooong cable. Any thoughts?
  3. Great Missenden, Bucks
  4. Any love for a Sadowsky?
  5. And withdrawn, had it repaired, fell in love with it again... sorry!
  6. Monday bumpday
  7. I'm in Great Missenden, Bucks. HP16
  8. Still available...
  9. BUMP!
  10. ....ON HOLD.... Plugged it last week after not playing it for a while and it sounds like the humbucker is faulty. Its with a tech now being sorted, but I can't sell the bass knowing its not 100% working correctly. I will update once its perfect again. Thx
  11. Monday bumpday
  12. Sorry to see this go, but a new baby equals bass sales so I'm freeing some of the flock.

My Yamaha BB1025X. Its basically brand new. Bought it for a project that never happened, its been taken to rehearsal rooms twice, never left the lounge other than that. I have a Hipshot Xtender on 2 of my 4 strings so I have no real need for this anymore. I have a BB1024X which I'm never selling, these are amazing basses, probably plays better than my Sadowsky.... Model: BB1025X
 Construction: Bolt-On Scale Length: 34” (863.6mm)
 Fingerboard: Rosewood
 Radius: 23 5/8” (600mm) 
Frets: 21
 Body: Alder (Spline Joint) 
Neck: Maple and Mahogany 5pcs (Quarter Sawn)
 Nut: Nickel Silver Nut 
Bridge: Vintage Plus (Brass Saddle, Steel Plate) 
Pickups: Front - Split Blade (Alnico V), Rear - Single Blade (Ceramic)
 Pickup Switch: 3P-Toggle Switch 
Controls: Master Volume, Master Tone
 Gig Bag: Included
 
 I'd prefer collection, I just don't trust the mail service anymore.
 No trades unless you have a Bianchi Oltre XR4 55cm or a Sandberg TM4 Black & Rosewood HCA.
  13. [list] [*][color=#000000]Thickness at [b]1st fret[/b] = [b].790"[/b] (20mm)[/color] [*][color=#000000]Thickness at [b]12th fret[/b] = [b].920"[/b] (23mm), [/color] [*] [*]I'm in Great Missenden, Bucks [/list]
  14. [color=#282828][font=helvetica, arial, sans-serif]Sexy White Jazz Bass[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Sorry to see this go, but a new baby equals bass sales so I'm freeing some of the flock.[/font][/color] [color=#000000][font=Helvetica][size=3][font=helvetica, arial, sans-serif][color=#282828][size=4]Built this up using: [/size][/color][/font][/size][/font][/color] [color=#000000][font=Helvetica][size=3][font=helvetica, arial, sans-serif][color=#282828][size=4]Warmoth Jazz body[/size][/color][/font][/size][/font][/color] [color=#000000][font=Helvetica][size=3][font=helvetica, arial, sans-serif][color=#282828][size=4]Fender licenced Warmoth jazz neck with graphite reinforcements and slim taper profile so its super fast.[/size][/color][/font][/size][/font][/color] [color=#000000][font=Helvetica][size=3][font=helvetica, arial, sans-serif][color=#282828][size=4]All Fender parts except the [/size][/color][/font][color=#282828][font=helvetica, arial, sans-serif][size=4]Gotoh 201 bridge[/size][/font][/color][/size][/font][/color] [color=#000000][font=Helvetica][size=3][font=helvetica, arial, sans-serif][color=#282828][size=4]Fender Custom Shop pickups[/size][/color][/font][/size][/font][/color] [color=#000000][font=Helvetica][size=3][font=helvetica, arial, sans-serif][color=#282828][size=4]Fender tuners[/size][/color][/font][/size][/font][/color] [color=#000000][font=Helvetica][size=3][font=helvetica, arial, sans-serif][color=#282828][size=4]Super light, sexy AF, kids of the 80s will recognise the serial on the neck plate from their school calculators ;-)[/size][/color][/font][/size][/font][/color] [color=#000000][font=Helvetica][size=3][font=helvetica, arial, sans-serif][color=#282828][size=4]Comes with black scratchplate, pickup covers and knobs so you can totally change the look of the bass if you want the classic Jazz look. Also a silver pearl scratchplate, not pictured.[/size][/color][/font][/size][/font][/color] [color=#282828][font=helvetica, arial, sans-serif]I'd prefer collection, I just don't trust the mail service anymore.[/font][/color] [color=#000000][font=Helvetica][size=3][color=#282828][font=helvetica, arial, sans-serif][size=4]No trades unless you have a Bianchi Oltre XR4 55cm or a Sandberg TM4 Black & Rosewood HCA.[/size][/font][/color][/size][/font][/color] [color=#000000][font=Helvetica][size=3][/size][/font][/color] [color=#000000][font=Helvetica][size=3][/size][/font][/color] [color=#000000][font=Helvetica][size=3][/size][/font][/color] [color=#000000][font=Helvetica][size=3][/size][/font][/color] [color=#000000][font=Helvetica][size=3][/size][/font][/color] [color=#000000][font=Helvetica][size=3][/size][/font][/color] [color=#000000][font=Helvetica][size=3][/size][/font][/color] [color=#000000][font=Helvetica][size=3][/size][/font][/color]
  15. ...and SOLD. Thanks for the interest.
  16. [quote name='BeeBop' timestamp='1500575819' post='3338866'] Nice bikes them Bianchi s ..think you'd need to put a few quid up if you were to trade .. Bass is no bad aswell .. GLWTS [/quote] I do love a Bianchi. Might cost me a few quid more, haha!
  17. [quote name='karlfer' timestamp='1500572868' post='3338827'] I had a Dusty Tribute and was ALWAYS mystified, that tuning the G string nowt happened. Them fun upside down tuners . Steve, THAT LOOKS FABULOUS It looks like one of my Oranges is going, so may well be having a chat if it's still here next week. Unlikely [/quote] Thanks Karl. If it is still here next week....
  18. [quote name='foxyFuze' timestamp='1500554913' post='3338664'] Don't suppose there are any soundclips, even basic ones? [/quote] Afraid I don't have any... let me see if I can hook something up tonight.
  19. [quote name='FHB' timestamp='1500565158' post='3338750'] P neck or J? [/quote] Its a jazz neck, thanks.
  20. Come over and buy her, you know the way! ;-)
  21. Sorry to see this go, but a new baby equals bass sales so I'm freeing some of the flock. I am going to kick myself for this but here goes. My beautiful Sandberg California VM. Yeah, its the lovely previous series before the body and scratchplate change. As you can see in the pics it has 2 scratchplates, a black and a tortoiseshell so you can switch it up for whatever you fancy. When I bought the black one they told me that it was the very last scratchplate made in the old style so there will never be any more of these made. The previous owner swapped out the Sandberg tuners for lightweights, which has left screw holes in the back of the headstock. Normally that would put me off, but seeing as this is so beautifully aged it just adds to the look. Fully plek'd neck, plays like a dream, light as a feather. Almost identical to the original Ida Neilsen model. Maybe don't buy it actually, I'm regretting this already just typing the advert up.. Will come with a no-name gig bag. No trades unless you have a Bianchi Oltre XR4 55cm I'd prefer collection/handover as I don't trust shipping.
  22. If you still can't see them I can email you with pics
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