Muppet
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I use a Barefaced super twin. They sound great together!
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So here we have a beautiful American Original 60s Jazz in sunburst, with G&G case, never fitted ashtrays, mute foam, and all case candy. Never gigged and hardly played. There is a minor chip in the headstock logo at the end of the 'r' in Fender as the logo is applied over the finish. I have a replacement decal if you want to fit that. Collection please and no trades. Meet up is also possible and I commute to Maidenhead so anywhere along that M40 corridor is good too. Price is firm as I think it's a good deal.- 1 reply
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I'm another Songbook Pro user. I hand write my notes and upload them as PDFs, then organise by band and by gig.
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Same here - external router. The XR18 is defintely the way to go. Loads of AUX outs and we also use the Ultranet to feed P16Ms for in ear monitoring.
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The Bass Show UK - Cranmore Park, Birmingham - March 1st and 2nd
Muppet replied to Goliath_FX's topic in Events
Just pointing out that 'subtle' is spelled incorrectly on both the black and white versions. Sorry.... -
I can do this for you!
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That doesn't sound right to me. I have two sets of the original Thumpers installed and I certainly don't get that. There's more top end in them than say a set of SD QPs..
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I have mine on a twin stand, X/Y formation at the front centre of the stage.
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Ashdown ABM Evo IV footswitch not working
Muppet replied to Bassmanesh's topic in Repairs and Technical
Whereabouts in Northants are you? I have a FS4 that maybe you can try out to see if it's the footswitch or the amp? -
Yes exactly. You can daisy chain them using the in/thru sockets (with each needing its own power supply) or feed them an individual cat 5 cable from the P16D splitter - which I think means they don't need separate power. Either way, each unit gets 16 channels from the XR18 that can be mixed, panned, eq'd etc completely independently of each other and independently of every other P16M. In stereo.
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All sounds very complicated to me! What happened to your XR18/P16M idea? I run that setup and it's perfect. You can then run the P16M in to a wireless unit or from the headphone out in to a P1. You already have experience of the P16M so you know how good it is when modifying your own stereo mix..
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I'm the same. Whatever we try in a gig situation this thing is introducing a noticeable hiss, and when everyone is running IEMs this isn't acceptable. I'm also experiencing the pronounced top end. I can dial this out with EQ but I don't want to have to adjust it every time. I'm persevering for the time being but keep switching ba k to the GLXD....
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That’s where I’d pretty much got to as no one else seems to be suffering the same as me, so back it goes. I’ll exchange it as I want to persevere! Thanks!
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You're gonna have to tell me what I'm doing wrong! I normally run a GLXD+ plugged in to a Helix (no backline, in ears from a Sennheiser G4) but reading this thread I bought one of these and tried it last night. Dreadful latency and thin tone were the first things I noticed, and a high pitched hum through the PA and everyone's IEMs. Switched back to the Shure and everything back to normal. And I don't like the fact that you can't have the transmitter section flush with the bass body as the plug doesn't angle 90 degrees unless you fold it back on itself. It's clearly not designed to be used that way though as it has a small disc of protective foam on one side but not the other.... home use only for me I'm afraid..
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It's a great system. Adds a tuner to your pedal board, too. The 'Tx' has a belt clip but i keep mine in a pouch attached to my guitar strap.
