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discreet

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Everything posted by discreet

  1. Sold W a Markbass stand, this transaction just as smooth as the first. Good!
  2. [quote name='ambient' timestamp='1473785161' post='3133119'] One guy I play with occasionally is 85, he's an amazing jazz player. A guy I teach is 79. You're never too old to play. [/quote] That's good to know...
  3. [quote name='SICbass' timestamp='1473766083' post='3132879'] Got your eye on something else? [/quote] No, not really. I use my Road Worn P for everything and I don't like to risk gigging the 4040. So it's languishing in a cupboard, which is a crime for such a bass as this. It was made to be played and someone should be playing it! They certainly don't make them like this any more! Not economically viable!
  4. [quote name='paul h' timestamp='1473765092' post='3132860'] So you were 5 at the time? [/quote] Fourteen. Fire had yet to be invented and the skies were dark with pterodactyls...
  5. [b]SOLD: Hayman 4040 (1975) £575 Posted[/b] [b][/b] Up for grabs is this very rare Hayman 4040 Bass. [b]£575 posted in UK. [/b]Audio Files: [url="http://markjaysmith.co.uk/audio/stone%20cold%20sober%20hayman%204040%20256kb.mp3"][b]Stone Cold Sober 4040 Demo FULL[/b][/url] [url="http://markjaysmith.co.uk/audio/stone%20cold%20sober%20bass%20only%20256kb.mp3"][b]Stone Cold Sober 4040 Demo BASS ONLY[/b][/url] ...But a bit of back story, first: 'The Hayman Company was formed in 1969 when Jim Burns and Ivor Arbiter went into partnership. Also involved was Bob Pearson from Vox (designer of the Phantom range) and two former Burns colleagues, Jack Golder and Norman Holder, who took care of the woodworking and truss rod engineering. 'Hayman produced three guitar designs but the 4040 was the only bass. Something of a heavyweight, these basses were good to play however and produced sounds somewhere between a P-Bass and a Rickenbacker. Each Superflux pickup had eight adjustable screw pole pieces so it was easy to balance the output from the strings, and they benefited from the hidden vibrasonic chamber beneath. Joint string trees neatly feed the strings from nut to tuners. 'The bridge was a curious affair with a clear plastic anchor and the steel saddles on a separate plate. The slab body had minimal curving to the body edge front and back and the overall shape is similar to the early Wal Pro basses that would appear a little later on. The neck was fixed using a standard 4-bolt plate with a separate chromed plate displaying the serial number. Lefties were made to order. The company morphed into Shergold, controlled by Golder and Holder, after Jim Burns pulled out. 'The confusion as to when production finished is due to their serial numbering system, which suggests some Hayman basses appeared in 1975. The Hayman brand name was applied to instruments distributed by Dallas Arbiter until termination of the contract in 1975. From 1975 to 1982 their guitars and basses appeared under their own 'Shergold' brand.' Here endeth the history lesson. When I acquired this 1975 Hayman, it was in a sorry state - the body was originally sunburst but was painted black on the front, and it was [i]not [/i]a great finish, tbh. Also, the neck had been de-fretted and was bowed, banana-like, making it unplayable and leaving the action way high at the mid-point. BUT, the electrics and hardware were in good order and unusually, the perspex bridge anchor block was undamaged - which was a big plus. Long story short, The Bass Doc refinished the body (in vintage white, of course), removed the neck binding, lightly planed the fingerboard (to give some natural back-bow), carried out a re-fret, fitted new binding, re-lacquered the neck with a vintage tint and laboriously sorted out the dual-action truss rod so that it worked properly. And I think you would agree he's done a great job, to say the least. The 'H' logo featured on these basses was originally of perspex, which fitted into a round hole in the headstock and were notorious for going AWOL - they are as rare as rocking-horse teeth. So I asked our resident silversmith ShergoldSnickers if he would consider making a replica in sterling silver. He did and I am delighted with the results. It is the icing on the cake and makes an already rare bass much rarer. The necks on these are amazing, very similar to the later Shergold Marathon, Modulator [i]et al[/i]. In fact some of the earlier Marathon necks were NOS Hayman 4040 necks as can be seen from the round 'H'-logo hole underneath the black Shergold logo shield. The double-P pickup configuration makes for a super-beefy sound - it's a bit like a P-bass on steroids. The neck pup is very P-like and the bridge pickup hints at a R*ck*nb*ck*r. Together they sound incredible. Very powerful, superb fundamental tone with flats, massive heft and growl with rounds and a great pleasure to play. So there you have it. There's no way on Earth I'm ever going to get back what it cost me to restore and refurbish this bass, but I understand that. The bass is priced to sell at [b]£575 posted in UK mainland only[/b], which is really not a lot when you consider the quality, sound and rarity of this instrument. There aren't a lot of them about and this example is one of the very last off the production line in 1975. The bass will be well-packed and despatched in an old Fender hard case which is a bit tatty but good enough to protect the bass in transit. Item will be sent via Parcelforce express48 and I will PM the buyer an ETA and tracking information. My feedback is in my sig. If anyone wants more or better pics I'll take them later today. I thank you!
  6. My first gig was 42 years ago. 42 years. [quote name='paul h' timestamp='1473762276' post='3132819'] My only concern is where the hell have the last 29 years gone! [/quote] Mine were mainly spent looking at the world through the bottom of a glass and spectacularly failing to understand the situation. Now I'm a bit more sussed and stoically trying to make up for lost years... which is why I hardly spend [i]any [/i]time on Basschat.
  7. [quote name='Funky Dunky' timestamp='1473755477' post='3132723'] Do you know, I spotted that as I was posting it and thought "someone witty will jump all over that and treat it as a dangling modifier." And then I thought "Nah, it'll be fine, nobody would do that". [/quote] Surely you must know by now? If there's a dangling modifier about, I'll jump all over it...
  8. [quote name='Funky Dunky' timestamp='1473732559']I hate DHL more than you. [/quote] I had no idea you hated me.
  9. I got a mail on the 8th too, telling me my tuner has been shipped. Tuner in the singular, even though I ordered three...
  10. [quote name='Bolo' timestamp='1473712152' post='3132536'] ...a little goes along way! [/quote] It certainly does. I made a small hole in the foil seal with a pen. Otherwise you get too much on the cloth. Little and often when applying, it gets tacky and you have to work quite quickly. Talking of cloths I used a microfibre job, I found it gave more even coverage.
  11. Plus one for BEAD - but in answer to your question I have indeed turned down a band due to tuning issues. Though to be fair, I probably would have turned them down due to any number of other issues, but it didn't help.
  12. [quote name='Muzz' timestamp='1473686725' post='3132240'] Aaaaaaagggghhhhh!!! My two quid!!! I'm ruined!!! [/quote] I'm in the hole for six quid! The stakeholders will be furious!
  13. [quote name='Funky Dunky' timestamp='1473675647' post='3132085'] Anyone received theirs yet? [/quote] No. I suspect the whole thing is a money-laundering exercise.
  14. [quote name='Muppet' timestamp='1473596470' post='3131472'] You might just have made yourself their "go-to dep". [/quote] Yes, bad luck.
  15. As above. Did this on my Road Worn P neck using Tru-Oil. Sanded the neck to the wood and applied about four or five coats of Tru-Oil. It's less an oil and more of a varnish actually, if you build it up enough it will form a gloss coat which you can then take back to a silky finish with Scotchbrite or similar. So you get the effect of a smooth unfinished neck, but the wood is protected. I like the smell of Tru-oil, it reminds me of art class.
  16. I would have thought a couple of coats of standard clear lacquer would do the job. Not difficult. [url="http://www.northwestguitars.co.uk/clear-gloss-nitrocellulose-guitar-paint-lacquer-aerosol-400ml/"]http://www.northwest...-aerosol-400ml/[/url] When I sprayed a bass pickguard for a project I cleaned it, dried it, took it outside, put it on a flat surface and sprayed it from around 30cm keeping the can moving and the coverage even. Then waited an hour or so and gave it another coat. Waited another hour, took it indoors, waited overnight then refitted it in the morning. No problem. This is actually a black plastic guard I sprayed with gold lacquer, but the process is exactly the same. Yes, I tightened up the loose screws later.
  17. Used lots of different pre-amp tubes in different pre-amps and not found a [i]really [/i]huge difference in 'tone'. But in my experience Mullards [i]et al[/i] were certainly built to a higher standard and last a lot longer than some of the modern pretenders. At one time had a Burman pre with the original 1970s Mullards in it and it sounded fantastic. But then again pre-amp valves get an easy time of it compared with power stage valves.
  18. Recently-acquired Fiesta Red Road Worn Precision. Strung with La Bella flats. Really sounds like a P should and just seems to get better and better. I've adjusted the bridge properly since these pics were taken, so don't bother to write in...
  19. The GruvGear DuoStrap distributes the weight over both shoulders, apparently. But it's not cheap. [url="http://www.gruvgear.com/duostrap-signature"]http://www.gruvgear....strap-signature[/url]
  20. I bet it sounds great. But I'd have to drive to Scotland and back from London... any savings on the cab would be offset by my stupendous fuel bill. Also I'd probably need four new tyres and no doubt my insurance would be invalidated due to massive overloading...
  21. I prefer this one in kit form - all the bits you need for a Jazz Bass, and when you've finished it magically turns into a Precision bass! How do they manage that, then..? I think it's some kind of ESP, or telekinesis, or something... http://www.ebay.co.uk/itm/JAZZ-Bass-Style-Electric-Bass-Solid-Basswood-Body-Maple-Neck-DIY-Kit-Set-E8I9-/361721734603?tfrom=311694052700&tpos=top&ttype=price&talgo=undefined
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