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EBS_freak
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Perhaps he should spend the next week doing this as part of his practice… assuming he does.
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4 mins in and they’ve said nothing. Nup, not sitting through any more of that. -
Theres more to it than that. Granted, there will be mimes - but when you get to larger productions, where there is a hell of a lot of effort put into polishing the audio, click is vital for things like time based effects (e.g. delays). Theres simply too much going on for sound engineers to be tapping tempos or trying to get players to control their onstage effects to be in sync to an ever changing tempo. Solution = click, and midi timecode. Lets not also forget, for large scale events, you'll need a click for automations on the light show. Cues is no biggie - why wouldn't you prerecord the cues if you are running to a pre-arranged show? It's making the MDs life a bit easier on the talk back mic. I know Rick Beato talked about changing up shows - all possible if you mark your loop zones in the arrangements. Like everything, it's all in the prep. And thats why the best stadium shows are complete mammoth works of art.
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Custom Lynx Neutrik 16 Way Multicore Stage/Wall Box System Length (from box to connectors, metres): 8 Fly end – breakouts/tails: 500mm Free standing Box: 12 x Female XLR, 4 x Male XLR Fly: 12 x Male XLR, 4 x Female XLR -
Got lucky with the timings then!
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Is Jones really going to deliver on that bass?
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Can you not choose lighter woods and get as much as it chambered as possible?
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PS - be prepared to spend quite a significant amount of money for that sized band.
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Stereo or mono? And it sounds like you will need a split if running with a house desk. Figure out who absolutely can't be wired. For example, keys and drums could safely be wired feeds. Wireless you are opening yourself up to a load of chaos unless you absolutely know what you are doing. The UL1000 for example, you'll only be able to run 3-4 of those in stereo legally. If it does the focus mode (where you can get two mono feeds out of one transmitter and one receiver) - you'll get 6-8. I wouldn't be touching a Ch70 system for that size of band unless you can bail out onto wired. Also, I would hazard a guess the UL1000 isn't going to have the best compander - so probably not going to sound that great. (Not that I've tried one... but I certainly know the trend... and theres a reason why EW300s and PSM900s cost what they do).
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https://www.laney.co.uk/artists/giacomo-turra-solo 404 - Hoodwinked.
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be careful who you choose to endorse…
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What do you want customised? The size, or the finish? Or both?
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Isn't that called a jazz gig?
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I remember this one being born - such a beautiful top! Love it.
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First up - have you read the opening posts. You need to get your head around how this stuff works first. Happy to help, but your question at the moment is not at all what you want to be doing as your EQing to hear yourself better is a) going to make your bass not sound how it should to the audience b) is effectively just turning up the volume and defeating the point of what your ear plugs are meant to be doing! If you are not wanting to plug into anything and have a standalone solution (e.g. volume controllable ear plugs), I refer you to this section in the opening post - If you haven't got a desk or aux available to you, you can try using the above with a field recorder (e.g. a Zoom recorder - others are available). See section 3.4.
