EBS_freak
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Everything posted by EBS_freak
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Quick Q, did you read the opening posts? There’s some key concepts you seem to be missing. -
Custom Lynx Neutrik 16 Way Multicore Stage/Wall Box System Length (from box to connectors, metres): 8 Fly end – breakouts/tails: 500mm Free standing Box: 12 x Female XLR, 4 x Male XLR Fly: 12 x Male XLR, 4 x Female XLR -
Jeesh. Arguing over a 5er on big ticket items.
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Interesting first post! Welcome by the way.
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https://you.38degrees.org.uk/petitions/no-2nd-state-visit-for-donald-trump instead of signing the one just set up, maybe sign the one which has legs?
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Top job!
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Those knobs are very cool! - but agreed, not for this bass.
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Hopefully you'll get a better result next time around the loop. re: open jaw would suggest a bite block - make sure you have a bite block though - don't sit there just holding your mouth open. Oh... and expect droooooool.
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It was more a behave directed to them - not yourself. To be honest, I had no end of bad experience, particularly around their Live system - and whilst the fit was always OK, when I switched to acrylic, I realised that the whole sales pitch of silicon and it's advantages was a bit of a myth (oh and by the way silicon shrinks over time). I remember have my first triple monitors (at the time, the top of the range) from them and thinking - is this what people rave over? Very disappointing - no headroom and very farty with a harsh top end. Of course, others peoples opinions may vary - and this was with their old drivers. Funnily enough, when I got my impressions done at Banbury, I asked them directly about bite blocks - "oh, we don't bother with them" - I still sat there with two fingers in my mouth, to imitate a one inch bite block as best as I could - and also not engaging in any conversation with the person taking the impression despite them speaking - as it pretty clear that moving whilst having an ear impression isn't going to work out well.
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Another thing to try, is when inserting the inear, pull back quite hard on your earlobe so it opens up the ear canal a bit, then twist in the in ear... and hope for a tighter fit!
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ACS haven't heard of bite blocks? Behave! Anybody in the IEM business - and certainly folk who have been in it as long as ACS have certainly will. Their social media even shows the use of one during the taking of impressions. @SteveK - where are you based?
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What is that control plate covering up?
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100% use a 1 inch bite block every time… well… the only application where you don’t need a bite block is if you are an audiophile type who sits still to listen to music. Those who complain of a rubbish seal generally have not used a bite block. I remember cringeing at the trade shows when I was working with the CIEM company - and we would see other stalls taking impressions without a bite block or having full blown two way conversations as the impressions were being taken. One way ticket to a pants fit.
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Surely it's got to be Donna Lee?
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Love Me Do - The Beatles In my early days, I just worked through The Beatles complete scores book, pretty much in line with albums.
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Oh man 😵 The world is a bit darker without Dr of the bass. Rest in peace sir.
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At least Im not alone!
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1000 pounds - competing with some high end powered 10 PA cabs there.
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But why?
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I can understand that.
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`you run in mono?
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The digital aspect of the Mipro will have even the best analogue compander based IEM system beat. The EW is likely to have a further range and due to the lower frequency rf - better for passing through walls and stuff. If you are worried about drop outs and interference, the 5.8 system is going to be way more stable than a 2.4 system. As I say, if you have line of site and can keep the units close to the stage, right now, I’d go MiPro.
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I see Thomann have started stocking it now (£469) - https://www.thomann.co.uk/mipro_mi_58rt_58_ghz.htm I believe there's no additional costs on the published figure...? (I haven't bought from Thomann in years)
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I dont think there is an antenna combiner for these yet. Before you spend the money - I have the full paddle setups on my Sennheisers and Shures... and even for some sizeable stage, the inbuilt ones are good enough to the point I dont bother with the external paddles. You can always find somewhere at the back/side of the stage to put them. As long as you have line of sight, you're likely to be golden.
