EBS_freak

I can't believe what I've just read. But hey ho.

Have you considered mounting two jack sockets to the box instead of switches? Then you can have a separate box that is used just for the switches? This means the FI could be tucked anywhere in a pedal board and doesn’t have to be accessible with a foot. The only important thing then is just the screen?

Feet...

Remember, prerecorded tracks have been through limiters and been mastered so haven't got the transients that are present in live music (yes, compressors on your aux can tame things a little but it's not comparative to a recording) - As a consequence, I would say take tracks that have obscene amounts of bass because thats whats going to give up first. My go to IEM bass unfriendly tracks - Free - Rudimental, Can't Stop Playing (Makes Me High) - Dr. Kucho! and Gregor Salto (0:45 onwards - it's this track (I think Ive posted it in the thead before...) And for detail and sound stage, Hell Freezes Over version of Hotel California - The Eagles As a rule, I would always take headroom - so extra drivers in the low are going to be your friend, especially if your primary concern is live use. You may prefer a lower driver count in isolation... but in a band situation, that extra headroom is going be appreciated.

i've been working on my own haptic feedback platform (mentioned in to @Gunsfreddy2003 not too long ago) that has a more uniform feel that the Eich and P&D boards that I've tried. Also, they are a lot more smaller (60x60) than other boards, so more friendly for the smaller venues. I'm working on getting my drawings CNCed now that I've completed them. The prototype is pretty mean and I'm proper happy with the results that I've got. I'm getting some machined for my band - and the cool thing is, they should come in substantially cheaper than the competition. Operational noise wise, they are near silent - which is great - as the design has eliminated anything that could potentially cause noise. Sound interesting? Once I've got the first built, I'll share the details here... so if anybody is interested, I may be able to negotiate some volume discounts for everybody. I was going to wait to post the pics... but meh. Threads been quiet for a while!

Has anybody got a quality alternative to the following - https://www.adj.com/light-bridge-system Theres lots of knock offs but the ADJ one was actually pretty good...

Looking great. I love a good project, I do.

Indeed. Why are there so many salty comments about posting up covers? I got a barrage of it on Facebook today... by a bloke who’s band plays... covers.

...presumably he doesn’t slum it in the bus though. He will be in the private jet.

He may have worn through his gigging strides by now.

Aye - well, they have been at it quite some time. A guitarist I worked with had their original Power Engine - just looks like they've put a decent speaker in it now though (to handle bass) and uprated the amp somewhat.

Nice! Great project. I suspect you'll get a few people wanting one!

Kemper editor!

What feels like a life time ago now. Some fun times doing these gigs... Jerry Scheff taught me a thing or two about bass lines!

EBS now seen that the writing is on the wall and want to help kill of rock n roll. This into a FRFR would be pretty cool... it's basically Fafner 2 yeah? And their onboard compressor. Sweet. OK - so we don't know about speaker sim... but am I right in thinking that a lot of people are running without a speaker sim on their FRFR setup? I know I am!

Defo a cool piece of kit.

Slacker! Or is a braided cable soldering club job?

Seems they are trying to catch Amazon up.

Jeez, I see what you mean now. Your setlist must be right stale.

That's because good wireless costs a lot - and the T-bone stuff is very much entry level stuff. It's exactly the same with wireless IEM. You need to be spending £750+ to get performance from analogue devices (digital not preferable in the IEM world due to latency - although Lectrosonics are the exception to that) I would wager if you used a Line6 digital mic system with a decent head mic, you would be a lot happier. But then again, that's still considerably more than a 100 quid mic sitting on a stand.

You ordered one yet in preparation?

Aha - https://www.talkbass.com/threads/midi-presets-for-your-analog-stompbox-yup.961465/