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EBS_freak

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Everything posted by EBS_freak

  1. EBS_freak
    Ask Zoom how well their PSU and audio shielding next to their auxes worked out for them... Im with you on built in power supplies... but you know.
  2. EBS_freak
    Keeps the transformer away from the mic pres - less chance of noise. If something goes wrong, it's going to be the PSU, so again, user replaceable. So from a consumer pov, probably makes sense... and also makes the unit smaller.
  3. EBS_freak
    You mean the younger singer (that’s gets the importance of protecting her ears and hearing a much better mix) that has an IEM in her left ear (you can see the cable running parallel with her neck) and the other one hanging over her left shoulder? (Admittedly I wouldn’t recommend doing that)
  4. EBS_freak
    Yes, these are old boys, all sporting tinnitus.
  5. EBS_freak
    Always loved that song, nice authentic sound too. Nice to see some additional angles on the go too. Always lifts stuff up. How have you miced up the drums? Sounds like a kick and overhead but unless I'm being blind I can't see it...
  6. EBS_freak
    Its nothing particularly clever, it's just a high end roll off, to mimic what you would get due to the capacitance of a longer instrument cable.
  7. EBS_freak
    The erectile disfunction of websites.
  8. EBS_freak
    Huh? How?
  9. EBS_freak
    Wireless defo brings with it extra challenges. Realistically, for reliable wireless, you want to be investing in Channel 38 kit... however, that comes at a much greater cost than the consumer 2.4 stuff. Co-ordinating wireless at a professional level, is not just turning gear on and scanning. Every unit is given a specifically calculated frequency, that works with all the ambient rf, without clashing. I don't think vendors really sell that mixing brands and models all adds to the chaos.
  10. EBS_freak
    Yes. Don't use 2.4ghz. It's oversubscribed and only has 3 truly intermodulation free frequencies. Totally uncoordinated chaos.
  11. EBS_freak
    OK, they havent got the overhang of the Wal, but it's quite a good likeness?
  12. EBS_freak
    Designacable or Custom Lynx.... https://www.designacable.com/ https://custom-lynx.co.uk/
  13. EBS_freak
    How many exposures?
  14. EBS_freak
    Take the hint! He was hot just like an oven, wanting some Waddo lovin.
  15. EBS_freak
    Having done a fair few folk gigs, I know exactly what a low whistle sounds like (she even name checked in in the petition)... an annoying recorder... and I suspect the real culprit. I note it was left out of the Beeb piece. Just imagine 1:50-2:29 for hours on end. Something about the whole debacle does not make sense. I see she has put up a few conversations with the council on her Youtube channel. Of course, totally pointless as they aren't exactly impartial.
  16. EBS_freak
    Just watched. Something about this just doesn't add up. Of course, if she goes on tele, she's going to be playing an acoustic guitar, very softly. This however - Looks like this thing could sound like a right racket.
  17. EBS_freak
    I have worked with enough musicians to know that the position I propose is far from straw man. But you know, you are welcome to your opinion, as I am mine. Must admit, I'm not quite sure which point(s) you think aren't reasonable assertions.
  18. EBS_freak
    Ooh, what a great thread!
  19. EBS_freak
    What a legacy.
  20. EBS_freak
    Another entitled musician that thinks the world owes them a living. If you live in a property away from others where practice doesn't impact others at all, great. If you dont and you can modify your room, or instrument (e.g. use your bass unamped), great. If you can come to an agreement with your neighbours about when noise is made, again, great. If you don't live in a property where you can make adaptions or can't come to an agreement with your neighbours, go and find somewhere else to practice. If it's your job as you say, you can even claim that back on your already comical tax return. It's absolutely not up to your neighbours to live in misery because of your antisocial behaviour. I'm all for supporting music but I'm also in the game of thinking that p1ssing off people (especially knowingly) is not acceptable either. I’d like to live in a mansion away from people so I can make as much noise as I want at any hour - but I can’t as I can’t afford to. The world isn’t perfect so suck it up and put yourself out to make it work the best you can. Why does everybody think that their convenience should be at the expense of others? If she can’t make this work, her job as a musician isn’t viable.
  21. EBS_freak
    Yes. I'm advocating the EW300 G2, EW300 G3 and EW300 G4... but not the EW300 G1.
  22. EBS_freak
    Think of it like this. The FX send is how much of a particular channel you send to an fx unit. Only when you turn up a slider for the FX return, will that summed fx get routed to your FoH and Auxes. The FX unit sums up everything it gets and it's the FX return which dictates how much of that fx is introduced to the foh and aux busses. (So many FX sends for a mix, (whether that be for foh or aux) but only one return per fx. If you dont want any fx going to your auxes, make sure that the return is down, likewise, if you do want it to go to your aux, make sure its up. The more tuned in amongst you will probably realise that if you send something to the fx unit, you lose the option to have a different fx mix (for 1 unit) in your aux to your foh. (That's where you need to have one fx send just for foh, and another for auxes for example... or another desk)
  23. EBS_freak
    Are you sure you didn't have any fx going into your aux? Or something like a fx return?
  24. EBS_freak
    No brainer. Squier A nice story...
  25. EBS_freak
    Lo riders stainless will give you the hi beam sound zingy sound but will have higher tension when you drop the tuning.
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