EBS_freak

Im rising my eyebrow at some of these suggestions.

Motown P into B15

Nail the performance. You can fix sounds later - that's if it even comes up in conversation...

Here's some pointers - You'll need a desk in which to create an inears mix. That desk should have the option to do enough mixes for each member of the band (consider if you want to run in mono or stereo). You'll need one aux for each mono feed, two for each stereo feed. Some desks have a limit on the number of stereo feeds (e.g. A&H QU series). Some desks allow you to plug in separate IEM mixers (look under the Ultranet bit). You'll need an IEM amplifier to take the feed from that desk to plug your IEMs into to get the signal into your IEMs. That can either be wired, or wireless. The cheapest decent option, is something like an XR18, with Behringer P2s. That will give you up to 6 mono mixes... (6 people in your band) or say 3 stereo mixes (3 people in your band)

A good result! Nice one 🙂

Next time, bold the "some".

Exactly.

They may not go bang, but they guide the thing that go bang, they enable detection of the things that you want to bang up with the thing that goes bang, they enable things to go bang without taking out your own people etc etc

3 core orange mains flex is readily available!

Don’t want to invest in military weapons? So no DSLR cameras, microwave ovens, cellphones, GPS (and satellite navigation), drones, the epi pen, duct tape and superglue, jet engines, portable radio, internet, night vision, blah blah… Investing in the the military and weapons is what has pushed technology into the commercial sector - some of these technologies would arguably have never come to exist without such investments.

Derek and Clive placeholder.

Two wrongs don't make a right and all that... ...but then again, you wouldn't bring a knife to a gun fight.

My mate was on the radio this morning to talk about tributes with Nick Robinson and Nick from Pulp. Naturally, a fitting video was made to go with the interview.

The story on how she got that gig is even more holy crap...

I’m still confused how playing a bass is comparable to playing a synth. For extra context, I can play either (I know bass players that wouldn’t know what to do when presented with a keyboard and vice versa) and both have volume controls anyway?

Find a drummer that doesn’t beach about being on an electric kit.

You see, I find drummers genuinely a bigger problem than guitarists. They don’t even have to do a sneaky turn around to turn the volume up.

Miriam Margolyes isn't really my type WoT, I think I'd find her a challenging w....*

For those that don't know, Titanex HO7RN-Fn as used in the Custom Lynx solution, is mega. It's cable that is rubber to the touch, super, super flexible - and lies flat and doesn't kink up.

Want your band to sound epic in a pub? Section 7 - https://www.basschat.co.uk/topic/389429-the-iem-bible-thread/?do=findComment&comment=3944337 It's not big - but it is clever.

He should stick to playing bass… …having said that…

If you think that you have it bad, think about what your audience are experiencing.

To think… all these years where guitarists have been held back.

I get the safety thing - but nothing looks worse than a load of white multigangs or brightly coloured cables sprawling across the stage. Yes for the lawnmower. No for the stage. Although @stingrayPete1977has a valid point - nobody is in a rush to nick bright orange cables.