The Bass Gallery has always been old school and you get so much more out of face to face interaction there than you would an automated online transaction. For them it must work well that way otherwise you’d think there’d put more resource into the website.
Fixed. Cases should only be black or in the event of early Fenders, tweed. Anything else is too extravagant for the bass community and would bring our dull reputation into disrepute.
Depends what you mean as pro? Not many make it as artists/ famous bands. I wanted to be a session musician until I really understood what that meant, travelling the length of the country to play a wedding, corporate gig, Christmas party ect. All for a moderate living and unhealthy work/ life balance. Then I found that a lot of bands out there require BVs and there’s no way anyone would pay for that from me.
Jam nights are a different to regular gigs as it often requires; learning a song as you play, following cues from other players, and improvisation.
Ive embarrassed myself plenty of times but I came away each time knowing what I need to work on if I go again.
Judging by the fact it’s USD I assume OP is in the states where Wal prices are even higher than UK (if Talkbass is anything to go on).
Can you get a 70s Fender Jazz for that price in the US? I think that’d be my shout or a used Ken smith if one came up in budget.
I once asked to try a gorgeous MM stingray in a shop in Barcelona…. I got a firm no! Pity because I ended up buying the same model/ colour in the UK and didn’t sound as good as it had looked in the Catalan sunshine.
Also the roots have been house band for Jimmy Fallon since 2009 which I believe is very popular in the states.
While Pino is in my book an icon, he’s not widely known beyond musician circles. I would assume by his demeanour and lack of media, that is the way he likes it.
I would expect a store with such a big online presence to expect a % of returns and the best way to keep consumer confidence is to not fuss over them. If they can’t handle that, don’t sell online.
I’ve not had any experience from there since 2009 when I bought an interface. Funnily enough I was advised against the Focurite because this other one would last forever. They weren’t wrong, it’s still going strong!
Two things here. Pino is notoriously interview shy and isn’t the type to run off story’s like a Guy Pratt. So as a podcast host you would have to fill in the space.
Secondly, the host is Questlove who is much more famous than Pino.
To hear both share their experiences together was great. The bass questions were tedious but apart from that I thought it was engaging.
It’s all in the fingers as they say! I adjust my tone sometimes just because my ears are after something slightly tweaked in that moment, or my strings have deadened slightly.
Alto Saxophone for sale. It is engraved with Montreux Series II. Had this as a beginner many years ago. Comes with brown case, used mouthpiece, strap, some new reeds, cork grease and a pad saver.
Cash on collection from Alsager
I managed to have a lesson with Steve Lawson once (priceless experience) and he played one. You could just see how effortless it was for him to play and it had incredible clarity in each note.
I’ve always been put off by the scale length though. I’m on 34” 5 string again and it’s just about comfortable but would probably prefer 33”.
Worse than not having business awareness, it seems from Eddies story he doesn’t have the technical knowledge of making a bass that functions. If you see on Facebook the detailed drawings that Overwater completed for their hollow body design, you can see why there aren’t many that can do it well.