Mrbigstuff

This is a healthy reminder of why I stay the hell away from gigging!

Yes, although heavier than my Fender

I’m glad it’s in the hands of a player rather than someone who could potentially be a collector or seller, but it’s bad of a shop to renegade on an agreed sale.

I can’t remember if it should be stamped or not for this age, but if the neck has been off you’d think it would have been photographed and included in the advert. This is where Andy Baxter is at the forefront of the vintage market.

Contextually reasonably priced 62 refin jazz in bass bros. Not something I can justify and my least favourite custom colour, but I’m sure it will garner interest quickly. https://bassbros.co.uk/product/1962-fender-jazz-bass/

If buying basses is evil then sign me up for hell 😆

Let’s hope they don’t track online mentions because that price might have been updated if they do

A tenner hopefully 😂

I was going to say the same thing. Unless you need the cash, just put it aside for 6 months and if you still don’t want it then you know it won’t become a regret.

£2800 15 years ago feels like a lot of money still. I remember 60s Fenders being priced around that at the time.

Best buy was a Fender American Deluxe Jazz V in trans red. It was mint and only £400 on eBay! Should have been more patient with it but traded it on here after a few years. Worst sell was a 3EQ Musicman Stingray. Traded it for an Overwater Jazz and a bit of cash that valued it at £500. Would be double that now, and again should have showed more patience with it.

It’s only just May so plenty of time to falter. Not that I will of course….. 🤔

I think it needs to be in the bin for at least a fortnight.

A party piece should be a tune very one knows really, that’s why Simon Fitzpatrick’s let it go arrangement is so brilliant. Once upon a time I learned super Mario on bass like this: It tended to be my audition piece.

A lot of guitar players influenced my younger years - mainly Angus Young but also Nile Rogers. These days I love a good horn section and favourite sax player is Bob Reynolds.

I wouldn’t sleep for that week

It’d be good if it stays in the UK. I suspect it will have collectors worldwide scrambling for funds.

I forgot about the open B 😂

Nothing to do with talent (does that even exist?), you just need to know your fretboard and scales/ chord tones. It’s only 4 extra notes 🙂 I’ve got my first fiver in 10 years and I’m really enjoying playing through the songs I’ve avoided to learn in that time due to lack of string. Plus the budget choices now compared to ten years ago is insane.

You can get perfectly good German made Warwick’s that are 20 ish years old. The only difference being the necks are chunkier. But to answer your question, it completely depends. Some basses will be played on occasion at home, others will be gigged 3-4 times a week all year round. Have a look at it and check for pitting and ensure the trus-rod turns. Also switchjacks often go on Warwicks.

For me, its value would depend on if it plays well and sounds good. From this era there was just as much rubbish as good.

What you’ve described is the difference in sound between maple and rosewood fingerboards. The pickups would have been an iteration of the US pickups used at the time, although now I believe they give them a vintage voicing.

I’m guessing the shower is for washing away your sins after playing electric guitar? 😁

It’s width at the nut. There are three; A,B and C the widest.

I don’t even own an amp anymore. Always bass into interface into MacBook and out in headphones. Used the same setup for around 10 years.