-
Posts
2,302 -
Joined
-
Last visited
Content Type
Profiles
Forums
Events
Shop
Articles
Everything posted by OliverBlackman
-
I had Sadowsky GAS 😳 (formerly “I’ve got...”)
OliverBlackman replied to bassfan's topic in Bass Guitars
This is the thing with Sadowskys. They only come into their element when playing with a band and they cut through the mix unlike anything else. Not one for the bedroom bassist but are loved by working ones. -
Hi guys, just come across and got a place on a series of masterclasses happening in September. Pretty cool to get Laurence Cottle up in the north (probably the best bass player I’ve seen live). might be of interest to other northerners. https://www.roth-academy.com/modern-bass-masters
-
First other person I’ve seen using the Markbass straps! Everyman needs a P
-
Hey Louis, Made in Mexico Fenders aren’t worth anything as an investment because so many of them are mass produced each year. Rosewood fretboards might in time be worth more because of the limited availability caused by CITES and sustainability projects. its quite difficult to know what guitars could be a good investment, but the higher end stuff tends to fair worst for keeping value compared to cheaper guitars.
-
Ken Smith Chat - (NBD inside! Black Tiger 6)
OliverBlackman replied to akabane's topic in Bass Guitars
The girls love it, mine had the same reaction even through headphones, but unfortunately for me it just wasn’t to be at that time. I’m glad it’s no longer in the hands of a collector though, that bass deserves to be played! -
Ken Smith Chat - (NBD inside! Black Tiger 6)
OliverBlackman replied to akabane's topic in Bass Guitars
Wow congratulations Al, is that the smaller bodied one? I tried it when it was new and was desperate for it but decided to get on the property ladder instead. Keep me in mind should you wish to part from it. -
Looks like a passive streamer which was the most basic rock bass they did. IIRC they were only £200 new 15 or so years ago when I got a Fortress 5 (very good bass shouldn’t have sold it so quickly).
-
-
Selling a 65 watt bass amp that has only had light home use. Everything is working as it should. Selling cheap as it is cash on collection and I need to free up some space. The amp itself has an in-built compressor and a 3 band EQ. There is also a separate input for passive and active basses, as well as FX send and return.
-
F/S Warwick Corvette $$ (please read description)
OliverBlackman replied to davegriffiths91's topic in Basses For Sale
-
I mostly use D’addario roundwounds and half wounds but I was bought a set of Rotosound flats for Christmas a few years ago and they’ve been on my p bass every since, replacing the Thomastiks which I had three or four sets of. The tone is much deeper and once I got used to the feel they are completely natural. Still going strong after two years too.
-
Where to study electric bass in London?
OliverBlackman replied to DAMN's topic in General Discussion
I might be wrong, but I'm pretty sure Jake Newman (on here) used to occasionally teach there. Great teacher who gave me some lessons on double bass when I was beginning. I studied at ACM (just outside London) but frequently was in London and moved there for 5 years after I graduated. Theres loads going on but once you're out of the student bubble, getting gigs is hugely competitive which is something to bare in my mind. I eventually ran out of energy and made the move to Manchester which also has a good scene. -
- 7 replies
-
- marcus miller
- sire
-
(and 3 more)
Tagged with:
-
- 7 replies
-
- marcus miller
- sire
-
(and 3 more)
Tagged with:
-
Selling my Sire Marcus Miller V7. Bought as a back-up and rarely used so in excellent condition. I also bought the Sire gig bag which at the time wasn't available outside of the US and cost me £50 off a bass chatter. There are no flaws with this bass and all the parts seem sturdy and well built. Unfortunately I don't have any scales so although it doesn't feel heavy for my small stature, I can't say for sure. Collection only from central Manchester and no trade offers please !
- 7 replies
-
- 1
-
- marcus miller
- sire
-
(and 3 more)
Tagged with:
-
Overwater might not be out of budget. My 2017 fretless jazz had optional extras including a flamed top and I believe that was below the £2500 mark. In fact I was looking at a Fender Jaco artist bass before it because I thought the Overwater would be really expensive but it was around the same price. Always worth sending Chris an enquiry
-
When you get to these price points it’s very specific to what you want from the instrument. Martin uses more exotic woods, Sadowskys are perfect for someone who plays a variety of shows, neither hold value very well. As someone who plays mostly in my bedroom, I prefer something more exotic so I would probably favour the Sei. However, I actually favoured Overwater when I had a super jazz built, and the other bass I really want is a 5 string Ken Smith Black Tiger.
-
Agreed. I made my first visit this year and while the shop is small they have some unbelievable stuff. I also found them very kind and despite it being busy they made lots of time for me. Unfortunately the girlfriend won and I came away with nothing but in the spirit of Arnie, I’ll be back!
-
The thing with P basses is it depends a lot on the strings. Flat wounds are my favourite, but there is even a big difference in tone between Thomastiks and Rotosounds. To me while Thomastik’s feel nicer, they completely lack warmth and character compared to the Rotosounds. I also get a very different flavour from Roundwounds. With sets of nickel and steel, the bottom end isn’t as thick or as present compared to the flats. So when trying a P, you should take the strings into consideration. I also hate the fat C necks, so I’m lucky mine came with a shallow B neck. It’s a MIM 2006 P with Lindy Fralin P/Us.
-
Worst bass you've ever played that you did not own.
OliverBlackman replied to stingrayPete1977's topic in Bass Guitars
A 1979 Fender precision that was wrong in every way. The only two original bits were the body and neck. The body weighed close to an anchor and the neck was chunky with holes in it. The pickups were as plain Jane as you’ve ever heard, and the foam underneath them had disintegrated so the pickups had effectively sunk into the body. The bridge had rusted as had the strings which might actually have been original but they would have been better used as a saw blade. The case wasn’t original and only had one working hinge and no latches. At £500 I thought it was worth a try... it wasn’t. Also those Hofner violin basses are horrible to hold. -
Did anyone see the 75 Jazz bass on Facebook today for just £1250? Why do these bargains only come up when I have no money and bills to pay rather than when I'm looking for a new bass. Is it just me or does this happen to anyone else?
-
Etiquette involved using someone else's rig at a gig ?
OliverBlackman replied to Les's topic in General Discussion
Don’t leave a pint on top. Someone’s done this on my rig before while laying their set, and I got a bit angry and got fired from the gig afterwards. But even now I’m still more upset that someone didn’t care enough about another bass player that he left a pint on my rig!!! -
I'll kick things off. My dream setup would be my fretless Overwater Jazz, a Ken Smith Black Tiger 5, and a vintage Fender Jazz. Amp wise I love my Markbass combo but the Aguilar DB751 through a DB810 is something else. I've had Hartke for while and didn't rate it anywhere near the warmth and definition from the Markbass and Aguilar amps. Bass wise my Fender P bass covers most stuff but I also have a Sire V7 that is fantastic. I've had both Warwicks and Musicman Stingrays before and sold them both on fairly quickly. The problem is that once you get to high end it's all personal taste as the differences can be quite minimal.
-
Where are you auditioning for? Different colleges will expect different skillsets and skill levels depending on how few spaces they have available. Places like BIMM or ACM have much lower standards compared to somewhere like RCM.
-
Yeh, but if you're at a jam and the keys player says the tune is in Gb you don't want to have to think "that's the same as F#" because if you learn the scale thinking about both, you won't have to think when playing either.