Mrbigstuff

Nice, always thought mahogany would be quite a heavy wood though compared to alder or ash.

This is what I was going to say. Also depends if the songs are rearranged or played in the same format they were recorded. Of course for YouTube it depends if you’re using it for promotion, teaching or just for fun. I like learning songs note for note because I pickup the nuances. I mostly read books if I have it or transcribe it myself. And not gigging means I don’t need to learn 100 songs ready to be played at any time.

Nice to see you haven’t been put off by the Rocco Palladino thread 😂 it’s cool you’re still been able to play together (of sorts)

He said ‘62 was the best year for his fenders and now it’s all I can think about 😂

I now have the Geddy book and my god it’s a GAS inducer.

Yet IME, the extra inch makes little difference to the sound but much more difficult for my short arms to stretch.

https://www.youtube.com/channel/UCs5yDeiOgkyRZGZGphlSbIw There’s loads of videos that it features in here - natural body, rosewood fretboard, double p p/u’s.

Lee sklars’ Franken P. Could just be him but it does sound good in his videos.

You’ve got more chance of getting macs from colleges who specialise in arts. Might be worth contacting a few locally

That sounds brilliant! Great buy

They say beauty is in the eye of the beholder. In this case I think it can only be in the hands of the blind.

I think this bass belongs in the “what puts you off” thread.

Gutted I could only watch a bit of it due to it starting late. I really hope it gets put online in full because the bits I did hear were inspiring. Hard not to be inspired by that lot but especially when discussing the greatest.

Well it’s just vibrations isn’t it? So the more the wood is vibrating the better the sustain. Depends on; hardware that has contact with the strings, wood choice, construction, and the strings themselves. I reckon plenty of decent records have been made with a bass that doesn’t sustain but has other qualities or characteristics.

Depends on what you want to achieve and the music you play. My fretless will sustain for days but I can also successfully play staccato finger funk on it no problem..... It’s all in the fingers.

Yeh looks right: https://reverb.com/item/14713379-fender-precision-bass-special-2002-black These seem to be passive but the ones I remember were active.

Pretty sure these were part of the catalogue when I got my 60th anniversary model in 2006. They were available in black but I’m pretty sure it was gloss.

Teal blue/ green Trans finish on a quilted maple body. Can’t find pics though but definitely seen them about

Probably my biggest influence of all, was lucky to see him play twice. Absolute monster way ahead in the funk game.

Exactly. I used to quite like being first in as I could warm up with some scales or go through song ideas.

One thing I learned when I dipped my toes into the music industry, you’ve got to be easy going and just accept the traits of others. Those that were easy going have generally had a better career IME.

There was a period 8 or 9 years ago when you couldn’t go to a jam night in London without seeing a pile of Mono Vertigo gigbags in a corner. I’ve had mine for that long too 😁

Not fair for me, I’d be looking at a used special for that price. Stingray 5s were £6-800 when I had mine though and now are £8-1100 so it makes sense that prices would go up a bit for the anniversary models but not that much. It depends how much you like it though, they don’t come up very often.