OliverBlackman

[quote name='wesfinn' post='1282164' date='Jun 25 2011, 01:38 PM']tune into....wait for it....'Made in Chelsea' on Monday night and you will hear one of my bands tracks featured.....sorry I'm embarrassed now.....[/quote] is there anywhere else we can hear it

Cee lo green and Aloe Blacc are the closest chart musics come to soul and funk for a while. Unfortunately because most people who buy singles are girls my-ish age, they dont care for soul and want what they hear in the club last night. That is how pop is going, Lady Gaga's a good example. I think Cee lo greens album is great, Bruno Mars was part of the team that wrote it, and i lso really like aloe blaccs album. Of course i would rather hear something by Tower of Power or Marvin Gaye but i dont see either being in the charts anytime soon

[quote name='JoshL' post='1281572' date='Jun 24 2011, 09:03 PM']Anyone watching on bbc 2 now got any idea's what the u2 bassist is, don't know why but I thought he used warwicks but that doesn't look like any warwick I've seen before.[/quote] [url="http://www.warwick.de/modules/produkte/produkt.php?submenuID=14667&katID=22947&cl=EN"]http://www.warwick.de/modules/produkte/pro...22947&cl=EN[/url]

I think it was jaco who said it was Mcbride who influenced him to get good when he saw him at youth jazz competitions in the states.

[quote name='molan' post='1278881' date='Jun 22 2011, 05:48 PM']Good point - both of mine are running of flats at the moment & they sound really nice [/quote] surely you need two, one with flats and one with rounds ;-) Other thing is, because they are such simple instruments as long as the feel is right and decent woods are used changing the pickups can make a massive difference.

[quote name='Bankai' post='1278568' date='Jun 22 2011, 01:34 PM']A thousand times yes Tis one of my favourites, presuming we're talking about the 60/64 Custom Shop Gold Jazz? [/quote] sweet, do you do the take away scheme for students as well? Might have to come in and give it a go, i love the brazilian fingerboards they are putting on the custom shops models. i unfortunately missed out on the dakota red on but it remains my favourite bass so far

do you have that lush new gold custom shop jazz bass?

[quote name='Doddy' post='1277047' date='Jun 21 2011, 12:45 PM']What Larry Graham slap book? As far as I'm aware,there isn't one.[/quote] I swear i remember seeing a picture of larry graham wearing all white on the cover of a book with an orange background. If its got his stuff in which i thought it did there would surely be some slap and pop charts in there [quote]Harmonics weren't a new concept-players like Art Davis were doing them on Upright in Jazz years before Jaco did his thing on electric,and there were probably players doing them way before him.[/quote] yes and violinists and cellists were im sure playing harmonics before them...

Im putting my CV together now

[quote name='Davo-London' post='1276551' date='Jun 20 2011, 11:06 PM']Folks a friend has asked me for recommendations for sub £200 basses. I know Yamaha do one, but do any of you guys recommend any? Cheers Davo[/quote] Squire VM or CV. Worth buying second hand. I used to have a jim deacon which was also good and cost me £120 new i think

i cant work out how to do the quote thing you did but: When i did my A levels way back when, it was easier to get higher marks when you write under the sub headings the marker has on his mark sheet and keep within those categories rather than expanding on the subject and analysing into more detail than was necessary, also word counts are a pain in the arse in that sense. Secondly if you did research into a topic as big as funk bass and wrote a detailed description of what happened people would read it. Books on history have been selling for hundreds of years. If i had the time i would probably do one, unfortunately i am soon to write an electric bass book for beginners as part of my dissertation so thats going to take up lots of time Oh and SWOT is Strengths, Weaknesses, Opportunities and Threats... A more alliterate pros and cons apologies to the OP for taking this off topic

I had one of the Mex ones too which were a celebration of Fenders 60th birthday, 2006 i think it was. They were called the diamond series and mine is one of the most beautiful P's iv ever played, with my 2nd favourite being an all origional '67. It has the white pickguard and a rosewood boards and i think its as pretty as a bass can be I did have to change the pickups though

[quote name='JordanRLS' post='1276422' date='Jun 20 2011, 08:47 PM']Just looking for anything regarding the actual [i]history[/i] of funk bass playing really, info seems to be a bit thin![/quote] im afraid i have to disagree. Funk bass playing essentially came from jazz walking lines and african influenced rhythms. If you analyse James Jamersons playing the notes hes playing are often root, third and fifths of the chord with chromatic runs. This is how a lot, not all, walking basslines were played pre 1950. But the other aspect of these young funkateers is they were using a lot of 16ths and syncopated rhythms. Although this was used in melody lines and big bands the bass rarely played like this. After that lots of funk players were using 16ths and syncopation (Bootsy Collins to name just one). Also there were new techniques; slap (larry graham), harmonics (Jaco Pastorius), two hand tapping (Victor Bailey). Also you can talk about how the introduction of the electric bass made it easier to use these techniques and play these lines. There are also different types of funk; Motown, Stax soul, Jazz funk, Acid Jazz, 70's disco that can be researched. To get the information the best way is by analysing tone, and whats being played on the record. Unfortunately its taken me a few years which i suspect you dont have

[quote name='EssentialTension' post='1276405' date='Jun 20 2011, 08:30 PM']What is it you hate? Is it that I supervise them? [/quote] haha no if you supervised them i would have offered you some basses to sooth the deal into giving me A*s ;-) I just find it very restrictive on the imagination when you have to write something just to get marks (to the brief) rather than writing something that would be genuinely interesting. Something like How has Bass developed in the funk genre would be very useful and exciting for any young bass player to research. When it becomes you must analyse something of your choice but make sure you do an introduction, SWOT analysis, conclusion, and bibliography, referencing and everything like that people choose what will get them good marks and be quick and easy to do. Maybe something like how does todays pop basslines compare to the pop basslines in the 60's and 70's would be ok but im sure how does green apples compare to red apples would get you more marks.

[quote name='EssentialTension' post='1276379' date='Jun 20 2011, 09:12 PM']Hi Jordan, in my college I'm one of the supervisors of the EDEXCEL dissertation version of these projects - is that the one you will be doing? I'm not familiar with the requirements for the other exam boards. If you are doing the EDEXCEL dissertation, then, as you clarify your topic, you will want to turn it from a topic area or descriptive question into a normative question. For example, the answer to 'How has bass design changed over time?' might be merely descriptive but you'll be expected to argue a position or point of view and not merely be descriptive. So, a question like 'Was the development of the electric bass guitar the most important technological innovation in modern popular music?' enables you to describe but also requires some analysis and development of an argument which concludes whether the electric bass guitar was or was not the most important technological innovation in modern popular music. I hope that makes sense and is helpful.[/quote] No offence meant to you personally, but this is exactly why i hate essays/assignments.

standing in the shadow of james jamerson, larry grahams slap book, any stanley clarke book, any book to do with bootsy, the new jamiroquai book, funk bass bible ect. Theres loads!!!! Just find out the bassists that are in the really funky tracks and research them. Totally forgot the bernard edwards book by stuart clayton

[quote name='Stuart Clayton' post='1266374' date='Jun 12 2011, 04:55 PM']Hi guys, Thanks for all the interest in this book! Yes, it is indeed very nearly ready. It's finished and is currently with the printers. I am expecting a proof copy early next week and once that is approved, I will begin taking pre-orders - keep an eye on the site (or email newsletter if you subscribe) for updates. I estimate that it should begin shipping the week after (20th June-ish). It's been a fun book to transcribe and write, so I really hope you all like it! Stuart[/quote] ordered!!! cant wait for it to arrive and dig in

[quote name='warwickhunt' post='1275348' date='Jun 19 2011, 09:31 PM']Warwick jack socket... nuff said! Get a Soundcraft or Neutrik one and you'll be sorted. TBH it's a relatively (dead easy) DIY job and should theoretically be a £20 job but seeing as how many places will charge you a minimum £30-£40 the total could end up being that +£6-£10 for the socket.[/quote] Just looked at the stock socket and i cant work out how to get it out?

My cable, Klotz titanium, or something like that is repeatedly falling out of the jack socket on my warwick thumb. None of my other basses have had this problem just the warwick. I was wondering if its a common problem with warwicks? Also how much would it cost to have a secure one fitted and what options are avaliable? Would probably get it done at the gallery as their always great but just wondered what you guys thought

[quote name='Davo-London' post='1270809' date='Jun 15 2011, 10:03 PM']I saw Jaco in concert 3 times in the late 70's and early 80's. He really was a phenomenon. Davo[/quote] Hi Davo, can you remember how Jaco might have or if he did change yours and other people perceptions of music and the bass guitar? Would be cool if i could get some quotes

[quote name='JoshL' post='1271197' date='Jun 16 2011, 10:14 AM']Braving out the rain maybe wasn't the brightest decission I made but found the atmosphere in the bands really good although I dont have anything to compare it againat as that was my first festival. Slightly agree onthe kings of leon though, bar on the bucket, sex on fire and use somebody they just didn't seem to totally be with it or connect with the audience. As for plan b, the whole of the set was quite surreal but on the whole I really quite enjoyed it even if I was soaked through after staying out from two door cinema club all the way through to the script. Decided to take cover in the big top after that until kasabian started.[/quote] I saw Kings of Leon at Reading in 2009. They honestly thought they were too big for the festival and didnt want to make any effort while telling the crowd we didnt make a good atmosphere! Absolute dicks

thanks for everything so far guys i knew there would be some good stuff out there, i also found the DVD is on youtube so iv watched half of that. Please keep it coming

damm thats been on itv2 in the past with Rufus Hound. Shame Sky have decided to ruin TV for everyone else and bought the rights for just about everything

If i volunteer as "the slap police" and tell off anyone slapping can i go free? Il even wear a no slap t shirt and il have a flashing light on a hat but ofc that could be an issue with any pregnant ladies who may want a wee

[quote name='fpbass' post='1268106' date='Jun 13 2011, 11:53 PM']I knew Dean Noel that was in Jaco's first band in the Fort Lauderdale, Florida area. I never met Jaco, but I was friends with others that went to the same high school with him.[/quote] Any chance you could kidnap them and ship them to me in England please? Funny though i was in Fort Lauderdale just last summer and had no idea that Jaco was even from Florida let alone the same region i was in!