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Chris2112

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Everything posted by Chris2112

  1. [quote name='Floyd Pepper' post='1261500' date='Jun 8 2011, 05:36 PM']So, here's my latest arrival. I'm reliably informed that it's a 1994 Series II - Graphite body, Blue Sims LEDS. Taking it to rehearsals tomorrow night for a good blast. I doubt it will replace the Miller Jazz as my main bass but not bad for a back up and encore bass! [attachment=82115:DSC_6983.JPG] [attachment=82114:DSC_6982.JPG] Cheers, Jim[/quote] Looks fantastic! But is that not the Matrix body shape? Possibly a one off custom graphite bodied Matrix with soapbar pickups? Anyway, here are a couple of shots I have of the Series 2 that will be travelling to me soon. I hope the previous owner doesn't mind me using them but they are better than my usual naff iphone efforts! Quite simply one of the most beautiful Status basses I've ever seen. I have dreamed of owning an 80's Series 2 for years, but I never thought I would find one with a maple facing like this. It's the best look for them, IMO, the contrast between the black graphite and lighter wood looks amazing and it really brings the accent line and the chamfered edge next to the bridge to life, much better than similar models with say, a walnut facing or another dark wood; not to say that they don't look great because they do!
  2. [quote name='Sonic_Groove' post='1260975' date='Jun 8 2011, 11:31 AM']+1 he looks great! I wonder how he did it? (I am thinking it may even be easier for me to copy his weight loss than even dare to try and get in the same playing league!!) LOL[/quote] IIRC he lost that weight as he needed an operation. Not sure how he did it but he put it back on pretty fast! Anyway, I was thinking of the track below earlier today. It's from one of Simon Phillips solo albums. Simon is a fantastic drummer who played with Big Country at one point. He has some great fusion chops, and Anthony's playing on this tune is amazing. It's huge and listening to him is often akin to like having a grand piano churning away in the background when he hits some of those low notes. This is great fusion too, very tuneful and groovy.
  3. I work shifts, so being in a band which regularly rehearses would be a nightmare to arrange and playing live would similarly be difficult to arrange. However, I gave up on live music years ago so it's not something that bothers me. Instead, I'd rather just play with people who work for the same organisation as me, it's fairly large and there are plenty of people who play instruments so getting a few guys together to make music isn't really a problem.
  4. [quote name='4000' post='1261562' date='Jun 8 2011, 06:16 PM']Yeah, but I prefer his cliches. And his tone. Jaco was a fabulous, creative player, no argument here; a giant amongst electric bassists (although certainly not the only one). However I have to agree with Wombatboter overall. I never liked his live solo playing; always found it disjointed and not very musical (to my ears). I really don't think he comes across as much of an improviser; his written solos are far better.[/quote] And herein lies the truth, that Jaco never was much of an improviser. He could improvise if he wanted to but he always came back to those licks we know, progressions he was familiar with. That was where his sound lay. He much prefered being able to write a solo out, and being able to take time in the studio to get the best cut. For example, the legendary solo in Havona is, IIRC, three separate takes spliced into one. Jaco was really more about composition and arragnement than playing. He even said so himself, when he remarked that that ill-fated steel drum album he had composed was the best thing he had ever written. I get the impression he spent far longer writing and arranging than he did just playing bass, and that he found that much more enjoyable too. It simply happened that he had learned to play bass to a good standard, so that was where he stayed! FWIW, I thought Joe Zawinul was a better composer, although having Jaco onboard in Weather Report was a boon for them since Anthony Jackson turned them down!
  5. I have always loved Jaco, but I've never liked Portrait of Tracy. It falls completely flat after about 30 seconds.
  6. [quote name='steve-bbb' post='1261492' date='Jun 8 2011, 05:30 PM']please please please please please.... if you must indulge in technical excess, then do it with some flare and expression [url="http://&quot;%20&lt;a%20href=&quot;http://youtu.be/hEtZpLk1jjc&quot;&quot;%20target=&quot;_blank&quot;&gt;http://youtu.be/hEtZpLk1jjc&quot;&lt;/a&gt;"] <a href="http://youtu.be/hEtZpLk1jjc" target="_blank">http://youtu.be/hEtZpLk1jjc[/url]</a> i thank you [/quote] That was pretty crap as well to be honest, plenty of aimless noodling but played to a small audience than Dream Theater would entertain.
  7. I actually rang Jon when he had this bass in stock as I was thinking of buying it. He was great on the phone, very passionate about the bass although it was the fact it had a mahogany neck that put me off. For me, it's an ideal body wood but not as a neckwood. It sounds as though I was right, and this bass isn't very aggressive sounding. It still looks great though, if I hadn't just bought a Status Series 2 I'd be offering to buy this!
  8. It'll probably be just as naff as the rest of them, and Myung still won't sound as good as when he used a Tung bass, and Petrucci won't sound as good as when he had an Ibanez bass. Same old, same old...
  9. [quote name='GreeneKing' post='1260386' date='Jun 7 2011, 10:08 PM']It's good to hear that the 'special one' is in good hands [/quote] I could never sell it, it's far too good. Looked after religiously, as fresh as the day I bought it from you. It still looks brand new and sounds incredible. Best bass I've ever bought!
  10. [quote name='Clarky' post='1260684' date='Jun 8 2011, 07:58 AM']Likewise, I may be wrong but I assumed they were cheap, good quality copies of Western brands but essentially flouting copyright/patents. Not something that should be encouraged in a legitimate bass forum IMHO Besides I prefer the semi-clad ladies in the figleaves ad [/quote] I assume it pays the bills. Where you spend your money after is up to you!
  11. One of those Sandbergs would seen an ideal compromise, Precision shape neck and body with a humbucker at the bridge for big Stingray sounds.
  12. Ah cool. I should be getting a 1980's Series 2 in the post next week, I can't wait! The Series 2 is the ultimate Status for me. Awesome basses and I have been without a Status for too long.
  13. Did you have this from new? I remember seeing this on the stock basses page of the Status website and appearing in the Status thread in 2008.
  14. [quote name='marcus bell' post='1253181' date='Jun 1 2011, 09:19 PM']that really is beautiful, i wish i had the money , either looking for an old school series 2/2000, kingbass, jaydee series 1, or alembic mark king soon.... good luck with the sale buddy x[/quote] You're obviously a big Mark King fan as you're always after his basses... ...I know the feeling myself!
  15. I've just sent payment off for a Series II now. Should be with me within the next week, hopefully. Back to Status basses again!
  16. My ACG is fairly lightweight considering it's a singlecut. The weight doesn't really seem to matter though because it balances so effortlessly. It's definitely best headed bass I've ever had as far as balance goes.
  17. [quote name='BottomEndian' post='1259552' date='Jun 7 2011, 12:16 PM']As a rule, no and no.[/quote] As a further consideration, if you're just looking for a passive rock bass, ACG are probably a little bit exclusive for that. Not to say Alan couldn't make you an amazing bass but surely someone else could do that for less somewhere.
  18. The closest thing to sounding like a Wal that is not a Wal is an ACG, IMO. I reckon it's down to the filter based preamp, which allows you great control over the midrange of the bass. Get one with the RFB pickups, roll back the treble using the dual band control and you're there, making that burpy, midrange heavy sound that made Wal so famous. Nothing else even comes close but you can do a poor impression if you have a Bongo bass. It'll get you somewhere near the sound you're after, but it won't fool anyone.
  19. [quote name='deanbean502' post='1256334' date='Jun 4 2011, 11:40 AM']Why is no one buying them then?[/quote] They are selling. Status basses always tend to sell. I've just bought an S2 here this week! Sorry I didn't get back to your PM about your bass, I've had loads of messages coming and going about various basses this week. There have been a couple of Statii that have sat around for a little while not selling but they always go in the end!
  20. I had a Stealth 6 string a few years ago. I reckon it must have been one of the first Stealth 6 strings made! Great bass.
  21. That is something I noticed when I got my first Status, they certainly demand a delicate touch to extract the best from them. They'll show up every imperfection in your playing and your touch just by virtue of their construction, every fluff is amplified and every rattle comes through crystal clear. Settle into them and get used to it though, and you'll find that there are few basses which can sound as good. See the below video for a very good recording of what a Status bass sounds like (and some incredible playing): Listen to those sharply defined lows, the ever-present mids and the bright, musical highs. Each note is so well defined it can take some adjustment of your playing to get the best from them. By comparison, a wooden bass with old strings is a comfy pair of slippers! However Machines, I'm sure you'll find a suitable Status in future, although I suspect it won't be a Stealth!
  22. EBMM aren't really the company to pioneer new things now. Just look at the success of the classic Rays!
  23. [quote name='cetera' post='1258561' date='Jun 6 2011, 04:34 PM']It looks better, particularly on a Jazz bass...[/quote] +1 Jaco had the right idea!
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