Chris2112

Wasn't the Mayfair where The Gate is now? People used to bang on and on about that place but I can't remember it at all.

[quote name='funkypenguin' timestamp='1336088633' post='1640888'] Aaaaaaand again.......just for good measure, and my personal favourite! AJ is one of my 3 favourite bass players and biggest influences as a bassist and musician [media]http://www.youtube.com/watch?v=kd349Df1Ows[/media] [/quote] Anthony's solo in this tune is great. I always find that he and Abe Laboriel are able to make the 'fingers and thumbs' style of playing sound so much more compelling than the likes of Matt Garrison. AJ is just incredible.

I used to keep my Hohner Jack bass and my Squier Classic Vine Jazz bass in my locker at work and play them through a little practice amp on breaks. I don't get a regular break though (if I get one at all) so eating usually came before playing my bass so I stopped bringing one to work.

[quote name='EBS_freak' timestamp='1336273885' post='1643444'] There was only master of this technique and such a humble guy. RIP Eric. [media]http://www.youtube.com/watch?v=GjDXEVYBv7M[/media] [/quote] That was absolutely out of this world, amazing.

[quote name='blooterheed' timestamp='1336159411' post='1642025'] totally agree,saw them live whitley bay ice rink 1985 fantastic but not as fantastic as your depeche mode quote on your heading......to finish it off, "your breathing in fumes,i taste when we kiss " ha ha class martin gore one of the most underated songwriters of ALL TIME [/quote] I saw them at the 02 Newcastle. Good show, crap venue and full of idiots but I still had a good time. I'd have rather been at the Whitley Bay ice rink though. And yes, Martin Gore is the man.

It's an issue on 6 string basses like it is on 4 string basses, some will suffer from it and some won't. My Status Stealth 6 string never neck dived as it was so light overall (carbon fibre monocoque construction). Then again, some 6'ers will dive all day, but they're no different from 4 strings in that respect!

The kid sure is talented but I find this whole 'acoustic slap and tap' thing a little played out. It was bombastic when Don Alder was doing it a few years ago though.

[quote name='wingnutkj' timestamp='1335948005' post='1638336'] FWIW I've found there to be a lot of variance in the weights of the Lakland Skyline basses I've tried. The Lakland Decade I tried in Guitar Guitar in Newcastle was very heavy indeed, but the one I ended up buying (Kenny's Music in Dumfermline) was fine. The one that's currently in the Glasgow Guitar Guitar is about the same weight as mine. [/quote] I found Guitar Guitar Newcastle's stock of Laklands quite disappointing. Even the most expensive models felt very drab. It seemed liked you got a lot more for your money when you were buying new a few years ago.

I would keep looking for the bass but don't get too obsessive about it. More than likely, were you to play it again it might not be so magical though I appreciate it has some sentimental value. Have you not thought of getting another nice Modulus and making some great memories with that?

[quote name='eude' timestamp='1335859714' post='1636910'] +1,000,000! The ACG preamp offers a fair bit more than the Wal preamp in terms of it's versatility, can't comment on the Alembic one though. Oh, and the new ACG EQ03 has low and high mid boost options and active/passive switching on top of all that. I can also vouch for the fit an finish on ACG's too, I've not seen any better :-) Eude [/quote] Indeed, the ACG preamp is a happy medium between the directness of the Wal controls and the complexity of the Alembic controls. The ACG is very easy to get to grips with, as the different controls are 'stacked' so that they make sense (IE. each filter and resonant peak control are stacked, volume and pan are stacked and the dual band treble controls are stacked). On some Alembic basses, they can be a bit of a scattered array, before you even consider adjusting the internal trim pots! Indeed, ACG basses are as fine as any made today. I have been recently thinking about selling mine but every time I get it out and have a play I think 'No, I'm not selling this'. I'm moving house and I worry that any cash I made off the ACG will be quickly forgotten about (and spent on a new kitchen) and in years to come I'll stink look back and think "I had the very first singlecut ACG Harlot..."

[quote name='Teobass88' timestamp='1335859714' post='1636909'] I've made a change with a "botique pickup" so I know that it's quite different between an industrial one, but I can affirm that my Thumb is reborn! Before the change the potential of this instrument was at 60%. And it's a real pity! But, obviously, we're talking about feelings and likings...and [i]De gustibus non desputandumm est [/i][i] [/i] [/quote] Ultimately, whats important is that you are happy with your bass and it does indeed sound very good with the new pickups in it. Personally, I've tried some Warwicks with Seymour Duncans and some I have enjoyed, some not so much. As Warwickhunt has said, you'd be hard pressed to tell MEC's from EMG's especially with less than new strings. But ultimately it all depends on what you're happy with.

A stunning performance there. His talent on the bass is incredible when you consider that he is primarily a guitarist.

They are essentially very different. Wals feel quite uniform, whereas every Alembic feels different. Both are noticeably hand crafted instruments, though generally Alembic's fit and finish is far better than Wals. The electrics are quite different too, with Alembic often using a far more intricate setup on their basses. Really, they are very, very different instruments.

[quote name='leftyhook' timestamp='1330640033' post='1560993'] He only uses his one one song in the set live apparently. A token gesture methinks. [/quote] Indeed he did on the last tour, though it should be noted that the Vintage sounded as good as his Fender.