[quote name='xilddx' timestamp='1363635685' post='2015123']
I totally get what you are saying. I think it's about doing what's right for the song, whatever the song is, but doing it with real attitude. If you only like bass doing a simple groove that's perfectly fine. I don't like a lot of the virtuosos I've heard because of what I see as a failing in their ability to transcend their exercises. Even players Hadrien Feraud and Jimmy Haslip seem to sound like they are doing exercises, ultrafast descending scale runs in fours and stuff like that seems prevalent in so much of what they play, the same little chords they use, they way they 'take it down' with the quiet little nippy notes, and so many of these players sound like that.
But when I listen to Scott Thunes or Tom Fowler, their lines are just so much more harmonically interesting, there's real harmonic and melodic depth in their lines, and they are played with fire, real energy. But then they had superb compositions to work with. I mean, where have the composition skills gone? All the new virtuoso chops jazz sounds much the same, same old progressions but nothing inspiring. And what's with all these daft effects they're using now, these comical dub step and auto wah sounds that seem so popular with so many virtuosos. I know I sound really prejudiced but I honestly think most of the new breed of virtuosos sound dull, boring, sparkless, and often the same as each other, all the old transcribed jazz trumpet runs on bass.
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yeah i totally agree, I feel like that about most players, it's just like the guitar shredders now, but on bass. That's not to say a shred doesn't have it's place. It just needs fire and not to be done all the time.