Prime_BASS

Thanks PEd, all sorted now. Might be an idea to put on the OP about warning from doing through mobiles (I was logged in at the time)

sure thing, I will try again from my laptop(which I am now on.)

Just completed a subscription payment via my phone, without beinga member to paypal, while posting a new thread, after paying I had to re-trype my whole for sale thread again, then the subscription message came up again. I used a different email though, [email="[email protected]"][email protected][/email]

IIRC was about £450, excluding postage, and depending n if you had the silvergrill cloth or not, also there was a £80(IIRC) surcharge per driver then too, so the current price of £500~£550 is including the surcharge I think. Its definitely gone up a fair bit. The last one on her that was used was set at £450 so I had to check thinking it was the same as the new price. Edit: scratch that, some reason the tweetered version costs over a hundred pound more than they did a while back. a bit mad, I'd just go for a compact, unless I had to travel on a bicycle.

Battle of the egg heads. I'm interested in these cabs, 99% of gigs are done with pa support so s rather have a cab that was designed for mids than an incredible and pointless low end.

I have done some reading and found that buffered an be good however my chain is not going to be massive long, and from what else I've read the buffer in the ls-2 is a little pants. So right now I'm going with a a+b passive box, my wireless reciever has two outputs so going to have two rows of outputs coming from that.

I want a ramp made for my sandberg so that when I'm not playing over the pickup it gives the same feel.

I would stop being a girl about it, but its always on the back of mind I'm not too fussed about the dirt in one loop, but I still want the option of it being off and not effected by anything.

I want to do what basically the ls-2 does from boss, in regards to mixing two seprate channels with independant volumes into one output. Being a snob i want true bypass, but anything that does what the ls-2 can (brand new) is more than pricey. I'm looking at my options for cheapo channel mixers. I already have a loooper which can add a blended loop to a dry signal but I really need two channels that are independent of each other. So I was thinking if my loooper can output on both the output and effects send (without the return being used) could I use something like an A/V mixer to mix both outputs back into one signal.?

You and your parallel compressing.

[quote name='pietruszka' timestamp='1361021706' post='1979882'] I've used my Sandberg basic for everything, pop, rock, funk, soul, motown, ska, country, blues. And it works with all of them, and I barely tweak the EQ, it just sounds great. There is a video review of some bass tested by Paul Turner, he said he liked it that much during testing that he played it in the Jamiroquai set that night. To me that says that the bass' sound is irrelevant (I am putting my shields up for the bombardment!). If it sounds good it will work, it didn't matter if Turner used a jazz, or a sting ray, or a warwick no one is really going to notice that much are they? Go for it, after all the bass won't be played on its own in a band will it? Dan [/quote] True say, I play my basic in a pop-punk-alt band, sounds mint

True, if you lie the 2x10s sound but need more buying the same cab will give you the same sound but more of it. If I came to the party sooner I would hve said 2 2x10s over a single 410, for a whole load of reasons but now I use single 410 anyway. Just need something to get it in the air at gigs (ear height)

[quote name='alexclaber' timestamp='1361497176' post='1986731'] No, only if you turn it up very loud and ignore the audible warning signs from the cab (i.e. excessive growling, farting etc). And it's only 1000W into a 4 ohm load - into an 8 ohm load it's 500W. [/quote] This. The compact is going to be about as good as it gets for a lightweight cab that shifts massive air, and price wise. The ashdown will be nothing like the barefaced stuff.

[sup]it's all crap.[/sup] [sup]Majority of bands doing it wrong and majority of venues doing it wrong.[/sup] [sup]we've been doing it wrong for ages but still manage to get good gigs, albeit not regular and it takes a bit of persuading.[/sup]

These line boosts are only going to jump your volume up too, I know that is kind of the idea, but the volume knob needs to go down when the gain goes up. You have the right idea, but it woukd be a lot simpler to juat get a OD pedal, and even if you don't dig it that much, low gain settings with te volume up high will act like a signal boost anyway. The volume increase thy you'll get from the line boost will give sou d guys headaches.

Fea do a dual band distortion pedal. It's effectively a dual stage distortion with band passes. The lo or hi side can be bypassed completely, along with the lo having a clean blend. You can set individual amounts of dirt on either side too, and IIRC each side has frequency sweeps. Looks very good on paper, so I'd look at thy for inspiration(as its expensive too) I too never really big clean blends as you never hear your clean tone properly. My board is essentially a full range clean with a loop added with just the midrange distorted. I want to try the fulltone ocd as that has band passes on it.