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low tuning, finger playing, flapping strings, thumb rest?


Chest Rockwell
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Hallo,

I know most people root their thumb on a pickup to play the bottom string, but Im having something of an issue with this due to a few factors... we tune to B and my strings are thick heavy gauge, so they can flap about a bit... there was too much volume on my B string (that would normally be an E string) so i screwed the pickup down into the bass... this has balanced the string volume, but when playing boisterously, there's not enough exposed pickup to rest on it! So i end up with some weird floating thumb and it's not a confident position to be in.

I'm thinking of buying a simply thumb rest, finding a suitable position (probably at the top of a triangle between the pickup and the end of the neck), where I can sit and smash through heavy riffing on the B (E!) without losing power cos my thumb/hand isnt locked in.

anyone got any thoughts on this or experienced a similar thing?

p.s. this is my Geddy Jazz. it has a great boom for this Sabbathy kinda music! I tried a Fender P Highway One and the bass disappeared(!), so that's now gonna be a standard tuning home practice bass!

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Am I right in thinking that you tuned your E string down to B? Why not buy a single B string from a 5-string set and swap that out with the existing E string? At least then you would have a string which is designing to give you the frequencies you want at a reasonable tension.

If it's the whole bass that's tuned down, then you could put on the B string and shift the other strings over, ie: E->A, A->G, D->G, G falls off the end. :) so the tuning becomes BEAD. I'm sure there others on here more knowledgeable than me who could give you the necessary info about neck tension and truss rod adjustments to cope.

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the tuning is B F# B E, basically C# standard but the C# dropped to B. so they're all low. I dont think a B from a 5 string would make much difference. I got a set of Heavy strings that I cant seem to find online but my email confirmation tells me they're 'Bass Boomers Nickel Plated 50-115 Heavy' and the 115 I could barely get through the BadassII bridge! not to mention the fact that if I use a plec and hit the E string hard, it pops off the nut!! finger style doesnt seem to have that issue

this is all a learning curve for me. I never thought about any of this stuff before but now I can see where Im going and want to tweak a bass I really like a little more so that it can help me.

hmm. didnt really know what a ramp was but think it might not be my style! looks too 'pro musican' for me :) I could higher the action a little maybe, it's possible i've been overzealous dropping the pickup, maybe the solution is there, which would make it a lot easier! trouble is that we do a few things around the 12th fret and beyond on the E string and I dont really want to fight it... cos i also play pretty low slung and reaching down there isnt easy!

style vs substance eh :lol:

Edited by Chest Rockwell
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[quote name='Chest Rockwell' post='992530' date='Oct 18 2010, 05:56 PM']the tuning is B F# B E, basically C# standard but the C# dropped to B. so they're all low. I dont think a B from a 5 string would make much difference. I got a set of Heavy strings that I cant seem to find online but my email confirmation tells me they're 'Bass Boomers Nickel Plated 50-115 Heavy' and the 115 I could barely get through the BadassII bridge! not to mention the fact that if I use a plec and hit the E string hard, it pops off the nut!! finger style doesnt seem to have that issue[/quote]

These are simple issues to fix. You need to file the nut slightly to allow a bigger string to fit. You should be able to get a bigger string through a badass bridge. The heavier ones are usually taperwound so you can get the first bit in easier.

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[quote name='Wil' post='992324' date='Oct 18 2010, 03:41 PM']Instead of lowering your pickups, why not try raising your action? I can't abide a low action, far too little tension on the B string for my heavy right hand technique.[/quote]

The height of the string has no bearing on its tension.

[quote name='Chest Rockwell' post='992530' date='Oct 18 2010, 05:56 PM']hmm. didnt really know what a ramp was but think it might not be my style! looks too 'pro musican' for me :lol: I could higher the action a little maybe, it's possible i've been overzealous dropping the pickup, maybe the solution is there, which would make it a lot easier! trouble is that we do a few things around the 12th fret and beyond on the E string and I dont really want to fight it... cos i also play pretty low slung and reaching down there isnt easy!

style vs substance eh :)[/quote]

What you really need is to use the bottom 4 strings of a 5 string set-It'll work better for the low tuning. Also,you will need to make the nut
slots a little wider to accommodate the thicker strings-That's why your strings pop out of the nut.

Don't worry about looking 'too pro musician',as it's obviously much cooler to be struggling and 'amateur'. :)

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[quote name='Doddy' post='992554' date='Oct 18 2010, 06:12 PM']The height of the string has no bearing on its tension.[/quote]

I realise this is technically correct, but it does [i]feel[/i] stiffer on fretted notes, no idea why. Certainly gives more room for the strings to flop about at any rate, which is a boon in low tunings if you want to avoid clack.

Sounds to me though like using a proper B string (.125 guage for instance) would help.

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looks like there's a groundswell of feeling in favour of using the pickup as a thumb rest? I really dont need or want a 5 string. even though it's low tuning, i feel happy with a 4. what's good enough for Lemmy is good enough for me!

im sure in time though i'll discover 5 string joy, but fer now I think i'll for a ten quid thumb rest! (tho i will try and up the pickup to a usable height)

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I think there's a groundswell of feeling that you should use the bottom 4 strings from a 5 string set - all you need to do is file the nut a touch and give it a setup, and you'll be away. I use a 4 string strung BEAD on occasion and it works a bloody treat.

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[quote name='Wil' post='992766' date='Oct 18 2010, 09:07 PM']I think there's a groundswell of feeling that you should use the bottom 4 strings from a 5 string set - all you need to do is file the nut a touch and give it a setup, and you'll be away. I use a 4 string strung BEAD on occasion and it works a bloody treat.[/quote]

I have done this just a few days ago as an experiment. Totally love it. Did it on an old Westone. Now thinking which of my main basses to do it on.

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As Mr Foxen suggested, shim the neck to give a bit more neck angle, then raise the bridge saddles, and reset intonation.

I went through a similar thing trying to get an old P bass tuned down to low A! Had to shim the neck, move the bridge back a little to get the intonation right, and re file the nut slots to suite the heavier strings. Still managed to have it playing with a medium to low action at the end, but needed a few truss rod tweaks.

For strings, Give DR DDT's a try. My Les Paul bass is tuned down to C, on a 115 set, and no issues with flapping, or intonation at all. Even the DDT 105 set will handle low C, although if you play hard, the 105 set can get a little flappy.

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As an experiment, de-tuned my Squier P-special by taking off the standard 4-string set and whacking on the bottom four strings from a 5-string set, filed the nut and adjusted the truss rod. Took about an hour all-told, including tuning and intonation. Just for sh*ts-n-giggles, de-tuned down to a low A (ADGC) - works reasonably well.

Can't see a problem with using maybe a decent B-string (around 0.125 - 0.135 gauge), and leaving the rest as-is. Maybe look at some heavier strings for the F#, high B and E, will help keep the tension fairly even. Three semi-tones is quite a drop for most standard strings.

HTH, Ian

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I fitted a thumb rest to a P bass once, where a bridge pickup *would* have been, so I had something to anchor on to with my thumb. If you don't mind two screw holes in the body - then it's a really cheap option, because they are only a couple of quid from most outlets. I've seen some different shaped ones too. You could even make your own one out of a piece of wood and colour it to match the bass?

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Like I said, I just reckon it takes a bit of getting used to. Awhile back I split the end of my thumb, so couldn't rest it on the pickup. So I didn't have any option for quite a while but to try to play without resting on it. It's a bit of an odd feeling, but I found that the heel of my thumb got used to taking the weight instead. I actually now think it makes my playing a bit more flexible, but that's just me.

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yep, i appreciate all the suggestions, but the thought of taking a hammer and chisel to my bass just to fix a simple problem scares the hell out of me! and since i just bought a Fender P for normal tuning practice, im not in the money to splash out on a five, though that'd be a nice luxury to play with. one day. im not completely out of sorts with a floating hand as-it-were, just that a ten quid thumb rest still seems to be a nice little luxury, if i can just practice not wrecking my Geddy before I put it on. I have an old bass i'll use to get the position I think... then get the drill out!!! :)

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