AndyTravis Posted November 2, 2010 Author Posted November 2, 2010 there are two prototypes on the way, and a third in 'blue fade' for me, this will be fretted and should have a maple fingerboard. Quote
gilmour Posted November 2, 2010 Posted November 2, 2010 I just thought that the ramp was a nice USP compared to other Fender clones (I know it's not an exact clone, but you know what I mean) in the same price bracket. If it's shipping with an unattached clear scratch plate could you be really cutting edge and have the ramp moulded into the scratch plate? That would be really unique Quote
AndyTravis Posted November 2, 2010 Author Posted November 2, 2010 I'll see what happens when they're in my hands. Looking at the costing sheet so far not factoring in the ramp and pickguards, is looking like the upper limits. I think the duncans and the nice top, as well as a real ebony fingerboard and more versatile controls give this bass legs. I'n thinking the pickguard would interupt the top too much, and the ramp is a bit niche anyhow. I'll still be making one for mine though. Quote
LawrenceH Posted November 2, 2010 Posted November 2, 2010 [quote name='AndyTravis' post='1009679' date='Nov 2 2010, 03:24 PM']I'll see what happens when they're in my hands. Looking at the costing sheet so far not factoring in the ramp and pickguards, is looking like the upper limits. I think the duncans and the nice top, as well as a real ebony fingerboard and more versatile controls give this bass legs. I'n thinking the pickguard would interupt the top too much, and the ramp is a bit niche anyhow. I'll still be making one for mine though.[/quote] Proper pickups and nice wood are much more fundamental to my mind than strange novelties like ramps. A clear pickguard could be cool, but should definitely be optional only if you want as much mass appeal as possible (IMO). Quote
AndyTravis Posted November 2, 2010 Author Posted November 2, 2010 this feedback is really helpful, once i get the final sheet, i'll ask how much certain things add to pricing etc. Quote
AndyTravis Posted November 2, 2010 Author Posted November 2, 2010 When I asked about getting one made in Blue, as a fretted Maple Neck... [i]"We are lucky because we still have a body to use, please check the attached SBL burst and let me know your thoughts. Maybe we can make it with darker blue edge, not black one. By the way, 2 finished Fretless basses have been sent to you via DHL yesterday."[/i] I've asked them to soften the colouring a bit, the colour they've sent looks a bit G&L. I'll add an update with regards to this, nice to have a Manufacturer recycling their parts bin to make me a bass Anyhow, not far away now! Quote
7string Posted November 3, 2010 Posted November 3, 2010 Great thread Seeing the partial fretlines, and not every fret at that, is a fantastic idea and one which I've only seen on high-end custom stuff (or maybe I should get out more). All in all it looks like it's going to be a great bass. The only problem could be that it has the wrong name on the headstock, but hopefully it'll be good enough to attract the players and not the badge wearers Quote
AndyTravis Posted November 3, 2010 Author Posted November 3, 2010 I think the bass should speak for itself, brand name or not. Just got to make sure it gets into peoples hands. Quote
eude Posted November 3, 2010 Posted November 3, 2010 [quote name='AndyTravis' post='1010503' date='Nov 3 2010, 10:46 AM']I think the bass should speak for itself, brand name or not. Just got to make sure it gets into peoples hands.[/quote] Well if I end up in the market for a Jazz Bass-esque instrument I'll be looking at Farida first for sure, not a lot of people have shouted about them yet, but the ones who have know what they're talking about when it comes to Jazzes Do you know what price this one will be coming in at yet? Eude Quote
BigRedX Posted November 3, 2010 Posted November 3, 2010 Not entirely sure about the position markers especially that weird double one at the octave. My preferred system is side dots at the "fret" positions for 1, 3, 5, 7, 9, 12, 15, 17, 19, 21 and 24 and corresponding dots on the fingerboard between the G and D strings (but closer to the G) for the 12 to 24 positions to help with the parallax issues. Quote
AndyTravis Posted November 3, 2010 Author Posted November 3, 2010 BRX, this is a working prototype, if it doesn't work like that i will ask them to change it. If we put markers everywhere it would start to look a mess, these maple inserts are at the 'front' of the dotted notes, and being a relatively plain fingerboard, the side indicators are at the note too, like my unlined fretless rather than between positions (like on most lined fretless basses) which would be confusing for most people. Quote
xilddx Posted November 3, 2010 Posted November 3, 2010 [quote name='mart' post='1008855' date='Nov 1 2010, 06:49 PM']That prototype looks fantastic. I'm really not a Fender fan, but the flamed maple really sets that thing off beautifully. I personally don't like the pickguard - it looks like a bit of Jaco left over from another project! So I'd go for no pickguard. And definitely no ramp - I know it's contentious, but hey, I'm just stating my preference. At this rate I can see I might be parting with some hard-earned and adding a J-style to my stable. I'm really impressed![/quote] Totally with Mart here. I think your decisions re the ramp and PG are spot on. Quote
AndyTravis Posted November 3, 2010 Author Posted November 3, 2010 [quote name='silddx' post='1010938' date='Nov 3 2010, 03:47 PM']Totally with Mart here. I think your decisions re the ramp and PG are spot on.[/quote] Yeah, i think ramps and pickguards are optionals. Quote
mart Posted November 4, 2010 Posted November 4, 2010 (edited) [quote name='silddx' post='1010938' date='Nov 3 2010, 03:47 PM']Totally with Mart here. I think your decisions re the ramp and PG are spot on.[/quote] Actually that's quite ironic cos I realized I was possibly using the wrong terminology, and misunderstanding your proposals, and probably ensuring that nobody understood what I meant. On a Jazz bass you've got a pickguard (around the pickups), and a separate control plate (which the knobs sit on). And Jaco removed the pickguard but left the control plate. What I meant to say was that it looked odd just having the control plate, and that it'd be better to have no control plate at all, with the knobs fitted through the wood of the bass (like on Warwicks, for example). I'm guessing that might be way too expensive to machine, though. A metal control plate and a clear pickguard wouldn't look bad, but I personally think your bass looks better without any pickguard, and then the Jazz-style control plate looks out of place. Sorry for any confusion etc! Edited November 4, 2010 by mart Quote
xilddx Posted November 4, 2010 Posted November 4, 2010 (edited) [quote name='mart' post='1011799' date='Nov 4 2010, 10:53 AM']Actually that's quite ironic cos I realized I was possibly using the wrong terminology, and misunderstanding your proposals, and probably ensuring that nobody understood what I meant. On a Jazz bass you've got a pickguard (around the pickups), and a separate control plate (which the knobs sit on). And Jaco removed the pickguard but left the control plate. What I meant to say was that it looked odd just having the control plate, and that it'd be better to have no control plate at all, with the knobs fitted through the wood of the bass (like on Warwicks, for example). I'm guessing that might be way too expensive to machine, though. A metal control plate and a clear pickguard wouldn't look bad, but I personally think your bass looks better without any pickguard, and then the Jazz-style control plate looks out of place. Sorry for any confusion etc![/quote] No mate, that's exactly what I meant too. I understood you perfectly. BUT, what people love about fender types is the easy customisability with things like PGs, and they are so often swapped, so to save on the RRP, let them put one on if they want but not feel like they wasted cash on the one already on there. They also like that Jaco look, and the custom types with no control plate is too far from the Fender style for a lot of people. I think your decesions were excellent from a marketing POV Edited November 4, 2010 by silddx Quote
mart Posted November 4, 2010 Posted November 4, 2010 [quote name='silddx' post='1012140' date='Nov 4 2010, 02:58 PM']No mate, that's exactly what I meant too. I understood you perfectly. BUT, what people love about fender types is the easy customisability with things like PGs, and they are so often swapped, so to save on the RRP, let them put one on if they want but not feel like they wasted cash on the one already on there. They also like that Jaco look, and the custom types with no control plate is too far from the Fender style for a lot of people. I think your decesions were excellent from a marketing POV [/quote] Many thanks! I was beginning to think I'd completely lost the plot - it's really good to know you understood exactly what I meant. Quote
AndyTravis Posted November 4, 2010 Author Posted November 4, 2010 I think i see your point. The control plate in chrome means they can use the current body blanks to put the thin Maple veneer on the bass, and to be fair, it's to capture the slightly 'modified' appearence of the bass. I just think if I asked them to rear-rout the bass, it will look like a Blade Tetra, or Sadowsky modern 4. I'm unsure what will happen once these 3 basses arrived after a meeting with the product manager today; he's of the opinion they may end up too expensive, i.e. same price as a Mexi Fender. Depends, i think the bass has at least been an interesting experiment, and if it ends up in production then happy days. Still no news on the Blue Fretted version, if they send it fretless, i'll have it fretted. Quote
Balcro Posted November 10, 2010 Posted November 10, 2010 (edited) Hi Andy, I 've only spotted this thread today. The aesthetics on those prototypes look great. Just one thought. The choice of an ash body. I'm all in favour of that, having enjoyed the dramatic difference, in switching from a basswood precision clone. Ash just sings. However, the reduced body weight can bring about a big change in the overall balance. Are you able to guage the balance of this project? All the best to you and Farida with the project. Balcro. Edited November 10, 2010 by Balcro Quote
AndyTravis Posted November 11, 2010 Author Posted November 11, 2010 The FJB 20 they make is all ash, and balances just fine. Obviously each bass will vary a little, so i'll see what the prototypes do. Still no news on arrival yet, nor any update on the fretted version. Will update when I hear anything. Quote
Darkstrike Posted November 12, 2010 Posted November 12, 2010 It's certainly a beautiful looking axe. Quote
AndyTravis Posted November 18, 2010 Author Posted November 18, 2010 these have arrived in the UK, well 2 out of three have. Unfortunately seems they've been damaged in transit, nothing fatal, but i've been told to expect have to do a fettle or two... Will let you all know and add more pictures when i see them early next week. Quote
AndyTravis Posted November 23, 2010 Author Posted November 23, 2010 Panic over, they're here and they aren't damaged at all! The necks had settled in transit, and needed a tiny amount of relief putting onto the neck. One fully satin, one fully gloss. At the minute i'm over excited, but i have to do a report tomorrow. Pics and review to follow! Trav Quote
AndyTravis Posted November 23, 2010 Author Posted November 23, 2010 Couple of basic mobile Pictures... Quote
AndyTravis Posted November 23, 2010 Author Posted November 23, 2010 (edited) Twins...ish Edited November 23, 2010 by AndyTravis Quote
LawrenceH Posted November 23, 2010 Posted November 23, 2010 They look the business. Looking forward to your report! Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.