PauBass Posted March 7, 2011 Share Posted March 7, 2011 (edited) I want to give flats a try but there's many choices out there and I have no idea which ones to go for. A few things I'd like from the strings: - I want them to have good tension so I can Detune if needed. - Relatively bright, so slap can sound acceptable...I know any strings/bass can be slapped but the tone you get is a different matter, right? - No silk on the ends please....It may sound silly but, I hate it! Which ones would you recommend? They will go on my Fender Jazz and P Basses. Edited March 7, 2011 by PauBass Quote Link to comment Share on other sites More sharing options...
Cat Burrito Posted March 7, 2011 Share Posted March 7, 2011 I can tell you Fender, Hofner & Rotosound all have silks. Just in case nobody replies and you want to know who to avoid. Medium or long scale will all go on a standard Fender Jazz or P bass just fine. Most packets will state "will suit 32" - 34" scale" or similar which is what you want. Relatively bright, hmmmn. Actually I find flats still a bit bright when first on but that's usually gone after a gig or two. Quote Link to comment Share on other sites More sharing options...
dannybuoy Posted March 7, 2011 Share Posted March 7, 2011 Most strings have silks on... You can always singe em off with a lighter?! Bright, high tension? Sounds like you want some Chromes. Quote Link to comment Share on other sites More sharing options...
EssentialTension Posted March 7, 2011 Share Posted March 7, 2011 (edited) As well as the Fender, Hofner & Rotosound already mentioned, also Thomastik Infeld, D'Addario, La Bella, Pyramid, and Lakland flats have silk. EDIT: DR too Edited March 7, 2011 by EssentialTension Quote Link to comment Share on other sites More sharing options...
EssentialTension Posted March 7, 2011 Share Posted March 7, 2011 (edited) [quote name='dannybuoy' post='1152741' date='Mar 7 2011, 05:59 PM']Most strings have silks on... You can always singe em off with a lighter?! Bright, high tension? Sounds like you want some Chromes.[/quote] Especially most flats. +1 on the D'Addario Chromes (with silks) Edited March 7, 2011 by EssentialTension Quote Link to comment Share on other sites More sharing options...
PauBass Posted March 7, 2011 Author Share Posted March 7, 2011 (edited) Ok, I'll put up with the silk...D'Addario Chromes then? How do La Bellas and TI compare to those? Edited March 7, 2011 by PauBass Quote Link to comment Share on other sites More sharing options...
EssentialTension Posted March 7, 2011 Share Posted March 7, 2011 [quote name='PauBass' post='1152779' date='Mar 7 2011, 06:34 PM'] Ok, I'll put up with the silk...D'Addario Chromes then? How do La Bellas and TI compare to those?[/quote] I haven't played any Chromes for ages but I'd say they are the highest tension, then La Bellas, then low tension TIs. Chromes are the brightest, TIs have more mids, and La Bellas least bright. I'd be happy to see those comparisons disputed. Like with any strings, there is no real substitute for trying them. It's an expensive business but with flats they do last for ages. Quote Link to comment Share on other sites More sharing options...
fonzoooroo Posted March 8, 2011 Share Posted March 8, 2011 D'addario half rounds don't have silk. Admittedly, they're not flat either, but I use them on a couple of fretlesses without issues. Just a thought. Quote Link to comment Share on other sites More sharing options...
Delberthot Posted March 13, 2011 Share Posted March 13, 2011 I've been using the Rotosounds for a few months and they're still quite bright for flats. Tension is between TIs and Chromes and they have red silk. Quote Link to comment Share on other sites More sharing options...
spinynorman Posted March 15, 2011 Share Posted March 15, 2011 I found Chromes too tight and bright, so they may be exactly what you want. I've used Rotosound for years, don't seem bright to me at all, but then I've had the same set on my P for at least 5 years. With Rotosounds, the surface is a bit rough, which I like because there's a bit of grip under the left hand. Tried some Fender flats recently - cheaper than the others, very smooth surface, tension similar to Roto - and bright green silks, which are a bit of an acquired taste, to say the least. Quote Link to comment Share on other sites More sharing options...
PauBass Posted March 15, 2011 Author Share Posted March 15, 2011 [quote name='Delberthot' post='1160043' date='Mar 13 2011, 12:21 AM']I've been using the Rotosounds for a few months and they're still quite bright for flats. Tension is between TIs and Chromes and they have red silk.[/quote] [quote name='spinynorman' post='1163229' date='Mar 15 2011, 03:44 PM']I found Chromes too tight and bright, so they may be exactly what you want. I've used Rotosound for years, don't seem bright to me at all, but then I've had the same set on my P for at least 5 years. With Rotosounds, the surface is a bit rough, which I like because there's a bit of grip under the left hand. Tried some Fender flats recently - cheaper than the others, very smooth surface, tension similar to Roto - and bright green silks, which are a bit of an acquired taste, to say the least.[/quote] Thanks for the advice guys. Yes, I think I'm going to give Chromes a go, tried Rotos on a friend's bass but didn't like them. Quote Link to comment Share on other sites More sharing options...
xgsjx Posted March 15, 2011 Share Posted March 15, 2011 I've a nice flat for sale up here in Perth if you're interested? Bigger than most 3 bed houses too! Oop's sorry, wrong kind of flats. I have TI Jazz flats & they're what I was looking for (tho I haven't tried any other flats). It was a choice between them & the Labellas. Quote Link to comment Share on other sites More sharing options...
hubrad Posted March 15, 2011 Share Posted March 15, 2011 If you slap flats you get a more 'organic' tone, but they have their own brightness. ALso as has been mentioned, halfrounds are a good compromise between flat and round - loadsa punch but smooth too! I use Picato in all flavours meself.. no silks either!! Quote Link to comment Share on other sites More sharing options...
Jondeeman Posted March 16, 2011 Share Posted March 16, 2011 [quote name='hubrad' post='1163443' date='Mar 15 2011, 06:13 PM']If you slap flats you get a more 'organic' tone, but they have their own brightness. ALso as has been mentioned, halfrounds are a good compromise between flat and round - loadsa punch but smooth too! I use Picato in all flavours meself.. no silks either!![/quote] +1 for Picato I use the 766 flats. Great strings (they made me a set to custom length when I asked). Price is excellent and they last well. Quote Link to comment Share on other sites More sharing options...
PauBass Posted May 13, 2011 Author Share Posted May 13, 2011 (edited) I'm bringing this thread back up as I have now been using flats for a few weeks, and I'm sooo happy, I'm really liking the sound and feel I went with a set of D'Addario Chromes ECB81, which are 45-65-80-100, on my Jazz bass and they are exactly what I was looking for but , perhaps a bit too much tension (...this is me just being picky now). Now I want flats on my P bass too and I'd love to try different strings this time. I'm quite positive I'm going to go for for TI JF344, 43-56-70-100, but after reading in various posts about the lower string tension I'm not sure....Has anyone tried both sets, Chromes 45-100 and TIs 43-100, and can give me some advice, please? Are La Bellas comparable in tension to TIs or Chromes? Finally, which ones, TI or La Bella, or more suited for rock? Thanks! Edited May 13, 2011 by PauBass Quote Link to comment Share on other sites More sharing options...
EssentialTension Posted May 13, 2011 Share Posted May 13, 2011 [quote name='PauBass' post='1229929' date='May 13 2011, 02:02 PM']I'm bringing this thread back up as I have now been using flats for a few weeks, and I'm sooo happy, I'm really liking the sound and feel I went with a set of D'Addario Chromes ECB81, which are 45-65-80-100, on my Jazz bass and they are exactly what I was looking for but , perhaps a bit too much tension (...this is me just being picky now). Now I want flats on my P bass too and I'd love to try different strings this time. I'm quite positive I'm going to go for for TI JF344, 43-56-70-100, but after reading in various posts about the lower string tension I'm not sure....Has anyone tried both sets, Chromes 45-100 and TIs 43-100, and can give me some advice, please? Are La Bellas comparable in tension to TIs or Chromes? Finally, which ones, TI or La Bella, or more suited for rock? Thanks![/quote] For tension, La Bella Deep Talkin' are more like Chromes than TIs. The TIs are much lower tension and so are more senstitive to how hard or soft you play them. A lot of people here, me included, like TIs a lot but some people find the low tension difficult to get used to. The TIs have a more middy sound (IMO) and are very good at cutting through the mix. The La Bellas have a fairly typical old school '60s sound, expecially on a P bass. I'd say for rock (whatever that is, it's a very wide genre) La Bellas would be fine but that's not to say that TIs can't do rock as well. There's no substitute for trying them - unfortunately. Quote Link to comment Share on other sites More sharing options...
Clarky Posted May 13, 2011 Share Posted May 13, 2011 During most of the existence of my old punk band, I played TI Flats on a P-bass. Sounded ace. Low tension yes, but that helped me play very fast pick lines without 'jamming' the pick on the strings occasionally (which I tend to do with higher tension strings) Quote Link to comment Share on other sites More sharing options...
redstriper Posted May 13, 2011 Share Posted May 13, 2011 I believe Pino uses TIs on his Precision and they come as standard on his Fender signature bass. I think he plays in The Who now - and they're a 'rock' band afaik. I could be wrong about this though............. Quote Link to comment Share on other sites More sharing options...
EssentialTension Posted May 13, 2011 Share Posted May 13, 2011 [quote name='redstriper' post='1230027' date='May 13 2011, 03:12 PM']I believe Pino uses TIs on his Precision and they come as standard on his Fender signature bass. I think he plays in The Who now - and they're a 'rock' band afaik. I could be wrong about this though.............[/quote] You could be dead right Steve ... ... and when I saw the Who with Pino his tone was (IMHO) much preferable to Entwistle's tone. Quote Link to comment Share on other sites More sharing options...
PauBass Posted May 14, 2011 Author Share Posted May 14, 2011 EssentialTension, Clarky thanks a lot for your advice. Redstriper, you are right, Pino's signatures models come wit TIs, same as he uses....demo of his Fender signature here: Time to give TIs a try Quote Link to comment Share on other sites More sharing options...
Balcro Posted May 21, 2011 Share Posted May 21, 2011 Hi PauBass, This link might help you decide on a choice of strings - just scroll down and try the 4 "flats" sound samples. [url="http://www.atkinsonbasses.com/library/"]http://www.atkinsonbasses.com/library/[/url] Balcro, Quote Link to comment Share on other sites More sharing options...
PauBass Posted May 23, 2011 Author Share Posted May 23, 2011 [quote name='Balcro' post='1239846' date='May 22 2011, 12:09 AM']Hi PauBass, This link might help you decide on a choice of strings - just scroll down and try the 4 "flats" sound samples. [url="http://www.atkinsonbasses.com/library/"]http://www.atkinsonbasses.com/library/[/url] Balcro,[/quote] Thanks for that link, it's very helpful. Is it me or the La Bella have the biggest sound? I've been playing for the past two days a set of TIs and I'm very impressed with the strings, I prefer them over Chrome's, both sound and tension, if tension perhaps a bit too low.I Some of you have mentioned La Bella's tension sit in between the Chrome's and the TI's so I'm tryng them next. I just want to make sure I'm going for the right set, please advice me: - The 760FS have much higher Tension than TI's? - And the Extra Light set of La Bella's, the 760FX? Quote Link to comment Share on other sites More sharing options...
Balcro Posted May 23, 2011 Share Posted May 23, 2011 [quote name='PauBass' post='1241863' date='May 23 2011, 04:52 PM']Thanks for that link, it's very helpful. Is it me or the La Bella have the biggest sound? I've been playing for the past two days a set of TIs and I'm very impressed with the strings, I prefer them over Chrome's, both sound and tension, if tension perhaps a bit too low.I Some of you have mentioned La Bella's tension sit in between the Chrome's and the TI's so I'm trying them next. I just want to make sure I'm going for the right set, please advice me: - The 760FS have much higher Tension than TI's? - And the Extra Light set of La Bella's, the 760FX?[/quote] I have no direct experience of any of the current 3 brand choices, but to my ears and the computer speakers, I would say the La Bellas have a touch more middle while the Chromes have a very shallow scoop to their sound. The TI's seem just a little polite in the dynamics but with a tonal balance similar to the La Bellas. I compared the latter two again & again: - noticed that the La Bella's stopped and started between notes while there was some "smear over" between notes with the TI's - could have been the player adapting to the different tensions? Balcro. Quote Link to comment Share on other sites More sharing options...
Jerry_B Posted May 23, 2011 Share Posted May 23, 2011 I use LaBella 760FXs on my fretless and my P/J. I think they tend to keep their sustain better than Chromes. IMHO Chromes also go dead rather quickly, particularly the E and A strings. The E and As from LaBella 760FS sets also tend to get this, but just not as quickly. In terms of tension, the 769FXs are still nicely taught despite their thiness - just not as overbearingly hight tension as Chromes. Quote Link to comment Share on other sites More sharing options...
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