risingson Posted March 27, 2011 Share Posted March 27, 2011 (edited) I use open strings as stepping stones to get to places and as passing notes, for example if I'm in F major I've got my major 3rd on the A, my major 6th and my 9th on the G, the major 6th and 9th in particular work well as stepping stones to get to other notes or the next chord, it's a classic James Jamerson trick. If I'm in C then I've got my 2nd on the D, a low major 3rd on the E below and my 5 on the G above etc. If the notes don't function in the key I'm playing in then you're only ever one note away from something that does and therefore you can just use them as chromatic passing notes if you want to. Edited March 27, 2011 by risingson Quote Link to comment Share on other sites More sharing options...
ZMech Posted March 27, 2011 Share Posted March 27, 2011 I'm suprised the slight tonal inconsistencies are audible over a band mix. I just find open strings easier, don't really see any reason to avoid them. On DB they're always welcome as they give your left hand a nice quick rest, whilst also allowing it time to move to the next place. If you were playing over an Ebmaj would you really jump to the 5th fret to play the G? Quote Link to comment Share on other sites More sharing options...
xgsjx Posted March 27, 2011 Share Posted March 27, 2011 It really depends on what I'm playing. I try to play fretted notes as opposed to open but things like Muse's Hysteria would be a tad tricky on a 4 string bass! Also if I'm doing a run or arpeggio I'll utilise open notes to make it easier to move about the fretboard. Quote Link to comment Share on other sites More sharing options...
TomKent Posted March 27, 2011 Share Posted March 27, 2011 For sight-reading purposes I use the open strings a load, it makes it considerably easier (for me anyway). Quote Link to comment Share on other sites More sharing options...
mart Posted March 27, 2011 Share Posted March 27, 2011 (edited) I don't avoid open strings religiously. But when I'm playing with other people I'm usually reading, and the tunes are often transposed, in which case I'll usually avoid the open strings. Edited March 27, 2011 by mart Quote Link to comment Share on other sites More sharing options...
Cat Burrito Posted March 27, 2011 Share Posted March 27, 2011 Spinal Tap's Derek Small once said you need to play open strings as it leaves your left hand free to punch the air. Some of you must feel pretty stupid having posted what you have right now! Quote Link to comment Share on other sites More sharing options...
Lozz196 Posted March 27, 2011 Share Posted March 27, 2011 I avoid an open D & G, but am happy to play open E & A. Probably as I prefer the tones from the thicker strings. Quote Link to comment Share on other sites More sharing options...
daz Posted March 27, 2011 Share Posted March 27, 2011 (edited) As [b]Ringson[/b] stated a few posts above. As well as use of passing notes, often using an open note gives one more time to move the hand to the next note, especially if its more than 6 or 7 frets away, the open note can be sounding whilst the hand positions for the next note. I Remember Stuart Hamm showing this in a particularly fine example in one of his regular columns in Bass Guitar magazine. So Hey if Stuart Hamm says its ok, then its fine by me Edited March 27, 2011 by daz Quote Link to comment Share on other sites More sharing options...
chardbass Posted March 27, 2011 Share Posted March 27, 2011 In a reading situation, open strings on a page turn are your best friend Fretted Es, As, Ds, Gs etc have a thicker, fuller sound but the open equivalents have different qualities that may be more desirable. One man's Hysteria is another (older) man's Footloose. Quote Link to comment Share on other sites More sharing options...
dmccombe7 Posted March 27, 2011 Share Posted March 27, 2011 [quote name='neilb' post='1178248' date='Mar 27 2011, 01:33 PM']Often need to play an open string as I reach for my pint!![/quote] Like it Quote Link to comment Share on other sites More sharing options...
gub Posted March 27, 2011 Author Share Posted March 27, 2011 All makes sense, and i suppose if it works for you then thats got to be the way to go ,little differences in playing tecnique are what makes up for a varied cross section of bass players ,would be very boring if we all played the same ! thinking about it i have reached for my drink while playing an open E before too! Quote Link to comment Share on other sites More sharing options...
thinman Posted March 27, 2011 Share Posted March 27, 2011 I tend to avoid them but not entirely and iften need to use E as others have mentioned. However, I DO avoid using the moment to ostentatiously wave my left arm about or conspicuously dangle it limply by my side in a "look at me I only need one hand" style. Quote Link to comment Share on other sites More sharing options...
stingrayPete1977 Posted March 27, 2011 Share Posted March 27, 2011 [quote name='Johnston' post='1178648' date='Mar 27 2011, 07:48 PM']For me to scratch the snout. Why do you always get an itchy nose when your hands are otherwise occupied ??[/quote] I always get that in the studio as soon as it's a recorded take! Argh Quote Link to comment Share on other sites More sharing options...
Bassassin Posted March 27, 2011 Share Posted March 27, 2011 I never consciously avoid open strings, unless an open note would ring over a subsequent note on a lower string - playing that note in a fretted position is usually simpler than muting an open one. I wouldn't say I notice any significant tonal differences between open & fretted notes, particularly in a band context. A good few years ago it occurred to me I was habitually playing a lot of parts unnecessarily clumsily, moving my hand up & down the board to get to notes rather than crossing & using open strings - this was particularly awkward when singing & playing. I ended up re-learning a lot of my lines using more logical positional playing & open strings where possible. This has stuck when composing or learning parts - I always try to work something out so I play it with the most economy of movement - one finger per fret, open strings, crossing strings etc. Jon. Quote Link to comment Share on other sites More sharing options...
gjones Posted March 27, 2011 Share Posted March 27, 2011 [quote name='thinman' post='1178642' date='Mar 27 2011, 07:40 PM']However, I DO avoid using the moment to ostentatiously wave my left arm about or conspicuously dangle it limply by my side in a "look at me I only need one hand" style.[/quote] Hmmmm........that's where I'm going wrong. I must use open strings more often Quote Link to comment Share on other sites More sharing options...
Pete Academy Posted March 27, 2011 Share Posted March 27, 2011 I've simply avoided them all through my playing years. I'm not sure why, but I just don't use them unless it's a bottom E. Weird. Quote Link to comment Share on other sites More sharing options...
Doddy Posted March 27, 2011 Share Posted March 27, 2011 [quote name='munkonthehill' post='1178258' date='Mar 27 2011, 01:37 PM']i was told on Friday that a bass line that the guitarist wanted me to play HAD TO have an open E in it. it was just a cover of some song. I told him nah I dont really use open notes,,,,,there was an awkward silence,,,I was then instructed,,,but its an open note thats played![/quote] Unless you are playing a five,how else will you play the low E? Unless of course you are detuned,in which case you will have to fret the E anyway. I don't get why you wouldn't use open strings? It's just another place to play a note which may be easier than shifting to it's fretted equivalent. Why limit yourself to what notes you can and can't play. Quote Link to comment Share on other sites More sharing options...
stevie Posted March 27, 2011 Share Posted March 27, 2011 No. Quote Link to comment Share on other sites More sharing options...
JellyKnees Posted March 27, 2011 Share Posted March 27, 2011 I'd never really considered this much before, but I've just being playing a few things and realised that I use open strings a lot. As Doddy said, why would you not use them? If an open string sounds good in the context of what you are playing and it's in the key of the song...or even if it isn't for that matter but it works, then go for it. I don't have any formal bass training, so it's always been a process of trial and error for me, but I'm a firm believer in trusting your instincts and ears. I often play a phrase in a particular place on the bass, not because it's the easiest place to play it, but because of the particular tonal characteristic it imparts, or because is just feels right to my fingers. I'm sure on a technical level, I do all kinds of things 'wrong', but I think it's often the 'imperfections' in a musician's playing that give it character, otherwise we would all sound like clones, and who needs that? Quote Link to comment Share on other sites More sharing options...
chrismuzz Posted March 27, 2011 Share Posted March 27, 2011 I usually aim for close to the nut as possible, and hit as many open notes as possible when I'm playing riffs or anything that requires an aggressive sound. If I'm playing melodic lines I will try to play high up the neck and avoid open notes altogether, for a warmer more consistent tone Quote Link to comment Share on other sites More sharing options...
spike Posted March 27, 2011 Share Posted March 27, 2011 I've never avoided open strings but sometimes I'll avoid playing any note on the D and G strings in order to get the tone I want. Quote Link to comment Share on other sites More sharing options...
Marvin Posted March 27, 2011 Share Posted March 27, 2011 Um.............don't know, so probably not. Quote Link to comment Share on other sites More sharing options...
xgsjx Posted March 28, 2011 Share Posted March 28, 2011 [quote name='thinman' post='1178642' date='Mar 27 2011, 07:40 PM']I tend to avoid them but not entirely and iften need to use E as others have mentioned. However, I DO avoid using the moment to ostentatiously wave my left arm about or conspicuously dangle it limply by my side in a "look at me I only need one hand" style.[/quote] [quote name='gjones' post='1178772' date='Mar 27 2011, 09:11 PM']Hmmmm........that's where I'm going wrong. I must use open strings more often [/quote] The goal is to have both arms hanging limply. Then you know you're gifted! Quote Link to comment Share on other sites More sharing options...
watchman Posted March 28, 2011 Share Posted March 28, 2011 [quote name='Marvin' post='1178925' date='Mar 27 2011, 10:39 PM']Um.............don't know, so probably not.[/quote] I thought about it and concluded the same. Quote Link to comment Share on other sites More sharing options...
4000 Posted March 31, 2011 Share Posted March 31, 2011 (edited) [quote name='gub' post='1178216' date='Mar 27 2011, 01:08 PM']I have only recently realised but i must of ben doing it for years ,if there is an open string note in a bassline i will make it into a freted note somewhere else ,just wondered if anyone else does the same ? prob bad technique as sometimes it means more of a fiddle to get to it .[/quote] Guilty as charged! I only use them where absolutely necessary (apart from low E of course). No idea why. Edited March 31, 2011 by 4000 Quote Link to comment Share on other sites More sharing options...
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