Count Bassy Posted April 12, 2011 Share Posted April 12, 2011 (edited) Had a (second) meet up with a potential band at Quad Studios in Leicester last night, and in the rehearsal room there was this MarkBass rig. Checking pictures on the net I think the amp must have been the SD800 (not the MoMark SD800) with a 4x10 and a 1x15 cab. First thought was "Wow, I've heard a lot about these - possibly the best rig I've ever played through" but when I plugged in I just could not get a sound I liked out of it whatever I tried (Starting with everything on the bass and amp flat - except the VLE/VLP which I had fully anticlockwise). The sound just seemed undefined with a very boomy bass. I unplugged the 1x15, which helped a bit, but even so, as soon as I turned the bass up (on the amp or at the guitar) it just sounded boomy and muddy. Now it may have been the room I was in (pretty well a cube), but you'd like to think that a rehearsal room at a studio would have good acoustics, and there were a lot of drapes and carpets around. Came away dissapointed by it and very happy to get back to my modestly priced Marshall gear. Is there a trick to getting the best out the MarkBass kit, or is this just what they sound like? Edited April 12, 2011 by Count Bassy Quote Link to comment Share on other sites More sharing options...
bubinga5 Posted April 12, 2011 Share Posted April 12, 2011 i can bet it was the room and maybe the way you were eq ing the rig for that room.. Quote Link to comment Share on other sites More sharing options...
Waldo Posted April 12, 2011 Share Posted April 12, 2011 [quote name='bubinga5' post='1197085' date='Apr 12 2011, 05:41 PM']i can bet it was the room and maybe the way you were eq ing the rig for that room..[/quote] Or the sound just wasn't to his taste. Quote Link to comment Share on other sites More sharing options...
lemmywinks Posted April 12, 2011 Share Posted April 12, 2011 What cabs were they? Don't think i've ever heard that description attributed to Markbass before! Still, horses for course and all that Quote Link to comment Share on other sites More sharing options...
bubinga5 Posted April 12, 2011 Share Posted April 12, 2011 [quote name='Waldo' post='1197092' date='Apr 12 2011, 05:49 PM']Or the sound just wasn't to his taste.[/quote] or that.. i just got from the words boomy that it may have been the room...My aguilar can get very boomy in a small room..but any other time its very detailed and articulate... Quote Link to comment Share on other sites More sharing options...
xgsjx Posted April 12, 2011 Share Posted April 12, 2011 I've tried a few MarkBass rigs & never had boomy (unless on a wooden stage) or muddy (without intention). Could be anything tho. The bass, the room & so on. Quote Link to comment Share on other sites More sharing options...
WalMan Posted April 12, 2011 Share Posted April 12, 2011 [quote name='Count Bassy' post='1197078' date='Apr 12 2011, 05:36 PM']Is there a trick to getting the best out the MarkBass kit, or is this just what they sound like?[/quote] Set my MB combo flat with a smidge of VLE & VLF and love it, so I can only agree it was probably the room Quote Link to comment Share on other sites More sharing options...
JMT3781 Posted April 12, 2011 Share Posted April 12, 2011 In my experience.. No, I use 2 of the 4x10's and the sd1200.. IMO, I really don't like a p bass through markbass, but anything else, I can get pretty much any sound I need Quote Link to comment Share on other sites More sharing options...
phil.i.stein Posted April 12, 2011 Share Posted April 12, 2011 [quote name='Count Bassy' post='1197078' date='Apr 12 2011, 05:36 PM']..except the VLE/VLP which I had fully anticlockwise.. ..The sound just seemed undefined with a very boomy bass.[/quote] did you play around with these ? although i'm not an MB owner, i got the impression that these were the controls that defined a decent tone.. Quote Link to comment Share on other sites More sharing options...
stingrayPete1977 Posted April 12, 2011 Share Posted April 12, 2011 I'm afraid I'm with the OP on this one, I don't hate the sound of MB gear but muddy and a bit undefined is how I feel too Quote Link to comment Share on other sites More sharing options...
essexbasscat Posted April 12, 2011 Share Posted April 12, 2011 What were the cabs ? My Sa450's tonal variations are lost in Aguilar GS112's, yet come out clear through an EBS Neo 2 x 12. Also noted in the past that Markbass can do their version of a 'classic' sound, but it's nowhere near on par with an Ampeg or a Marshall. Just my opinion of course.... T Quote Link to comment Share on other sites More sharing options...
thumbo Posted April 12, 2011 Share Posted April 12, 2011 do you know if they were rear ported cabs? was the rig set up in the corner and how far from the wall was it? Quote Link to comment Share on other sites More sharing options...
peteb Posted April 12, 2011 Share Posted April 12, 2011 (edited) To be honest, I was pretty underwhelmed the first time I played thru Markbass gear but I'm definitely a convert now! First of all, I think that the amps are far better than the cabs (I am not the only one with this opinion) and there are certainly muddy sounds in there and you do need to be careful with the VLE/VLP controls. But I really like the amps now, warm and articulate and seem to sit in the mix really well - in fact I am seriously considering getting a LM3 at the moment... Edited April 12, 2011 by peteb Quote Link to comment Share on other sites More sharing options...
skej21 Posted April 12, 2011 Share Posted April 12, 2011 [quote name='peteb' post='1197148' date='Apr 12 2011, 06:37 PM']To be honest, I was pretty underwhelmed the first time I played thru Markbass gear but I'm definitely a convert now! First of all, I think that the amps are far better than the cabs (I am not the only one with this opinion0and there certainly muddy sounds in there and you do need to be careful with the VLE/VLP controls. But I really like the amps now, warm and articulate and seem to sit in the mix really well - in fact I am seriously considering getting a LM3 at the moment...[/quote] + 10000000000000000000 I love my LMIII, but agree that the amps are better than the cabs. I run my LMIII with an Aguilar GS112 and I can't think of anything I would want to do to change the sound I get with it. Buy a LMIII, you won't be disappointed... do it! Quote Link to comment Share on other sites More sharing options...
Dood Posted April 12, 2011 Share Posted April 12, 2011 I'm not a fan of the cabinets *ducks before I get something chucked at me* but the amps are great sounding. It's just down to personal taste for me though as anyone who has been watching my gear journey will attest! Quote Link to comment Share on other sites More sharing options...
jontywisp Posted April 12, 2011 Share Posted April 12, 2011 markbass amps aren't universally loved, but 'boomy' and 'undefined' are very unusual criticisms for them the usual concern, if there is one, is that Markbass sounds just like a very clear version of your bass with lots of definition (hence need a good bass to start with). People who like boomy old-school sounds often end up having to run a Sansamp or similar to make the Markbass sound LESS defined and MORE boomy ! so suspect either the room has peculiarities, or this particular amp and/or bass might have been somewhat defective or ill-matched Personally I like Markbass amps. While their competitors are certainly catching up with lightweight amps, Markbass usually hit nail on head for a clear yet warm version of your bass that can go loud Quote Link to comment Share on other sites More sharing options...
Count Bassy Posted April 12, 2011 Author Share Posted April 12, 2011 Thanks for your thoughts so far chaps. To answer a few questions, I did play with the VLE & VLP pots, but to me the best sound was with them both off. The cabs were also MarkBass. The 4x10 had pot on the side, which I assume was a Tweeter volume pot, but again it did't seem to make much difference. I don't know if they were ported cabs, but I assume they were. Theey were a good 3 metres away from the wall. The bass was a Fender Urge Mk1 (i.e. active, with both Jazz and P pickups) and I couldn't get a sound I liked in any combination. To be fair to MarkBass I didn't spend too long playing around with the controls because I didn't want to come over as a fussy/primadonna type bass player, but as someone who just got on with it - which I am I am not normally fussy about my sound. Even then I actually said at one point "I'm not normally fussy about my sound, but just can't get this to sound right" Is it possible that the Cabs were just shagged out from being used in rehearsal rooms 12 hours a day? - although you'd like to think the studio would keep on top of that. Quote Link to comment Share on other sites More sharing options...
bassbluestew Posted April 12, 2011 Share Posted April 12, 2011 I just tried a markbass tube 800 and 410 ( rear Ported I think ) at Phil Nixons Bass Gear in Harrogate and was quite impressed. I have to say that bringing in the tube mix and either the Vlf or vle ( can't remember which ) really brought the thing to life. It was previously a bit sterile. However never was it boomy at all. That was in a showroom at reasonable volume too. I was actually quite impressed - and I could just lift the 410 with one hand - nice. S Quote Link to comment Share on other sites More sharing options...
xgsjx Posted April 12, 2011 Share Posted April 12, 2011 I've just started messing more with the VLE & VPF in conjunction with one another & getting some brilliant mixes by putting them both somewhere between 10 & 12 o'clock. Suits my fuzzy filtered sound very nicely. I still want to add a sub. Quote Link to comment Share on other sites More sharing options...
arthurhenry Posted April 12, 2011 Share Posted April 12, 2011 [quote name='Count Bassy' post='1197182' date='Apr 12 2011, 07:04 PM']Is it possible that the Cabs were just shagged out from being used in rehearsal rooms 12 hours a day? - although you'd like to think the studio would keep on top of that.[/quote] Highly likely. In my experience, unlikely the studio would be bothered about it as long as it still works to some degree. Quote Link to comment Share on other sites More sharing options...
Pete Academy Posted April 12, 2011 Share Posted April 12, 2011 I usually set the vintage tone around 12 o'clock. For a really punchy midrange sound I set the other control around 9 o'clock. Does sound like the room was a major factor. Quote Link to comment Share on other sites More sharing options...
risingson Posted April 12, 2011 Share Posted April 12, 2011 The first time I ever played my Eden rig in the store I was kind of like 'so what'? It didn't sound particularly different to a lot of other amps and cab combos I'd tried that had underwhelmed me. An hour or so into trying it I was convinced it was the right setup for me and I love it now. I find it hard to demo an amp you intend to buy in a shop or anywhere else because the sound will vary so drastically from venue to venue anyway that it's incredibly hard to get a feel for what you like about the product in store. I personally am not too keen on Markbass stuff, but if I was playing live and it was provided as a backline rig for me on a date we weren't using our own stuff, I'd still be pretty happy. The biggest problem with Markbass stuff for me is the fact that they have way too much of a product line, and after a certain point most bass amps start sounding the same anyway . They really should condense their line. Quote Link to comment Share on other sites More sharing options...
gafbass02 Posted April 12, 2011 Share Posted April 12, 2011 I always had great difficulties at Quad too if it helps. Quote Link to comment Share on other sites More sharing options...
Musicman20 Posted April 12, 2011 Share Posted April 12, 2011 The 800 versions have a different voicing and aren't as pleasing, IMO, as the normal 500w versions. The 800s have LOTS of bass and hi mid/treble when flat for some reason. Quote Link to comment Share on other sites More sharing options...
Soliloquy Posted April 12, 2011 Share Posted April 12, 2011 A lot of people seem to dislike the MarkBass cabs. I find my little 1x12 to be very 'plug in and play'. I cut the high mids highs a little, and boost the bass on my F1. Quote Link to comment Share on other sites More sharing options...
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