EMU 1820 M sound card and audio dock £90 or trade for keyboard

[adledman]

[attachment=90879:EMU055card.jpg]emu 1820m card and breakout box. these are really high quality and produce some superb recordings. works perfect but the front plate has got a chip and looks a little bit sad. this was emu`s flagship card and comes with the Sync daughter card. works with win` 7 64 bit. the onboard effects are superb and dont use any cpu power which is fantastic for cubase etc. these were £300ish new and still hold their own compared to todays cards so grab a bargain.


[b]Package Includes[/b][list]
[*]E-MU 1010 PCI card
[*]E-MU AudioDock M
[*]E-MU Sync daughter card
[*]EDI (E-MU Digital Interface) cable (3 metres
[*]Sync cable
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[b]Features[/b][list]
[*]Mastering-grade 24-bit, 192kHz converters - the same A/D converters used in Digidesign's flagship ProTools HD I/O Interface
[/list][list]
[*]Pristine 24-bit, 192kHz converters and flexible connectivity with 18 audio inputs, 20 outputs, 32 channels of MIDI I/O, plus a FireWire port for seamless integration with your entire studio
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[*]2 premium TFPro mic preamps with Mic/Line/Hi-Z inputs with 40db of gain/attenuation and 48V phantom power - plug guitars, keyboards
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[*]E-DSP 32-bit Multi-effects Processor offers you over 20 hardware- accelerated effects (over 500 presets) with no CPU overhead - plug-in architecture allows you to add new effects as needed
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[*]32 channels of zero latency hardware mixing/monitoring with super-flexible virtual patchbay - no external mixer needed
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[b]General Specifications[/b][list]
[*]Sample Rates: 44.1, 48, 96, 192 from internal crystal or externally supplied clock
[*]Bit Depth: 16 or 24 bits
[*]PCI Bus-Mastering DMA subsystem reduces CPU usage
[*]Zero-latency direct hardware monitoring w/effects
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[b]Analogue Line Inputs[/b][list]
[*]Type: servo-balanced, DC-coupled, low-noise input circuitry
[*]Level (software selectable)
[list]
[*]Professional: +4 dBu nominal, 20 dBu maximum
[*]Consumer: -10 dBV nominal, 6 dBV maximum
[/list][*]Frequency Response: ±0.05 dB, 20 Hz- 20 kHz
[*]THD+N (1 kHz at -1 dBFS): -110 dB (.0003%)
[*]SNR (A-weighted): 120 dB
[*]Dynamic Range (1 kHz, A-weighted): 120 dB
[*]Stereo Crosstalk (1 kHz at -1 dBFS): < -115 dB
[*]Common-Mode Rejection (60 Hz): > 40 dB
[/list]
[b]Analogue Line Outputs[/b][list]
[*]Type: balanced, low-noise, 2-pole low-pass differential filter
[*]Level (software selectable)
[list]
[*]Professional: +4 dBu nominal, 20 dBu (balanced)
[*]Consumer: -10 dBV nominal, 6 dBV max (unbalanced)
[/list][*]Frequency Response: +0.0/-0.35 dB, 20 Hz- 20 kHz
[*]THD+N (1 kHz at -1 dBFS): -105 dB (.0006%)
[*]SNR (A-weighted): 120 dB
[*]Dynamic Range (1 kHz, A-weighted): 120 dB
[*]Stereo Crosstalk (1 kHz at -1 dBFS): < -115 dB
[/list]
[b]Combo Microphone Preamplifier/Line Inputs[/b][list]
[*]Type: TFPro combination microphone preamp and line input
[*]Frequency Response: +0.8/-0.1 dB, 20 Hz - 20 kHz
[*]Stereo Crosstalk (1 kHz): < -120 dB
[*]Line Input:
[list]
[*]Gain Range: -12 to +28 dB
[*]Max Level: +17 dBV (19.2 dBu)
[*]THD+N (1 kHz at -1 dBFS, min gain): -100 dB (.001%)
[*]Dynamic Range (A-weighted, min gain): 107 dB
[*]SNR (A-weighted, min gain): 107 dB
[*]Input Impedance: 10K ohm
[*]Common-Mode Rejection Ratio (60 Hz): > 40 dB
[/list][*]Microphone Preamplifier
[list]
[*]Gain Range: +10 to +50 dB
[*]Max Level: -12 dBV (-9.8 dBu)
[*]THD+N (1 kHz at -1 dBFS, min gain): -100 dB (.001%)
[*]SNR (A-weighted, min gain): 106 dB
[*]Input impedance: 330 ohms
[*]Common-Mode Rejection Ratio (60 Hz): > 80 dB
[/list]
[/list]
[b]Headphones[/b][list]
[*]Type: linear power amplifier
[*]Frequency Response: +0.0/-0.35 dB, 20 Hz - 20 kHz
[*]THD+N (1 kHz, max level)
[list]
[*]33 ohm load: -69 dB (0.035%)
[*]600 ohm load: -94 dB (0.002%)
[/list][*]SNR (A-weighted): 117 dB
[*]Dynamic Range (A-weighted): 117 dB
[*]Stereo Crosstalk (1 kHz at -1 dBFS, 600 ohm load):< -100 dB
[*]Maximum Output Power: 500 mW
[*]Output impedance: 22 ohms
[*]Gain Range: 85 dB
[/list]
[b]Phono Input[/b][list]
[*]Type: RIAA equalised phono input
[*]Frequency Response: +/-0.5 dB, 50 Hz - 20 kHz
[*]THD+N (1 kHz, 10 mV RMS unbalanced input): -76 dB (.015%)
[*]SNR (10 mV RMS unbalanced input, A-weighted): 90 dB
[*]Stereo Crosstalk (1 kHz at -1 dBFS): < -80 dB
[*]Maximum level:
[list]
[*]Professional: 80 mV RMS
[*]Consumer: 20 mV RMS
[/list][*]Input capacitance: 220 pF
[*]Input impedance: 47K ohm
[/list]
[b]Digital I/O[/b][list]
[*]S/PDIF
[list]
[*]2 in/2 out coaxial (transformer coupled)
[*]2 in/3 out optical (software switched with ADAT)
[*]AES/EBU or S/PDIF format (software controlled)
[/list][*]ADAT
[list]
[*]8 channels, 24-bit @ 44.1/48 kHz
[*]4 channels, 24-bit @ 96 kHz (S-Mux compatible)
[*]2 channels, 24-bit @ 192 kH
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[/list]
[b]FireWire[/b][list]
[*]400 Mbps 1394a port (6-pin)
[*]Compatible with DV cameras, storage peripherals, etc.
[/list]
[b]MIDI[/b] - 2 in, 2 out (32 channels)


[b]Synchronisation[/b][list]
[*]Internal crystal sync at 44.1, 48, 96, 192
[*]External sample rate sync
[list]
[*]ADAT
[*]SP/DIF (optical or coax)
[*]Word clock (75 ohm termination, switchable)
[/list][*]SMPTE LTC Timecode
[list]
[*]Converts to/from longitudinal time code (LTC) to MIDI time code (MTC)
[*]Regen, stripe, and conversion modes
[*]24, 25, 30 drop, 30 non-drop frames/sec
[*]Compatible with 29.97 fps timecode
[*]Input level: 0.5 - 4V p-p
[*]Output levels: +4 dBu, -10 dBV (software selectable)
[*]Input impedance: 10K ohm
[/list]
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Edited October 13, 2011 by adledman

[adledman]

seriously good sound card style bump

[adledman]

bump for trade for keys

[adledman]

rump

[adledman]

bump

[adledman]

up

[adledman]

up up and away!!