adledman Posted October 8, 2011 Posted October 8, 2011 (edited) [attachment=90879:EMU055card.jpg]emu 1820m card and breakout box. these are really high quality and produce some superb recordings. works perfect but the front plate has got a chip and looks a little bit sad. this was emu`s flagship card and comes with the Sync daughter card. works with win` 7 64 bit. the onboard effects are superb and dont use any cpu power which is fantastic for cubase etc. these were £300ish new and still hold their own compared to todays cards so grab a bargain. [b]Package Includes[/b][list] [*]E-MU 1010 PCI card [*]E-MU AudioDock M [*]E-MU Sync daughter card [*]EDI (E-MU Digital Interface) cable (3 metres [*]Sync cable [/list] [b]Features[/b][list] [*]Mastering-grade 24-bit, 192kHz converters - the same A/D converters used in Digidesign's flagship ProTools HD I/O Interface [/list][list] [*]Pristine 24-bit, 192kHz converters and flexible connectivity with 18 audio inputs, 20 outputs, 32 channels of MIDI I/O, plus a FireWire port for seamless integration with your entire studio [/list][list] [*]2 premium TFPro mic preamps with Mic/Line/Hi-Z inputs with 40db of gain/attenuation and 48V phantom power - plug guitars, keyboards [/list][list] [*]E-DSP 32-bit Multi-effects Processor offers you over 20 hardware- accelerated effects (over 500 presets) with no CPU overhead - plug-in architecture allows you to add new effects as needed [/list][list] [*]32 channels of zero latency hardware mixing/monitoring with super-flexible virtual patchbay - no external mixer needed [/list] [b]General Specifications[/b][list] [*]Sample Rates: 44.1, 48, 96, 192 from internal crystal or externally supplied clock [*]Bit Depth: 16 or 24 bits [*]PCI Bus-Mastering DMA subsystem reduces CPU usage [*]Zero-latency direct hardware monitoring w/effects [/list] [b]Analogue Line Inputs[/b][list] [*]Type: servo-balanced, DC-coupled, low-noise input circuitry [*]Level (software selectable) [list] [*]Professional: +4 dBu nominal, 20 dBu maximum [*]Consumer: -10 dBV nominal, 6 dBV maximum [/list][*]Frequency Response: ±0.05 dB, 20 Hz- 20 kHz [*]THD+N (1 kHz at -1 dBFS): -110 dB (.0003%) [*]SNR (A-weighted): 120 dB [*]Dynamic Range (1 kHz, A-weighted): 120 dB [*]Stereo Crosstalk (1 kHz at -1 dBFS): < -115 dB [*]Common-Mode Rejection (60 Hz): > 40 dB [/list] [b]Analogue Line Outputs[/b][list] [*]Type: balanced, low-noise, 2-pole low-pass differential filter [*]Level (software selectable) [list] [*]Professional: +4 dBu nominal, 20 dBu (balanced) [*]Consumer: -10 dBV nominal, 6 dBV max (unbalanced) [/list][*]Frequency Response: +0.0/-0.35 dB, 20 Hz- 20 kHz [*]THD+N (1 kHz at -1 dBFS): -105 dB (.0006%) [*]SNR (A-weighted): 120 dB [*]Dynamic Range (1 kHz, A-weighted): 120 dB [*]Stereo Crosstalk (1 kHz at -1 dBFS): < -115 dB [/list] [b]Combo Microphone Preamplifier/Line Inputs[/b][list] [*]Type: TFPro combination microphone preamp and line input [*]Frequency Response: +0.8/-0.1 dB, 20 Hz - 20 kHz [*]Stereo Crosstalk (1 kHz): < -120 dB [*]Line Input: [list] [*]Gain Range: -12 to +28 dB [*]Max Level: +17 dBV (19.2 dBu) [*]THD+N (1 kHz at -1 dBFS, min gain): -100 dB (.001%) [*]Dynamic Range (A-weighted, min gain): 107 dB [*]SNR (A-weighted, min gain): 107 dB [*]Input Impedance: 10K ohm [*]Common-Mode Rejection Ratio (60 Hz): > 40 dB [/list][*]Microphone Preamplifier [list] [*]Gain Range: +10 to +50 dB [*]Max Level: -12 dBV (-9.8 dBu) [*]THD+N (1 kHz at -1 dBFS, min gain): -100 dB (.001%) [*]SNR (A-weighted, min gain): 106 dB [*]Input impedance: 330 ohms [*]Common-Mode Rejection Ratio (60 Hz): > 80 dB [/list] [/list] [b]Headphones[/b][list] [*]Type: linear power amplifier [*]Frequency Response: +0.0/-0.35 dB, 20 Hz - 20 kHz [*]THD+N (1 kHz, max level) [list] [*]33 ohm load: -69 dB (0.035%) [*]600 ohm load: -94 dB (0.002%) [/list][*]SNR (A-weighted): 117 dB [*]Dynamic Range (A-weighted): 117 dB [*]Stereo Crosstalk (1 kHz at -1 dBFS, 600 ohm load):< -100 dB [*]Maximum Output Power: 500 mW [*]Output impedance: 22 ohms [*]Gain Range: 85 dB [/list] [b]Phono Input[/b][list] [*]Type: RIAA equalised phono input [*]Frequency Response: +/-0.5 dB, 50 Hz - 20 kHz [*]THD+N (1 kHz, 10 mV RMS unbalanced input): -76 dB (.015%) [*]SNR (10 mV RMS unbalanced input, A-weighted): 90 dB [*]Stereo Crosstalk (1 kHz at -1 dBFS): < -80 dB [*]Maximum level: [list] [*]Professional: 80 mV RMS [*]Consumer: 20 mV RMS [/list][*]Input capacitance: 220 pF [*]Input impedance: 47K ohm [/list] [b]Digital I/O[/b][list] [*]S/PDIF [list] [*]2 in/2 out coaxial (transformer coupled) [*]2 in/3 out optical (software switched with ADAT) [*]AES/EBU or S/PDIF format (software controlled) [/list][*]ADAT [list] [*]8 channels, 24-bit @ 44.1/48 kHz [*]4 channels, 24-bit @ 96 kHz (S-Mux compatible) [*]2 channels, 24-bit @ 192 kH [/list] [/list] [b]FireWire[/b][list] [*]400 Mbps 1394a port (6-pin) [*]Compatible with DV cameras, storage peripherals, etc. [/list] [b]MIDI[/b] - 2 in, 2 out (32 channels) [b]Synchronisation[/b][list] [*]Internal crystal sync at 44.1, 48, 96, 192 [*]External sample rate sync [list] [*]ADAT [*]SP/DIF (optical or coax) [*]Word clock (75 ohm termination, switchable) [/list][*]SMPTE LTC Timecode [list] [*]Converts to/from longitudinal time code (LTC) to MIDI time code (MTC) [*]Regen, stripe, and conversion modes [*]24, 25, 30 drop, 30 non-drop frames/sec [*]Compatible with 29.97 fps timecode [*]Input level: 0.5 - 4V p-p [*]Output levels: +4 dBu, -10 dBV (software selectable) [*]Input impedance: 10K ohm [/list] [/list] Edited October 13, 2011 by adledman
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