endorka Posted October 26, 2011 Share Posted October 26, 2011 In another thread, Basschatter Baboom points out that he has spent a considerable period of time going through the exercises at the beginning of this book. From talking to people, I gather this is a common experience, indeed one I myself found discouraging when I first bought the book many years ago. In particular, the open string exercises and arpegios / scales require a considerable amount of time to go through properly, particularly if you use the bow. While it is possible to do this, there is very little music being made while the student does so, and it can be difficult to maintain enthusiasm. Of course, further on in the book the actual musical exercises come about and all is well. I'm wondering if there any tried and tested methods of approaching this book in a more integrated and progressive way, or if anyone here has gone through the book in a way that does so? Jennifer Quote Link to comment Share on other sites More sharing options...
Bilbo Posted October 26, 2011 Share Posted October 26, 2011 I did it all in one day, realised what the process involved and moved onto the more interesting stuff at the back Quote Link to comment Share on other sites More sharing options...
Doddy Posted October 26, 2011 Share Posted October 26, 2011 I don't think I've ever worked through any book from start to finish,in order. With a book like that I tend to skip between the early technical exercises and the more musical stuff. Quote Link to comment Share on other sites More sharing options...
GarethFlatlands Posted October 26, 2011 Share Posted October 26, 2011 I have a fairly shocking sense of rhythm for a bassist so I found the early exercists quite useful, although dull and uninspiring as mentioned. Quote Link to comment Share on other sites More sharing options...
endorka Posted October 26, 2011 Author Share Posted October 26, 2011 Thanks for that folks, helpful indeed. My inclination is more or less the same, to use the fundamentals at the start for technique & background, then as "on demand" input for the more musical exercises. I'd love to hear Rufus's opinion on the matter! Jennifer Quote Link to comment Share on other sites More sharing options...
Beer of the Bass Posted October 27, 2011 Share Posted October 27, 2011 I tend to dip into the early sections when I feel I need to work on specific things. Anyone used the Ray Brown book? That has some good stuff too, once you get past the pages and pages of non musical exercises. Quote Link to comment Share on other sites More sharing options...
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