Quest_bikerider Posted March 2, 2012 Share Posted March 2, 2012 This may be a stupid question for you more experienced musicians , but I am just learning the in's & out's of music theory on bass as a relitive newbie, I think I have a resonable handle on the main 7th cord structures of Major, Dominant, Minor & Half Diminished. & how to play there arpaggio's, but whats confused me is, in the book that I am learning from gives a chord progression with which to practice the Maj & M 7th chords musically which are written in the progression as e.g. A maj7, Bm7, but also C7. Is the C7 chord major or minor?, there seems to me no explaination Im assuming its Major but Im probably wrong.Am I missing something?. Also any practice ideas on this would be most welcome Many thanks Marc. Quote Link to comment Share on other sites More sharing options...
Doddy Posted March 2, 2012 Share Posted March 2, 2012 A dominant 7 chord,like the C7 is a major triad with a flattened 7-in this case C,E,G,Bb (1,3,5,b7) Quote Link to comment Share on other sites More sharing options...
MrRatty Posted March 2, 2012 Share Posted March 2, 2012 The name "dominant 7" comes from it being formed by adding the 7th to the major triad built on the dominant (5th) note in a scale. So in the key of F major the dominant (5th) is C and a 7th above C is Bb. I think so anyway!! Quote Link to comment Share on other sites More sharing options...
Quest_bikerider Posted March 2, 2012 Author Share Posted March 2, 2012 I know the Dominant 7 uses flat 7 instead of (just 7 which would be major) but am I right in thinking then that a chord written as simply C7 for eg is Dominant in tone? Quote Link to comment Share on other sites More sharing options...
JakeBrownBass Posted March 2, 2012 Share Posted March 2, 2012 I think your question is more directed at chord charts than the theory behind what notes are in the chord. In the picture below you from left to right, [attachment=101502:Screen Shot 2012-03-02 at 14.24.05.png] C major 7 C minor 7 C dominant 7 C half diminished 7 C fully diminished 7 Quote Link to comment Share on other sites More sharing options...
OmeDunk Posted March 5, 2012 Share Posted March 5, 2012 (edited) Hi, maybe this will help. A dominant chord (pe C7) is always a major chord. On top of the fifth there is a flat seven. In C: C E G Bb A Major7 chord is (pe Cmaj7) also always a major chord. On top of the fifth there is a sharp seven: C E G B So both are majord chords. They differ in the seven. Edited March 5, 2012 by OmeDunk Quote Link to comment Share on other sites More sharing options...
Romberg Bevel Posted March 5, 2012 Share Posted March 5, 2012 (edited) I think there may be some confusion with the terminology. The 'major' bit of a major seventh chord refers to the seventh, not the triad. Putting 7 after a chord means add a 'flat' seventh (properly a 'minor seventh') to this triad. Putting maj7 after a chord means add a 'sharp' seventh (properly major seventh!) to this triad. If we want to indicate a major triad we just write the letter. Writing C means play a C major triad. So C7 is saying play a C major triad with a 'flat' (minor) seventh added (C E G Bb). Similarly, if we write Cm, it means play a C minor triad. Writing Cm7 means play the C minor triad with a 'flat' (minor) seventh added (C Eb G Bb) So C Maj7 is saying play a C major triad with a major seventh added (C E G B). Cm Maj7 is saying play a C minor triad with a major seventh added (C Eb G B). Hope this helps! Edited March 5, 2012 by Romberg Bevel Quote Link to comment Share on other sites More sharing options...
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