njr911 Posted May 14, 2012 Share Posted May 14, 2012 After being a guitarist or 20 years I'm now playing bass and looking to gig very soon. I've had some amazing amps over the years and I know whati like for guitars (fender silver face twin, Vox AC30, Marshall Bluesbreaker) valve vintage sounding combos. What would be a good amp for giging and practice? I've been offered an ashdown 500 head for £100 but would need a cab. Or should I go for a combo? Valves or solid state ? Mesa boogie. Mmmmm Quote Link to comment Share on other sites More sharing options...
Lozz196 Posted May 14, 2012 Share Posted May 14, 2012 For a bit of guidance, there are a few more bits of information needed: 1. Budget - many will advise on top end gear, no point if your budget doesn`t stretch 2. Type of music - most amps will do most genres, but no doubt, some are better at certain areas than others 3. Transport - if you have a small car/back problems, no point in recommending the big & heavy stuff Combo or head/cab? Personally I prefer the latter, but that`s because I like at least a 410, and 410 combos are too heavy, so it`s practicality, rather than sounds. Quote Link to comment Share on other sites More sharing options...
isteen Posted May 14, 2012 Share Posted May 14, 2012 A combo is often cheaper, but the weight... If you are dragging your gear around a lot, I think you will replace a combo with a head/cab soon. I know I did. Quote Link to comment Share on other sites More sharing options...
njr911 Posted May 14, 2012 Author Share Posted May 14, 2012 Thanks. Interesting stuff. Budget would be less than 500 ideally. For rock covers.. Maybe the ashdown would be a good choice. Quote Link to comment Share on other sites More sharing options...
Musky Posted May 14, 2012 Share Posted May 14, 2012 [quote name='njr911' timestamp='1337032286' post='1654505'] Thanks. Interesting stuff. Budget would be less than 500 ideally. For rock covers.. Maybe the ashdown would be a good choice. [/quote] Seems like a decent price for the Ashdown, a MAG presumably? If it's an ABM I'd snap it up. It would leave you plenty of cash left over for a decent cab (or two). Quote Link to comment Share on other sites More sharing options...
phil.i.stein Posted May 14, 2012 Share Posted May 14, 2012 yep. separates. plenty of good amp-heads out there for the taking, particularly now there are plenty of micro's about. plus... if you're likely to be a support act, you may well end up using other people's cabs with your own amp.. so be sure to buy different speaker cables that will accomodate other people's cabs. (i.e. neutrik>jack,xlr,neutrik) that way you won't get caught short. Quote Link to comment Share on other sites More sharing options...
Marvin Posted May 14, 2012 Share Posted May 14, 2012 Cheapest thing you can find. No one listens to the bass player, so no point in wasting good money. Quote Link to comment Share on other sites More sharing options...
Bassman Steve Posted May 15, 2012 Share Posted May 15, 2012 Take the amp and buy the Boogie 4x10 on sale here and use the 20 quid change for the diesel for the trip - job done! Quote Link to comment Share on other sites More sharing options...
Lozz196 Posted May 15, 2012 Share Posted May 15, 2012 Yep, the amp for £100 sounds good, and with £400 for a cab, Boogie, Schroeder, SWR, Epifani - there are a few of these on here at the moment in that price range, all good makes, all will be more than good enough for rock covers. Quote Link to comment Share on other sites More sharing options...
Beer of the Bass Posted May 15, 2012 Share Posted May 15, 2012 Buying new, it's quite hard to beat the Gallien Krueger MB200 package deal at Thomann at the moment. [url="http://www.thomann.de/gb/gallien_krueger_mb_200_bundle.htm"]http://www.thomann.de/gb/gallien_krueger_mb_200_bundle.htm[/url] The only major limitation is that with the 4 ohm cab, you can't add a second cab to the rig. Quote Link to comment Share on other sites More sharing options...
Jack Posted May 16, 2012 Share Posted May 16, 2012 I'm the world's biggest GK fan, but I would be hesitant to gig that MB200 and 1x15" rig for rock covers. Might struggle a bit with volume. FWIW, I just sold my pristine 1001-II for £400, and there are any number of 4x10s for £100-200. You can get a decent rock rig for that money. Quote Link to comment Share on other sites More sharing options...
njr911 Posted May 16, 2012 Author Share Posted May 16, 2012 Missed out on the Ashdown unfortunately. So still looking. The g&k looks great value but I'd always go second hand if possible. So a nice (valve) head and cab it is. Unless anyone suggests a vintage Fender Bassman Quote Link to comment Share on other sites More sharing options...
daveparker123 Posted May 18, 2012 Share Posted May 18, 2012 I use an Ashdown Mag at the rehearsal studios and it sounds great. Get a 500 though as the 300 needs to be cranked. I've read some great reviews for the Ampeg SVT 7 Pro too but haven't tried one myself. When you say 'valve' I take it you mean a valve in the preamp rather than all valve. All valve would be a lot more expensive. Quote Link to comment Share on other sites More sharing options...
rogerstodge Posted May 19, 2012 Share Posted May 19, 2012 Treat yourself to a tech 21 sansamp bass driver, it can make most amps sound great Quote Link to comment Share on other sites More sharing options...
Paul S Posted May 20, 2012 Share Posted May 20, 2012 On Friday I used a Peavey 15" cab at a rehearsal studio that I don't usually go to - just because it was there, really - I had my Barefaced Midget in the boot. Put my TC Electronic Classic 450 through it and it sounded absolutely huge. That is for a classic rock covers band with a loud drummer and even louder guitar player. The big heavy stuff like this and Trace Elliot can be picked up for peanuts secondhand and are worth considering if lower back, transport and storage space aren't an issue. Quote Link to comment Share on other sites More sharing options...
bassmachine2112 Posted May 20, 2012 Share Posted May 20, 2012 +1 on the sansamp or go cheapo and get the behringer one s/h it doubles as a DI box as well.It makes any amp /combo sound good and great for recording. You can get a lot of combo/amp/cab/cabs for your budget. Here,s an idea-behringer bdi21/bass floor pod,power amp and full range PA cab/s,DI into PA-sorted.I do this sometimes and sounds great. Combo,s are good-all in one box-wheels are a bonus Head and cab/s are good,i prefer 2 2x10 cabs cause they are lighter than a 4x10 and give you as much bottom end as a 15" Watch out for Ohms if you are running extra cabs-a 4 ohm amp/combo will not like 2 4ohm cabs as the amp section will see 2 ohm.this is a seperate issue which needs a seperate thread or you can search for this.Eeeh another can of worms. Back to subject-plenty of advice on here-just ask.Most brands have their followers,nobody is wrong . Go and see some bands playing in pubs and listen to their rigs and see what sounds good to you and have a talk with them,mosy of us are gear heads and love talking about gear. Quote Link to comment Share on other sites More sharing options...
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