BassMan94 Posted July 9, 2012 Posted July 9, 2012 Ok guys, So everyone can make great lines, improvisation in their heads but it's when your trying to convey it onto the fretboard. I can't do it straight away but after a couple of minutes I can play the line that's circling my head, that's after a lot of trial and error. Anyone know a way in which I can speed this process so less mistakes are made and I can play idea after idea ? One of the most common things I get told from friends is 'Interval training', will this actually help me convey ideas onto the fretboard ? Any inputs great Quote
LukeFRC Posted July 9, 2012 Posted July 9, 2012 practice. lots of it. know what things sound like, know your scales.... and practice listening this is quite good http://www.youtube.com/watch?v=N_jFAhN6V9s Quote
BassMan94 Posted July 9, 2012 Author Posted July 9, 2012 It really is just knowing what the note sounds like even before you play it Quote
PlungerModerno Posted July 9, 2012 Posted July 9, 2012 [quote name='BassMan94' timestamp='1341848150' post='1725051'] It really is just knowing what the note sounds like even before you play it [/quote] Knowing the interval IMO. You can't do much with absolute pitch you can't do with excellent relative pitch. Know what a root - 5th or a 5th - root sounds like. Then (as long as you know the rhythm) you can come up with about 20 billion country basslines... as long as you have chord changes for comparison. I'm no expert. But what I have found hugely helpful in theory is the 12 bar blues. Loads of demos online going through the theory, and common variations... you'll know what root - 4 - 5 sounds like in no time. Give it a whirl: [url="http://www.solfege.org/"]http://www.solfege.org/[/url] There are other options. Quote
BassMan94 Posted July 9, 2012 Author Posted July 9, 2012 [quote name='PlungerModerno' timestamp='1341849107' post='1725069'] Knowing the interval IMO. You can't do much with absolute pitch you can't do with excellent relative pitch. Know what a root - 5th or a 5th - root sounds like. Then (as long as you know the rhythm) you can come up with about 20 billion country basslines... as long as you have chord changes for comparison. I'm no expert. But what I have found hugely helpful in theory is the 12 bar blues. Loads of demos online going through the theory, and common variations... you'll know what root - 4 - 5 sounds like in no time. Give it a whirl: [url="http://www.solfege.org/"]http://www.solfege.org/[/url] There are other options. [/quote] That's great ! I can recognise the easier ones so to say, major/minor third, fifth. Guess it's just repetition of the intervals untill they stick in your head. Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.