Cat Burrito Posted May 28, 2013 Posted May 28, 2013 If they are set up well they are excellent, if they are badly set up the guitars tend to go out of tune easily. I have one on a tele that never seems to go out of tune
waynepunkdude Posted May 28, 2013 Author Posted May 28, 2013 Ace I want a Dot or a Ibby, thought I had one but the seller pulled out
ezbass Posted May 28, 2013 Posted May 28, 2013 They have to be treated with respect as to to their limitations. I fitted one to a Gretsch 6 string many years ago and coupled it with a roller bridge and Sperzels. Fantastic for shimmers and wobbles, but would need a little up pull to reset it following anything approaching a dive bomb. Great tone and, on the right guitar, fantastic looking.
waynepunkdude Posted May 28, 2013 Author Posted May 28, 2013 Looking at an Epi Wildkat I won't use the trem very much I just love the look.
Beer of the Bass Posted May 28, 2013 Posted May 28, 2013 (edited) Once the setup is dialled in, mine is pretty stable. I have a modified three saddle telecaster bridge with notches at the back for the strings to pass over, and apply a little bit of lubricant at the saddles when I change strings (I'm currently using woodwind cork grease, just because I had some handy). When used for vibrato, it's spot-on but as mentioned above, you need to tweak the arm to get it to settle again after a dive bomb. I really enjoy the bigsby - at home I like to crank up the tremolo and reverb on my amp, hit a minor chord with some bigsby wobble and pretend I'm soundtracking a David Lynch film! Edited May 28, 2013 by Beer of the Bass
Wil Posted May 28, 2013 Posted May 28, 2013 I have one on my Gretsche Corvette and it's great for adding a little shimmer to chords and seems more stable than any floating trems I've used.
BigRedX Posted May 28, 2013 Posted May 28, 2013 Trems are great provided that they've been set up properly. IMO for anything non-locking that also means roller saddles on the bridge, a well-cut and lubricated nut and if you want to do more than semi-tone wobbles locking tuners.
Ancient Mariner Posted May 28, 2013 Posted May 28, 2013 The biggest drawback of the Bigsby type is that they seem to be so heavy - every guitar I've tried with one fitted has felt like a boat anchor - even the semis. The other thing is that they will only give a gentle wobble, which is fine for most styles (and arguably easier to use in a musical context) but no good for dive bombing.
waynepunkdude Posted May 28, 2013 Author Posted May 28, 2013 It's my 30th birthday present, it's gonna be mostly for show but I would like to play it too. Nothing said here has put me off at which is great. Thanks chaps.
Schnozzalee Posted May 28, 2013 Posted May 28, 2013 Restringing was a ballache on mine, I prefer a non locking tremolo, a bigsby's movement is very slight without detuning. I didn't mind the weight, but I never notice until someone mentions it to me, balanced perfectly.
Wil Posted May 28, 2013 Posted May 28, 2013 Ah yes, restringing can be a little fiddly. One plus though is when you break a string (as I did at a gig on Friday... 3rd in two gigs, must play lighter!) it tends to hold tuning so you can at least get through the song!
skankdelvar Posted May 28, 2013 Posted May 28, 2013 (edited) Bigsbys are grand. Retro-fitted one to a cheap Chinese semi. Completely changed the 'tone' - probably something to do with break angles off the bridge. Viz: re-stringing. An entire ballsache, though it's a lot easier if one: * Crimp the string's end wrap through 90 degrees so the ball-end sits on the pin easier. * Maintaining tension on the string to keep the ball-end on the pin - using one hand thread the string under the second bar (if fitted), over the bridge, up the neck, hold it tight then - Whammo! - slap a capo on with your other hand. Holds the string tight down to the neck and stops it falling off the Bigsby. * Now you've got two hands free for the normal 'stick the string in the tuner and wind it up' bit. Once the string's tight enough not to fall off the bigsby, take the capo off. * Repeat until guitar is fully strung, then tune to pitch Doing it this way is a bit fiddly but it only takes a few minutes longer than re-stringing a 'normal' guitar. Not recommended for mid-gig emergencies. The other thing is you sometimes get unwanted ringy overtones from the bit of the string between the bridge and the Bigsby. I usually tear off a bit of kitchen roll, fold it and thread it between the strings at that point. Mutes them off lovely. Edited May 28, 2013 by skankdelvar
bigsmokebass Posted May 29, 2013 Posted May 29, 2013 I had one on my old gretsch baritone, they're ok for what they are but restringing them was a pain in the ass, I daren't think about it in a live situation as you'd be better using a back up guitar :-/ Some people really praise these but others really hate them. Personally, I'd try one before you buy one BSB
iiipopes Posted May 30, 2013 Posted May 30, 2013 Make sure your nut slots are perfectly cut, beveled and burnished with a good "witness" front edge. Make sure, just like any other guitar, the frets are dressed properly and the guitar itself has a good setup. Make sure strings are installed properly with two or three neat winds around the tuner post so the strings don't bind. A roller bridge or something like the "bowtie" rocking bridge is necessary so the strings don't hang. The Bigsby itself needs a proper spring, and some folks use a heavier spring than stock for stability, even an automobile brake spring. Teflon spacers between the spring and the base and between the spring and the handle help as well. Lubricate the swing arm. There are many different models: long, short, with down force bar, without, top mount, end mount, etc. Make sure you have the correct model for your instrument. Finally, use 12-gauge strings. 10's and 11's are too flimsy to hold a good balance of tension to keep it in tune. As for me, too high maintenance, too little use. I don't have whammys on my guitars. No, I don't own a Strat, either.
Mr. Foxen Posted May 30, 2013 Posted May 30, 2013 Couple of teflon discs either end of the spring loses some of the squeak.
Beer of the Bass Posted May 31, 2013 Posted May 31, 2013 [quote name='iiipopes' timestamp='1369939603' post='2094789'] Finally, use 12-gauge strings. 10's and 11's are too flimsy to hold a good balance of tension to keep it in tune. As for me, too high maintenance, too little use. I don't have whammys on my guitars. No, I don't own a Strat, either. [/quote] I wouldn't say that 12 gauge strings are essential with a Bigsby, although they may help. Mine is stable enough with 11-49 or 10-52 sets that I don't consider it a problem. I have friends with non-trem guitars who have to tune between songs more often than I do.
RhysP Posted June 12, 2013 Posted June 12, 2013 Get yourself some of this. it'll make a big difference to tuning stability. I've used it on all the Bigsby equipped guitars I've owned & it works great for vintage style strat trems too: http://www.soundunlimited.co.uk/products/big_bends_nut_sauce_lil_luber_05cc?gclid=CLDL4d2r3rcCFaTItAodGkUA1Q
BigRedX Posted June 12, 2013 Posted June 12, 2013 Thats a fine looking guitar! I was checking out a version in red myself only the other day.
waynepunkdude Posted June 12, 2013 Author Posted June 12, 2013 [quote name='BigRedX' timestamp='1371039775' post='2108947'] Thats a fine looking guitar! I was checking out a version in red myself only the other day. [/quote] £205, I think that's a bargain.
waynepunkdude Posted June 12, 2013 Author Posted June 12, 2013 Yep but in as new condition, need to pick it up from Swansea but it shall be with me soon.
uncle psychosis Posted June 13, 2013 Posted June 13, 2013 Nice work. Good guitars those, but the location of the pickup selector would annoy me!
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