StageAhead Posted October 27, 2013 Posted October 27, 2013 This week I started a two-part series about songs that feature a so-called "line cliché". The first parts includes these transcriptions: Tom Petty - Into The Great Wide Open Beatles - Dear Prudence John Barry - James Bond Theme Take a look: [url="http://four-strings-basslessons.blogspot.de/2013/10/weekly-basslines-125-line-cliches-part-1.html"]http://four-strings-...hes-part-1.html[/url] Do you know any other songs featuring line clichés??? Quote
Hector Posted October 28, 2013 Posted October 28, 2013 From a jazz point of view: My Funny Valentine: Cmin | Cminmaj7 | Cmin7 Cmin6 | (although I much prefer C min | G7 | Cmin7 | F7 | or the Miles Davis version Cmin | Ab7 G7 | Cmin7 | F7#11) In The Wee Small Hours Of The Morning: Cmaj7 C7 |Fmaj7 Bb7 | for the first two bars, but could be rewritten as Cmaj7 C7 | C6 C+ | Quote
StageAhead Posted November 2, 2013 Author Posted November 2, 2013 Yes! My Funny Valentine can be played with this kind of "line cliché". It could be seen as a kind of reharmonising the chords by using the tool of line clichés. On this site of berklee college you can download a pdf-file on this subject: [url="http://www.berkleeshares.com/songwriting__arranging/line_cliches_jazz_reharmonization"]http://www.berkleesh...reharmonization[/url] I've just finished the second part of my little workshop on "line cliches". This time it includes one of the most beautiful basslines I've ever heard by [b]Oteil Burbridge[/b] in the song "[b]Midnight In Harlem[/b]" by the [b]Tedeschi Trucks Band[/b]. Amazing! [url="http://four-strings-basslessons.blogspot.de/2013/11/weekly-basslines-126-line-cliches-part-2.html"]http://four-strings-...hes-part-2.html[/url] Quote
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