Mr Fretbuzz Posted December 17, 2013 Share Posted December 17, 2013 I was thinking. Is it a good idea or stupid idea to mix strings? I thought maybe flats on the E and A and rounds on the D and G. I thought perhaps it would give a deep tone to the lower strings and a brighter tone to the higher strings... or would it just sound unbalanced? I guess it's a stupid idea or the string makers would have brought out mixed sets already .... If it's a good idea I'm claiming copyright :-D Quote Link to comment Share on other sites More sharing options...
Mykesbass Posted December 17, 2013 Share Posted December 17, 2013 You would probably need to play around with the pick up pole pieces to balance the volume (I broke a D string at a gig and even a fresh new roundwound against the older worn in ones was way too strong). Only real issue I can see is where do you want the rich mellow tone to stop and the brightness to take over (although you could change this by fret positions). Only one way to find out..... Quote Link to comment Share on other sites More sharing options...
Lozz196 Posted December 17, 2013 Share Posted December 17, 2013 I`ve found, in my limited use of them, that flats are way quieter than rounds, so it would require a fair bit of tinkering around I reckon. Doable, but then there`s the age old problem of if a string goes, a new one may completely knock out the balance as per Mykes post above. Quote Link to comment Share on other sites More sharing options...
charic Posted December 17, 2013 Share Posted December 17, 2013 How abount Steel E and A and Nickel D and G? Quote Link to comment Share on other sites More sharing options...
uncle psychosis Posted December 17, 2013 Share Posted December 17, 2013 Personally if I was going to do it I'd probably go the other way---rounds on the E/A and flats on the D/G. I think this would give a much better balance of timbre across the instrument. But why not give it a go? It could sound ace. Quote Link to comment Share on other sites More sharing options...
charic Posted December 17, 2013 Share Posted December 17, 2013 [quote name='uncle psychosis' timestamp='1387274416' post='2310017'] Personally if I was going to do it I'd probably go the other way---rounds on the E/A and flats on the D/G. I think this would give a much better balance of timbre across the instrument. But why not give it a go? It could sound ace. [/quote] You could string two basses up and actually use both full sets Quote Link to comment Share on other sites More sharing options...
Happy Jack Posted December 17, 2013 Share Posted December 17, 2013 One black one, one white one, and one with a bit of ... no, best abandon that thought. Quote Link to comment Share on other sites More sharing options...
Jus Lukin Posted December 17, 2013 Share Posted December 17, 2013 (edited) - Edited February 19, 2022 by Jus Lukin Quote Link to comment Share on other sites More sharing options...
Huge Hands Posted December 17, 2013 Share Posted December 17, 2013 I'm currently running EAD as flats and G as a round after I'd forgotten the old set of flats I tried to put on my JV were from an old 2+2 headed guitar and the chopped G string wouldn't reach to the tuning peg. I haven't noticed a volume difference, but in my brain it feels like the zingier G string helps with the definition of the high notes for the specific work I'm using it for without having to make the bass brighter in tone overall (which I personally don't like). It makes sense to me, and one day when I've saved up for another full set, it will be flats all the way! Quote Link to comment Share on other sites More sharing options...
Marvin Posted December 17, 2013 Share Posted December 17, 2013 I'm a bit OCD and must have the same strings on my basses. My p bass is currently strung with 4 E strings, the Yamaha with 4 A's and the Ibanez with 4 D's... It does mean I now have 4 G strings though Quote Link to comment Share on other sites More sharing options...
seashell Posted December 18, 2013 Share Posted December 18, 2013 [quote name='Marvin' timestamp='1387306617' post='2310560'] I'm a bit OCD and must have the same strings on my basses. My p bass is currently strung with 4 E strings, the Yamaha with 4 A's and the Ibanez with 4 D's... It does mean I now have 4 G strings though [/quote] What a very interesting idea. I would love to hear how four E strings sound. Might give it a go one day.z Quote Link to comment Share on other sites More sharing options...
Jus Lukin Posted December 18, 2013 Share Posted December 18, 2013 (edited) - Edited February 19, 2022 by Jus Lukin Quote Link to comment Share on other sites More sharing options...
Count Bassy Posted December 18, 2013 Share Posted December 18, 2013 (edited) [quote name='uncle psychosis' timestamp='1387274416' post='2310017'] Personally if I was going to do it I'd probably go the other way---rounds on the E/A and flats on the D/G. I think this would give a much better balance of timbre across the instrument. But why not give it a go? It could sound ace. [/quote] Yeah, me too, make the B/E a bit more lively with rounds and the A/D/G a bit less harsh with the flats. Of course there are half rounds to consider, all the different gauges, different materials (as mentioned), and all the different manufacturers. The possibilities would be almost endless if you had the time (and money) to experiment with them all. Edited December 19, 2013 by Count Bassy Quote Link to comment Share on other sites More sharing options...
Marvin Posted December 18, 2013 Share Posted December 18, 2013 [quote name='Jus Lukin' timestamp='1387328570' post='2310869'] I'm more interested in the sound of four G strings being twanged. [/quote] A tone much akin to being slapped in the face I should imagine... Quote Link to comment Share on other sites More sharing options...
Jus Lukin Posted December 18, 2013 Share Posted December 18, 2013 (edited) - Edited February 19, 2022 by Jus Lukin Quote Link to comment Share on other sites More sharing options...
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