lobematt Posted January 2, 2014 Share Posted January 2, 2014 Hey guys, Just trying to get some language for a 7#11 chord, first port of call had to be Canteloupe Island! So the first lick I transcribe seemed to be full of chromatic notes, on closer inspection he's basically running the C half/whole diminished scale bottom to top then keeps ascending chromatically to the #11 of the Db7#11 Can anyone shed some light on this? Is this a usual approach to this chord or does Herbie just do what he wants haha? Thanks! Quote Link to comment Share on other sites More sharing options...
JapanAxe Posted January 2, 2014 Share Posted January 2, 2014 Not familiar with the piece, but what role is the chord playing? If it's acting as a dominant (i.e. resolving to a Gb or a Gbm), pretty much any note goes. Quote Link to comment Share on other sites More sharing options...
lobematt Posted January 2, 2014 Author Share Posted January 2, 2014 [url="http://www.youtube.com/watch?v=mlRd1ph8GhQ"]http://www.youtube.com/watch?v=mlRd1ph8GhQ[/url] The chords are F-7|% % % Db7#11| % % % D-7|% % % F-7... Quote Link to comment Share on other sites More sharing options...
lobematt Posted January 2, 2014 Author Share Posted January 2, 2014 (edited) By the way, the lick in question comes in about 2:00 on the video Edited January 2, 2014 by lobematt Quote Link to comment Share on other sites More sharing options...
DaveFry Posted January 2, 2014 Share Posted January 2, 2014 I think of the sharp 11 here as a flattened 5th blue note . In the F minor vamp he plays a B natural grace note sometimes , so I think he just follows the same idea with the Db 7 which also reminds the listener of the Fminor tonality .( Gnat as opposed to Gflat ) I think of the tune as basically a 12-bar blues with an extra 4 bars of the tonic added onto the end . The Db feels more like a Bb minor in 1st inversion ( clever ) , and when you'd expect the V chord at bar 9 he goes one step further than the standard ii V substitution and gives us the vi of F major ( genius ) and holds that for the 4 bars when you'd expect a vi ii V maybe . So , to me , the sharp 11 over the Db ( where you'd expect the iv chord in a minor blues ) implies a staying with the sound of the implied Bb minor .( iv chord , bars 5 to 8 in a blues ). -Just an Autistic opinion , in no way claimed as fact .... Quote Link to comment Share on other sites More sharing options...
ambient Posted January 2, 2014 Share Posted January 2, 2014 A H/W diminished works because it contains the altered extensions similar as the altered or super locrian, flat 9, sharp 9, sharp 11 etc. Quote Link to comment Share on other sites More sharing options...
lobematt Posted January 3, 2014 Author Share Posted January 3, 2014 [quote name='ambient' timestamp='1388701977' post='2325182'] A H/W diminished works because it contains the altered extensions similar as the altered or super locrian, flat 9, sharp 9, sharp 11 etc. [/quote] That would make sense! I was just wondering if it's common place? Also is there any difference between the altered mode and super locrian? I always thought they were the same thing? Quote Link to comment Share on other sites More sharing options...
ambient Posted January 3, 2014 Share Posted January 3, 2014 [quote name='lobematt' timestamp='1388746755' post='2325459'] That would make sense! I was just wondering if it's common place? Also is there any difference between the altered mode and super locrian? I always thought they were the same thing? [/quote] Super locrian and altered are one and the same . Quote Link to comment Share on other sites More sharing options...
XB26354 Posted January 4, 2014 Share Posted January 4, 2014 Sounds like that lick is actually Db melodic minor. I hear the lick starting on Eb, down to C, then straight up the melodic minor scale - Db, Eb, Fb, Gb, Ab, Bb, C, Db, Eb etc. ending in a Db minmaj9 chord. Quote Link to comment Share on other sites More sharing options...
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