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ADVICE ON CLASS D HEADS AND CAB CHOICES


doc40hz
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I've recently completely changed my bass rig - lugging my big 40kg trace combo up and down the stairs was getting a bit much!

I've got Trace Elliot 1028H (2x10 400watt) and 1518C (1x15 300watt) cabs, both at 8ohms.

I acquired an orange terror 500 as a part trade for my Trace Combo and it sounds awesome - will defo work well on rock/punk/indie cover gigs that I do.

However, I also play more funky/soul gigs where I need a clean slap tone.

Decent preamp pedals/di boxes are 200-350 quid, and I figure for that money I should probably buy a second amp so I've got a back up head and tonal options.

The EBS Reidmar caught my eye. Just a couple of questions:

1. Will running the EBS Reidmar into my full cab setup be sensible? Is "underpowering" bass cabs just a myth or is it advised against.
2. Anyone have any other suggestions for a similar price range; the EBS is nice with the semiparametric EQ, compressor and apparantly has stacks of volume The TC450 looks nice too.

Thanks guys

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Past experiences with that gear would make me lean to the TC. I didn't like the Reidmar i had, too muddy and the top end was harsh (even with mild settings).

Search the FS section, lots of great class-D amps there with a "cleaner" sound and at good prices.

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[quote name='Happy Jack' timestamp='1403019116' post='2478908']
I'd suggest that you also check out the Gallien-Krueger MB500.
[/quote]

Yep, or even the Fusion version. You can still coax the famed GK snap from it, but it also can do a far warmer sound as well.

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As far as a head goes, I like using the TC Electronic RH450 head. It works well with the BC410 cab. The BC410 cab may be a bit much to carry up, and down stairs at @ 59 pounds.

[IMG]http://i.imgur.com/23HIyYB.jpg[/IMG]

Edited by gsgbass
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I have the GKMB500 and I use it for soul, pop, country, blues, rockabilly. It comes with a footswitchable bass boost, so you can easily shift between clean and motown-y tones without even having to fiddle with the head between songs.

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Guest bassman7755

[quote name='JapanAxe' timestamp='1403017000' post='2478886']
Yep, plenty of micro heads popping up used, just buy 'em, try 'em, sell 'em on if you don't like 'em - you won't lose much doing that.
[/quote]

Yeah thats what I do, only I'm a not so good at the selling part :unsure:

I currently own:
RH450
Shuttle 6
Promethean
Puma 900

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If you'd be willing to share, I would be really interested to hear how those amps compare, and which you use for different situations.

Cheers,
Paul

[quote name='bassman7755' timestamp='1403374913' post='2482247']


Yeah thats what I do, only I'm a not so good at the selling part :unsure:

I currently own:
RH450
Shuttle 6
Promethean
Puma 900
[/quote]

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[quote name='doc40hz' timestamp='1403011852' post='2478823']However, I also play more funky/soul gigs where I need a clean slap tone.[/quote]

Are you serious?

My friend had OBT and 2 SP212 for a 2-3 years maybe,and we tested that amp with few basses (Lakland P and J,Warwick Streamer 84'),and his slap tone couldn't been better. We even didn't test the EQ range,we just put everything on 12'o clock. I think you should change bass and cab.

His rig:
[url="http://imagizer.imageshack.us/scaled/landing/202/orange1t.jpg"]http://imagizer.imag...02/orange1t.jpg[/url]

Edited by LifeBomb
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Doc, I'd suggest Soul and Funk isn't a sound but a feel. Play the right lines and it doesn't matter what tone you're using.

Just use what you've got. But [i]I'd[/i] add another 210.

Edited by chris_b
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