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Posted

[quote name='Dr.Dave' timestamp='1403614499' post='2484484']
If Big Stu's still about he'll probably confirm that Slade , in their early days , used this approach to create a wall of sound. They'd all have cabs either side of the stage. We've done it on occasion. Another approach I used on big stages was to put a table on it's side behind my stack to 'reflect' the rear ported ashdowns I had at the time. Worked very well.
[/quote]

That's a pretty cool idea! My cabs are rear ported too.

Posted (edited)

[quote name='Dr.Dave' timestamp='1403614499' post='2484484']
If Big Stu's still about he'll probably confirm that Slade , in their early days , used this approach to create a wall of sound. They'd all have cabs either side of the stage.[/quote]

I'm that boring and predictable huh! Check out post #5 :)
It was their roadie & Nod's school-friend Swin (Graham Swinnerton)'s idea. Nod & H splitting one of their AC30's speakers with the opposite one on the other side of the stage.
Jim was using a Selmer head at the time with two cabs.

Edited by Big_Stu

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