discreet Posted June 24, 2014 Share Posted June 24, 2014 [quote name='Dr.Dave' timestamp='1403614499' post='2484484'] Slade, in their early days, used this approach to create a wall of sound. [/quote] They did. Quote Link to comment Share on other sites More sharing options...
gafbass02 Posted June 24, 2014 Author Share Posted June 24, 2014 [quote name='Dr.Dave' timestamp='1403614499' post='2484484'] If Big Stu's still about he'll probably confirm that Slade , in their early days , used this approach to create a wall of sound. They'd all have cabs either side of the stage. We've done it on occasion. Another approach I used on big stages was to put a table on it's side behind my stack to 'reflect' the rear ported ashdowns I had at the time. Worked very well. [/quote] That's a pretty cool idea! My cabs are rear ported too. Quote Link to comment Share on other sites More sharing options...
Big_Stu Posted June 24, 2014 Share Posted June 24, 2014 (edited) [quote name='Dr.Dave' timestamp='1403614499' post='2484484'] If Big Stu's still about he'll probably confirm that Slade , in their early days , used this approach to create a wall of sound. They'd all have cabs either side of the stage.[/quote] I'm that boring and predictable huh! Check out post #5 It was their roadie & Nod's school-friend Swin (Graham Swinnerton)'s idea. Nod & H splitting one of their AC30's speakers with the opposite one on the other side of the stage. Jim was using a Selmer head at the time with two cabs. Edited June 24, 2014 by Big_Stu Quote Link to comment Share on other sites More sharing options...
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