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3 elements of music: rhythm, melody & harmony - what's most important to you as a bassist?


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Posted

I ask 'cause I've been listening to various musics where each is the most important:

- Melody: Squire playing a line through Yes' chord changes
- Harmony: Jeff Berlin/Gary Willis playing off chord tones
- Rhythm: Rocco rippin' up the 16ths

What's the best? You decide!

Posted (edited)

You can't generally have one without the other two... they are symbiotic in varying degrees. :)
EDIT: I think you are introducing too many restrictions on choice, here!

Edited by discreet
Posted

If you haven't got decent rhythm, you'll have no groove, IMO
so that is primary as far as I am concerned...

And not sure Rocco is the example to hold up, btw...

but it's only a game..........

Posted (edited)

[quote name='JTUK' timestamp='1405705800' post='2504574']
If you haven't got decent rhythm, you'll have no groove, IMO

[/quote]

Right so here's the thing: Yes and Holdsworth don't groove... but they're both great music... (I know Ernest Tibbs and Jimmy Haslip have introduced some groove to AH.. I'd say Jimmy Johnson whilst awesome, was primarily harmonic...)

Edited by visog
Posted

[quote name='JTUK' timestamp='1405705800' post='2504574']
If you haven't got decent rhythm, you'll have no groove, IMO
so that is primary as far as I am concerned...
[/quote]

Gotta start here, rhythm the most important for me.

Posted (edited)

[quote name='Lozz196' timestamp='1405708122' post='2504634']
Gotta start here, rhythm the most important for me.
[/quote]

Enya anyone? No rhythm...

Just sayin'... (I'm not disagreeing...)

Edited by visog
Posted

Those three elements are probably all important to musicians of all stripes, but as an instrumentalist I also include;

- Groove
- Articulation
- Technique
- Emotion/feel
- Tone
- Phrasing
- Space/rest
- Listening

Whenever I think of them, which isn't all the time !

Posted

If one is playing melodically, melody is king.
If one plays to the chord changes, harmony wins.
If one plays rhythmically, rhythm is top.
I'd say it depends on context. I can imagine (but don't wish to..!) a 'slap' player using simply rhythmic expression.
I can conceive a melody weaving all around the 'beat'.
It's possible to have very fine harmony with no or little rhythm, nor melody as such.
Which is essential..? Whatever serves best the piece, I'd say.

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