Woodinblack Posted August 29, 2014 Posted August 29, 2014 I am going to be playing some Queens of the Stone age, 'Noone knows', which is tuned down to C. As C is quite a long way down, I could either tune up a 5 string a notch or just tune a 4 string down. Well, I suppose I could just play it on a properly tuned 5, but transposed too, but not so keen on that one. If I were to take a 4 string jazz and tuned down, what strings would be good? The heaviest 4 string set I can see is 50-120, whereas if I got a 5 string set the bottom 4 would be 65 - 130. So seems like the G would be a bit flappy if it was tuned to Eb? Quote
chriswareham Posted August 30, 2014 Posted August 30, 2014 I used to use the heaviest four strings from a Power Slinky five string set for a drop tuned C. The tension was great, and I'm sure it would handle C without the drop tuning. Quote
Cosmo Valdemar Posted August 30, 2014 Posted August 30, 2014 I think a bit of flop and rattle would be beneficial for that song... I reckon a 110 would do the job. Quote
Ed_S Posted August 30, 2014 Posted August 30, 2014 I use the bottom of a set of D'Addario EXL220-5 (60,75,95,125) for my C bass. It's a standard Precision and the tension feels pretty normal to me given that I usually play 40,60,80,100 in both Eb and standard. Quote
miles'tone Posted August 30, 2014 Posted August 30, 2014 (edited) Nick Oliveri used/uses GHS Bass Boomers .115 and .095 for his C and F strings mixed with Ernie Ball Power Slinkys .075 and .055 for his Bb and Eb strings. Gives him the right string balance and flub according to the man himself in a YouTube interview that I can't find again right now. You can make up this set if you want by going to www.bassstringsonline.com and ordering the single strings (they are cheap compared to UK prices and you don't get charged import vat or anything.) You're welcome Edited August 30, 2014 by miles'tone Quote
xgsjx Posted August 30, 2014 Posted August 30, 2014 Why not use your 5 & pop a capo on the 1st fret (or is that too folky/Kings of Leon looking)? Quote
Damonjames Posted August 30, 2014 Posted August 30, 2014 I play this song in my current set. I tried playing it on a 5 for convenience sake, but it does make the fingering a bit tedious as it was originally played on a 4. The octave for the main riff in the verse is ok, but the little walking lines get trickier in this tuning. I couldn't be assed to stick with it and just went to my p/j With regards to strings, I just use my standard roto's 105's, it will help get you closer to his original tone which is a little rubbery I guess. Most importantly though it saves having a bass for just one song, because if you try and tune up to e with bigger gauge strings, it will ruin your action/setup. Keep it simple matey! Would also recommend a sansamp vt bass to get that overdriven ampeg sound!!! Quote
Bassmurf Posted August 31, 2014 Posted August 31, 2014 We do this one in my band - currently using Dean Markley Helix Nikki Sixx gauge .50 to .110 - not too flappy! Quote
Woodinblack Posted August 31, 2014 Author Posted August 31, 2014 [quote name='miles'tone' timestamp='1409382661' post='2539120'] Nick Oliveri used/uses GHS Bass Boomers .115 and .095 for his C and F strings mixed with Ernie Ball Power Slinkys .075 and .055 for his Bb and Eb strings. You can make up this set if you want by going to www.bassstringsonline.com and ordering the single strings (they are cheap compared to UK prices and you don't get charged import vat or anything.) [/quote] I forgot about them (and I did know when I was looking for strings for the bass VI. Sounds from everyone like it doesn't have to be as low as I thought, and probably 110-120 would do the job. The capo is out as my current 5 string is a dingwall and I think it would try to twist straight - the ibanez will be gone before then. I don't mind having a bass for that song, as I will just slap a set on the harley benton Quote
chrismuzz Posted August 31, 2014 Posted August 31, 2014 I have a bass tuned to C# and I'm currently using DR DDT strings. They're really quite ingenious and sound POWERFUL! Apparently they can "stretch" more so that the tension is more consistent even when you down tune. I like them Quote
Woodinblack Posted September 10, 2014 Author Posted September 10, 2014 And that is what I went for, so I now have an ibanez prestige with 50-115 DDTs on them, and after an initial concern the strings were very big, they do sound great at C. Quote
Bolo Posted September 10, 2014 Posted September 10, 2014 I'm using DDTs in standard tuning, with only the low B dropped to A. I'm hooked. Quote
Adrenochrome Posted September 10, 2014 Posted September 10, 2014 I played in D standard with some drop C songs for years and a 50-110 set did me fine. Quote
JazzBassfreak Posted September 11, 2014 Posted September 11, 2014 Yep, I've got DDT's on my Stingray, they sound crystal clear in B F# B E Awesome strings Quote
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