Twincam Posted December 17, 2014 Share Posted December 17, 2014 I have been messing around with reverb im still not sure what to use it for. It seems a little adds something to the bass, but anymore just seems to make you sound like playing in a cathedral. What other effects go well with it? Also how would it be used in a band or jamming context?. While i was writing about reverb i thought i also would like to know the deal on delay,ive messed about with it and really not sure how it is to be used. Quote Link to comment Share on other sites More sharing options...
HowieBass Posted December 17, 2014 Share Posted December 17, 2014 I think of reverb and short delays as adding ambience to an instrument; you're clearly trying to replicate the characteristics of a performance space and to my ears it works well with chorus/detune used with a fretless bass. For me it seems to make an electric instrument sound a little more like an acoustic if that makes any sense? Longer delays are useful when you want to play around with the effect itself, doubling lines and adding complexity; probably useful in solos. To understand what combining chorus and a really short delay sounds like together just listen to Peter Hook's bass. Quote Link to comment Share on other sites More sharing options...
uncle psychosis Posted December 17, 2014 Share Posted December 17, 2014 I don't like either on bass. I'm constantly surprised by just how many people on here seem to use them. Quote Link to comment Share on other sites More sharing options...
CamdenRob Posted December 17, 2014 Share Posted December 17, 2014 [quote name='uncle psychosis' timestamp='1418823136' post='2633683'] I don't like either on bass. I'm constantly surprised by just how many people on here seem to use them. [/quote] Yes I've got to admit they don't do alot for me either... Quote Link to comment Share on other sites More sharing options...
HowieBass Posted December 17, 2014 Share Posted December 17, 2014 @Twincam - though I can't tell you exactly what effects Jon Evans is putting his bass through during Tori Amos's 'Precious Things', I'm pretty certain it involves a ton of reverb particularly during the intro, same for guitarist Steve Caton... http://youtu.be/TjXZrzmdnAE?list=PLBAD5D456212BB401 Quote Link to comment Share on other sites More sharing options...
cheddatom Posted December 17, 2014 Share Posted December 17, 2014 [quote name='uncle psychosis' timestamp='1418823136' post='2633683'] I don't like either on bass. I'm constantly surprised by just how many people on here seem to use them. [/quote] It depends what you're doing. If you're playing punk or straight rock it's never going to work! Quote Link to comment Share on other sites More sharing options...
discreet Posted December 17, 2014 Share Posted December 17, 2014 (edited) [quote name='cheddatom' timestamp='1418835620' post='2633902'] It depends what you're doing. If you're playing punk or straight rock it's never going to work! [/quote] Quite. I only ever use reverb or delay when recording. I'd never use it live, as it makes the sound very indistinct and woolly, when you're generally trying to achieve the opposite. There's a place for them on solo bass live, but in a band context I wouldn't bother. Edited December 17, 2014 by discreet Quote Link to comment Share on other sites More sharing options...
Old_Ben Posted December 17, 2014 Share Posted December 17, 2014 (edited) Most of the time guitarists will use reverb to make something sound like it's being played in a much larger room, and therefore more dare I say 'epic' feeling, and to help a solo cut through the mix. I would maybe use it in conjunction with another effect to give it a bit more ambience and depth, but don't see why I would use it on it's own with a bass. You can set a delay up so that it gives you a touch of 'slap back' which is like it's bounching off a wall close to you to amplify what you have just played. usually this is a very subtle effect. Or you can set it just right for a song you're playing and make it sound like a double note. (Or make people believe you're double thumb slapping when you're not) Or just throw in a phaser and put them all on maximum and you'll make some awesome sci-fi effects... Edited December 17, 2014 by Old_Ben Quote Link to comment Share on other sites More sharing options...
Lozz196 Posted December 17, 2014 Share Posted December 17, 2014 I`ve only ever used delay on one song, which had a real rockabilly vibe to it, so had a minimal amount to try and replicate that slap-bass/echo thing that seems to go on. Worked ok, tools for the job really. Quote Link to comment Share on other sites More sharing options...
skej21 Posted December 17, 2014 Share Posted December 17, 2014 (edited) I use delay all the time when practicing. It removes the dryness of bass on its own and stops practice becoming boring. I also find (depending on the setting) that it can carry over harmony you can play against which I also find useful. Never used it at a gig before though... Edited December 17, 2014 by skej21 Quote Link to comment Share on other sites More sharing options...
ambient Posted December 17, 2014 Share Posted December 17, 2014 It all depends on the context that you're using it in. For my stuff I use delay and reverb all the time, but in a band I'd probably never use it. Quote Link to comment Share on other sites More sharing options...
Twincam Posted December 17, 2014 Author Share Posted December 17, 2014 [quote name='HowieBass' timestamp='1418819194' post='2633616'] I think of reverb and short delays as adding ambience to an instrument; you're clearly trying to replicate the characteristics of a performance space and to my ears it works well with chorus/detune used with a fretless bass. For me it seems to make an electric instrument sound a little more like an acoustic if that makes any sense? Longer delays are useful when you want to play around with the effect itself, doubling lines and adding complexity; probably useful in solos. To understand what combining chorus and a really short delay sounds like together just listen to Peter Hook's bass. [/quote] I get you. I have often wondered about Peter Hook's sound. [quote name='Old_Ben' timestamp='1418838320' post='2633950'] Or just throw in a phaser and put them all on maximum and you'll make some awesome sci-fi effects... [/quote] Yeah i bet. Did a little experiment with octave bass, flanger or chorus and reverb earlier on. I don't think the neighbors were impressed most of wondered wtf i was doing. Didn't even get the chance to throw in max gain as they were banging on the wall (again). I need to invest in headphones that can handle actual low frequencies. Quote Link to comment Share on other sites More sharing options...
tauzero Posted December 18, 2014 Share Posted December 18, 2014 I've used a bit of reverb on assorted EUBs to give a more double-bass effect. I've also used it now and again on bass but haven't managed to find something I really like. Quote Link to comment Share on other sites More sharing options...
sk8 Posted December 18, 2014 Share Posted December 18, 2014 I've used reverb and delay in a duo project I had but never in a full band context with my main projects which are more Rock Orientated. Quote Link to comment Share on other sites More sharing options...
cheddatom Posted December 18, 2014 Share Posted December 18, 2014 [quote name='discreet' timestamp='1418837548' post='2633938'] ...I'd never use it live, as it makes the sound very indistinct and woolly, when you're generally trying to achieve the opposite... [/quote] Well, not always. I played in an instrumental band for a while, and for certain sections I was creating soundscapes using all manner of effects [quote name='Old_Ben' timestamp='1418838320' post='2633950'] ...and to help a solo cut through the mix... [/quote] IME, reverb helps instruments "sit" in a mix, rather than "cut". If something is cutting through the mix, but sounds like it's right next to your ear, then add reverb to help it "sit" Quote Link to comment Share on other sites More sharing options...
0175westwood29 Posted December 19, 2014 Share Posted December 19, 2014 love a little bit of reverb on bass, delay is really cool but wouldnt use it enough live to warrant one on the board. andy Quote Link to comment Share on other sites More sharing options...
Guest FretNoMore Posted December 19, 2014 Share Posted December 19, 2014 (edited) I use a touch of reverb or a very short delay with electric upright bass, I think that adds to the illusion and makes the sound a bit more double bass like. Overdo it and it turns to mush though, it should be barely audible really. Delay or reverb can also be effective with synth bass sounds, makes them really big. Works best with slower bass lines or drones though. It can also be beautiful with fretless bass, but maybe mostly for solo type playing. As already said, for rock it's not that useful. Edited December 19, 2014 by FretNoMore Quote Link to comment Share on other sites More sharing options...
bakerster135 Posted December 19, 2014 Share Posted December 19, 2014 (edited) [quote name='FretNoMore' timestamp='1418974675' post='2635300'] As already said, for rock it's not that useful. [/quote] I think Justin Chancellor would disagree with you. Probably Jon Stockman too, and his legion of bass-playing fans! I think they use these effects pretty well to be fair though, though they both have pretty bright tones and it's often for high, melodic, textural parts. Edited December 19, 2014 by bakerster135 Quote Link to comment Share on other sites More sharing options...
paulmcnamara Posted December 19, 2014 Share Posted December 19, 2014 Reverb, delay and chorus all brilliant on fretless bass but used prudently. Delay can be used to thicken the sound, reverb to add presence and luminosity, and chorus to widen the sound. Listen to people like Mick Karn and you will hear the judicious employment of "effects"..... Regards, Paul. Quote Link to comment Share on other sites More sharing options...
0175westwood29 Posted December 20, 2014 Share Posted December 20, 2014 [quote name='bakerster135' timestamp='1418982993' post='2635389'] I think Justin Chancellor would disagree with you. Probably Jon Stockman too, and his legion of bass-playing fans! I think they use these effects pretty well to be fair though, though they both have pretty bright tones and it's often for high, melodic, textural parts. [/quote] This! Quote Link to comment Share on other sites More sharing options...
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