Woodinblack Posted March 24, 2015 Share Posted March 24, 2015 [quote name='BigRedX' timestamp='1427123144' post='2726019'] On the other hand I'm not entirely convinced by the value to practicing in a room with a mirror wall. While it's fine for working out if your stage moves really are as cool as you thought, I've found that being able to see your hands in the mirror gives you a false sense of confidence when it comes to being able to play while looking at the audience. [/quote] So how do you practice that 'spinning the bass round your neck' thing then? Quote Link to comment Share on other sites More sharing options...
BigRedX Posted March 24, 2015 Share Posted March 24, 2015 [quote name='Count Bassy' timestamp='1427123588' post='2726029'] I imagine that a mirrored wall also sounds terrible. [/quote] TBH I don't remember the room I used with the mirror wall sounding much different to any other reasonable practice room. Quote Link to comment Share on other sites More sharing options...
KevB Posted March 24, 2015 Share Posted March 24, 2015 (edited) It's rehearsal rooms with mirrored ceilings that see all the interesting action anyway. Edited March 24, 2015 by KevB Quote Link to comment Share on other sites More sharing options...
Count Bassy Posted March 25, 2015 Share Posted March 25, 2015 [quote name='BigRedX' timestamp='1427206409' post='2727130'] TBH I don't remember the room I used with the mirror wall sounding much different to any other reasonable practice room. [/quote] I've no actual experience of one- I just assumed that a glass wall would reflect the sound very effectively and make for a harsh sound. Perhaps it doesn't matter if the rest of the room has plenty of absorbent stuff. Quote Link to comment Share on other sites More sharing options...
BigRedX Posted March 25, 2015 Share Posted March 25, 2015 [quote name='Count Bassy' timestamp='1427287658' post='2728266'] I've no actual experience of one- I just assumed that a glass wall would reflect the sound very effectively and make for a harsh sound. Perhaps it doesn't matter if the rest of the room has plenty of absorbent stuff. [/quote] Remember that one of the most critical listening environments is the recording studio control room which is frequently dominated by a huge window looking out onto the live room. Quote Link to comment Share on other sites More sharing options...
ratman Posted March 25, 2015 Share Posted March 25, 2015 [quote name='Count Bassy' timestamp='1427123518' post='2726027'] at the end of the day any bass amp sounds 90% like any other bass amp. [/quote] You're kidding, right?? Quote Link to comment Share on other sites More sharing options...
Count Bassy Posted March 25, 2015 Share Posted March 25, 2015 [quote name='ratman' timestamp='1427292390' post='2728382'] You're kidding, right?? [/quote] No I'm not actually. Admittedly 90% was a figure I pulled out of the air, but I'd maintain that the differences we get fussy about are pretty minor compared to the basic fact that it's a bass amp. You might miss certain features of amplifiers and cabs, and the sound will vary of course, but it will still sound like a bass guitar. I'd have thought that differences between the rehearsal space and the performance space would be at least as significant. Quote Link to comment Share on other sites More sharing options...
ratman Posted March 26, 2015 Share Posted March 26, 2015 Expensive high end rehearsal rooms do have good gear to rent for a practise. But over the years I've learned that if you want any kind of half decent sound in any cheaper rehearsal space, you have to bring your own bass rig. Even though a rented amp may let you sound like a bass, it doesn't let you sound like [i]your[/i] bass, in my experience. Especially if you use effects, the amp just won't react the same as you're used to with your own. I always use my own rig where ever I rehearse. Quote Link to comment Share on other sites More sharing options...
scalpy Posted March 26, 2015 Share Posted March 26, 2015 We try to a quiet band! Anything louder than acoustic drums is too much. Therefore we just rehearse with our monitoring. Which again we try to keep to a minimum. We have the good fortune of having a dedicated building (the guitarist has his own studio) bringing the extra perk of rehearsing with the drummer in a different room. Quote Link to comment Share on other sites More sharing options...
ahpook Posted March 26, 2015 Share Posted March 26, 2015 (edited) Seems like a lot here do use their own gear, but I never have - always used the practice studio's bass amp. Over the years I've been in bands where a guitarist might bring their own amp, but as a rule it's the studio's stuff...easier and quicker and nobody needs to drive anywhere...good for those who like a beer with their practice ! I've alwasys played in originals bands as well, and the 'scenes' I've played in the opportunity to use your own gear at gigs isn't always there, so it's best to get used to playing through gear that's not your own. As a result most of 'my sound' comes from my pedalboard rather than the amp, so I'm ready for owt ! Edited March 26, 2015 by ahpook Quote Link to comment Share on other sites More sharing options...
No lust in Jazz Posted March 26, 2015 Share Posted March 26, 2015 We always rehearse with the full set up - but hired PA comes with the room and as the vocalists meet up on a separate night to work out harmonies and share a glass of wine, the time is spent playing as a band. As regards bass gear the place we use has many reasonable options - I tend to take my own rig just so I stay in touch with its nuances. I don't get too worried about 'my sound' and have expeimented with different cab combinations, leading to me swapping a 1x15 for 2x12 Quote Link to comment Share on other sites More sharing options...
No lust in Jazz Posted March 26, 2015 Share Posted March 26, 2015 [quote name='Count Bassy' timestamp='1427300397' post='2728576'] No I'm not actually. Admittedly 90% was a figure I pulled out of the air, but I'd maintain that the differences we get fussy about are pretty minor compared to the basic fact that it's a bass amp. You might miss certain features of amplifiers and cabs, and the sound will vary of course, but it will still sound like a bass guitar. I'd have thought that differences between the rehearsal space and the performance space would be at least as significant. [/quote] I feel the same way, I watched a band the other night at a small club, when the bass was heard in isolation through the PA the sound was a not very pleasant woolly thud - when played ensemble it pulled the band together beautifully. Quote Link to comment Share on other sites More sharing options...
Matt P Posted March 26, 2015 Share Posted March 26, 2015 we use the supplied PA and drums, the drummer brings his snares and cymbals, my rig is super light so I bring it along anyway (usually only one cab though) the guitarist is using a 1x12 combo so brings that along too (we had a dire 3 months while it was being repaired/upgraded, the first session after it returned was a joy!) we're lucky as the place we use has petty good PA and the drum kits are actually reasonable and have the skins replaced fairly regularly (more often than our drummer replaces the skins on his kit anyway!) Matt Quote Link to comment Share on other sites More sharing options...
inthedoghouse Posted March 26, 2015 Share Posted March 26, 2015 The guitarist takes his gigging gear and the drummer takes his own drums. I just take my TE 65w combo which is plenty loud enough. We use the PA provided by the rehearsal rooms. Quote Link to comment Share on other sites More sharing options...
lowhand_mike Posted March 26, 2015 Share Posted March 26, 2015 Lucky enough to rehearse in a large hall with stage, our gear is all stored there in a small room so we just set up on stage with pretty much everything except the PA cabs, meaning we can practice at gigging volume and we know our PA setup. We dont have practice gear to use so just use our gigging rigs. We rehearse every week as we dont get much time if any to practice at home so rehearsal time is precious. The only time we dont is if work/real life gets in the way or after doing a gig. Quote Link to comment Share on other sites More sharing options...
bassintheface Posted March 26, 2015 Share Posted March 26, 2015 We rent our own room (well 2 actually) - both offices in a basement area of a large new retail building in the town centre. Parking, great flat access off the carpark, alarmed etc. We can use it whenever we like and we store all of our stuff there. We have our own keys to the building, then through 2 locked doors into our space. We leave a rehearsal set up in one of the rooms - drummer has a decent kit set up permanently, little mixer head PA and mics ad stands set up. I have a Hartke combo, guitarists have amps set up (usually just bring them in from the storage room we have for the big PA, lights etc etc directly next door. To be honest, we're dead lucky to have it and doubt we'll find anywhere as good!! Quote Link to comment Share on other sites More sharing options...
fretmeister Posted March 26, 2015 Share Posted March 26, 2015 For big loud gigs I prefer to rehearse with the exact set up I will be performing with. For woodwind based ensembles then I'm almost happy within anything as long as I've got my small pedal board (tuner, compressor, VT-Bass-DI) Quote Link to comment Share on other sites More sharing options...
Johnm93 Posted March 27, 2015 Share Posted March 27, 2015 When we chip in and hire a studio, yes because all the gear is there. Plus, guitarists always seem to bring more. In the drummist's front room - ah, no. At open mic nights - i.e.rehearsing in public - usually, yes. Quote Link to comment Share on other sites More sharing options...
blue Posted March 27, 2015 Share Posted March 27, 2015 [quote name='fretmeister' timestamp='1427385204' post='2729746'] For big loud gigs I prefer to rehearse with the exact set up I will be performing with.[/quote] We play loud rock, however when I rehearse I use a small combo amp with no pedals. My position is, even if I used my gigging rig and pedals at rehearsal it's absolutely no guarantee I will have the same sound at a gig. As it's been said many times, there are to many other variables that will impact your sound at a gig other than your gear. Blue Quote Link to comment Share on other sites More sharing options...
Ticktock Posted March 28, 2015 Share Posted March 28, 2015 Full kit at "practice"? Well, drummer brings his snare and cymbals if it isn't at his gaff. Me and the guitar player/ keyboard computer operator bring everything. It's all about how it sounds to us, gigs are another kettle of fish.....no gigs lined up and still writing songs really. Quote Link to comment Share on other sites More sharing options...
gafbass02 Posted March 29, 2015 Share Posted March 29, 2015 [quote name='Woodinblack' timestamp='1426981075' post='2724474'] Interesting - I was considering something like that a year or so ago for a group I was in at the time. I don't need it now for that group, but for other practice in the house it sounds like it could be a plan. Which one have you got? [/quote] we use the jamhub bedroom model, all i could afford, next time id go for one with the recorder built in Quote Link to comment Share on other sites More sharing options...
Woodinblack Posted April 1, 2015 Share Posted April 1, 2015 [quote name='gafbass02' timestamp='1427618254' post='2732261'] we use the jamhub bedroom model, all i could afford, next time id go for one with the recorder built in [/quote] Yeh, wouldn't mind that but a bit expensive. The bedroom one seems pretty cheap though, I missed a greenroom one on eBay and they don't seem common Quote Link to comment Share on other sites More sharing options...
Nicko Posted April 2, 2015 Share Posted April 2, 2015 In response to the OP I generally roll up to the rehearsal room with my plank, pedaltrain and two leads. The kit in the hired room is generally as good if not better than my own kit (lovely Trace Elliot yesterday , normally use an Ashdown there) . I don't see much point in messing with my own set up to fine tune settings thet will probably sound completely different in another room anyway. The guitarist takes several guitars, a mahoosive pedalboard, several suitcases full of essentials and an unfeasibly loud amp. I think he does it for the attention. Quote Link to comment Share on other sites More sharing options...
blue Posted April 2, 2015 Share Posted April 2, 2015 (edited) [quote name='Ticktock' timestamp='1427578212' post='2732013'] Full kit at "practice"? Well, drummer brings his snare and cymbals if it isn't at his gaff. Me and the guitar player/ keyboard computer operator bring everything. It's all about how it sounds to us, gigs are another kettle of fish.....no gigs lined up and still writing songs really. [/quote] Gigs are another kettle of fish for many new young bands. I'm from the "old school". When someone tells me their in a band the first thing I say is; " Cool where are you guys gigging?" I had this very conversation with a young musician a few months ago. I swear, when I asked about gigs it was like I was speaking a foreign language. Blue Edited April 2, 2015 by blue Quote Link to comment Share on other sites More sharing options...
blue Posted April 2, 2015 Share Posted April 2, 2015 [quote name='Nicko' timestamp='1427973389' post='2736473']I don't see much point in messing with my own set up to fine tune settings thet will probably sound completely different in another room anyway.[/quote] Agreed, and that's the point I've been trying to make. Same thing goes for the PA unless the gig is in the rehearsal space. Blue Quote Link to comment Share on other sites More sharing options...
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