buff Posted April 27, 2015 Share Posted April 27, 2015 So ive had over the years two MIJ/CIJ, one American and one Mexican classic, plus a few VM jazzes. My latest is one of the late 90's budget American traditional series, pre highway 1 basses. The sustain on it is great, but im finding over all its very bright sounding and is a complete contrast to how the others ive owned have sounded. Ive dropped in some 84's and done a gig with them in. But im finding them harsh and im looking for something warmer woody sounding with good mid's. Don't really want to move the bass on again as the weight and feel of it is great. Ive used emg pick ups in the past, but all the other basses weren't so bright sounding acoustically Any recommendations ? Quote Link to comment Share on other sites More sharing options...
ColinB Posted April 27, 2015 Share Posted April 27, 2015 Flatwounds? Quote Link to comment Share on other sites More sharing options...
stingraybassman Posted April 27, 2015 Share Posted April 27, 2015 [quote name='ColinB' timestamp='1430167076' post='2758633'] Flatwounds? [/quote] This Quote Link to comment Share on other sites More sharing options...
buff Posted April 27, 2015 Author Share Posted April 27, 2015 Would rather stick with the rotosounds that are fitted. Quote Link to comment Share on other sites More sharing options...
Grangur Posted April 27, 2015 Share Posted April 27, 2015 [quote name='buff' timestamp='1430169650' post='2758677'] Would rather stick with the rotosounds that are fitted. [/quote] If you want to change the sound then you have to change something in order to make the change in sound happen. So we don't want to change the bass. We know the pups and strings have been known to give you your sound, so you don't want to change those. Correct me if I'm wrong here, but pretty much just leaves the amp cab and EQ settings. Quote Link to comment Share on other sites More sharing options...
buff Posted April 27, 2015 Author Share Posted April 27, 2015 No what I'm wondering is as anyone else had a very bright sounding jazz, and fitted pick ups that changed the tone. I thought by fitting 84's it would darken it enough. It has but in a harsher way. Quote Link to comment Share on other sites More sharing options...
FuNkShUi Posted April 28, 2015 Share Posted April 28, 2015 Any reason why you want to stick with the rotosounds? Because my suggestion was going to be flats. Quote Link to comment Share on other sites More sharing options...
stingraybassman Posted April 28, 2015 Share Posted April 28, 2015 [quote name='buff' timestamp='1430171097' post='2758698'] No what I'm wondering is as anyone else had a very bright sounding jazz, and fitted pick ups that changed the tone. I thought by fitting 84's it would darken it enough. It has but in a harsher way. [/quote] Surely experimenting with strings is a fair bit cheaper than trying various pickups? As Grangur said amp, cab and EQ are all thats left after that. Quote Link to comment Share on other sites More sharing options...
Cameronj279 Posted April 28, 2015 Share Posted April 28, 2015 Strings would be my first suggestion too. As people have said amps eq is a good shout. Alternatively a preamp would be useful here. It's one of the many reasons I only play active basses. Quote Link to comment Share on other sites More sharing options...
buff Posted April 28, 2015 Author Share Posted April 28, 2015 Maybe i should go back to EMG's, probably not helping that my main bass is a 4003 and this jazz hasn't the warmth the Ric has. In the past the jazzes ive had have not been so bright sounding, and whilst not sounding like a Ric haven't been a million miles away. Ive tried bringing up the mid's and dropping the treble at a gig last week, but a friend who was the sound man commented on it being very toppy and boomy at the same time. Ive read some good thing's about dimarzio type J's . Just never had a problem with a bass so bright before other than an early SB2. Quote Link to comment Share on other sites More sharing options...
ColinB Posted April 28, 2015 Share Posted April 28, 2015 [quote name='buff' timestamp='1430212014' post='2758878'] Maybe i should go back to EMG's, probably not helping that my main bass is a 4003 and this jazz hasn't the warmth the Ric has. In the past the jazzes ive had have not been so bright sounding, and whilst not sounding like a Ric haven't been a million miles away. Ive tried bringing up the mid's and dropping the treble at a gig last week, but a friend who was the sound man commented on it being very toppy and boomy at the same time. Ive read some good thing's about dimarzio type J's . Just never had a problem with a bass so bright before other than an early SB2. [/quote] mmmm.... DiMarzio Model J's: £100 Fender Flatwounds: £20 ....worth a punt, surely? Quote Link to comment Share on other sites More sharing options...
molan Posted April 28, 2015 Share Posted April 28, 2015 Aguilar pickups can be richer and warmer. Maybe the 60's ones would work for you. Quote Link to comment Share on other sites More sharing options...
FuNkShUi Posted April 28, 2015 Share Posted April 28, 2015 [quote name='ColinB' timestamp='1430212820' post='2758898'] mmmm.... DiMarzio Model J's: £100 Fender Flatwounds: £20 ....worth a punt, surely? [/quote] You can lead a horse to water...... Quote Link to comment Share on other sites More sharing options...
hubrad Posted April 28, 2015 Share Posted April 28, 2015 (edited) We had a used USA Jazz, mid-2000s, in the shop a little while back. The tone with steel Rotos as fitted was just painfully bright for my taste, both acoustically and hence electrically. With so much acoustic brightness, I'd say pickups wouldn't mellow it down. I'd have put halfrounds on for myself. Edited April 28, 2015 by hubrad Quote Link to comment Share on other sites More sharing options...
Rumple Posted April 28, 2015 Share Posted April 28, 2015 Maybe change the Cap on the tone pot for a nice Paper In Oil one and roll a little of that in an see if it takes the edge off, it's cheap to do so not a lot to loose. Quote Link to comment Share on other sites More sharing options...
buff Posted April 28, 2015 Author Share Posted April 28, 2015 Ok maybe the flatwounds would help then. Which kind of Cap ? Quote Link to comment Share on other sites More sharing options...
Rumple Posted April 28, 2015 Share Posted April 28, 2015 I have [url="http://www.ebay.co.uk/itm/301555127285?_trksid=p2060353.m1438.l2661&ssPageName=STRK%3AMEBIDX%3AIT"]these[/url] in a couple of my basses. Quote Link to comment Share on other sites More sharing options...
Conan Posted April 28, 2015 Share Posted April 28, 2015 [quote name='Rumple' timestamp='1430215790' post='2758956'] I have [url="http://www.ebay.co.uk/itm/301555127285?_trksid=p2060353.m1438.l2661&ssPageName=STRK%3AMEBIDX%3AIT"]these[/url] in a couple of my basses. [/quote] Cool! And what are the advantages? Quote Link to comment Share on other sites More sharing options...
Lozz196 Posted April 28, 2015 Share Posted April 28, 2015 (edited) I`d look at capacitor as well - and pots, it may well be that the ones in there are 500s, so will be brighter. I`d probably get a complete wiring loom from Ki0gon re this - good electrics can help a fair bit. Plus, as said, if the bass is very bright acoustically then maybe a reduction on the cap value - or on the pots, down to a 100 rather than the regular 250. But I`d start with the regular 250 loom, if it`s still too bright get a 100 loom and then sell the 250 loom on here, you won`t be short of takers. Edited April 28, 2015 by Lozz196 Quote Link to comment Share on other sites More sharing options...
Rumple Posted April 28, 2015 Share Posted April 28, 2015 [quote name='Conan' timestamp='1430215946' post='2758960'] Cool! And what are the advantages? [/quote] For me I find it's more usable than the the standard ones fitted to most Jazz basses, it's not going to change the tone of your bass when it's dialled out but add a little, say 30% and it takes away some of the top end without it going muddy. I have no understanding of the science so I can't explain why it's a bit better than a ceramic Cap. Quote Link to comment Share on other sites More sharing options...
Thunderbird Posted April 28, 2015 Share Posted April 28, 2015 I did not get on with the Wizards but have got Seymour duncans in one bass OK it is a PJ with an SPB-2 hot and an SJB-2 but they are lush but in my Jzz basses I have Entwistle NEOS they are a good price and sound great but the only downside is they are a LOT bigger than other pups so the file needs to come out to sort it Quote Link to comment Share on other sites More sharing options...
buff Posted April 29, 2015 Author Share Posted April 29, 2015 On checking the pots they have [i]037407 and 0822 stamped on them, so ive no idea what the values are the cap has 022 stamped on it.[/i] Quote Link to comment Share on other sites More sharing options...
Conan Posted April 29, 2015 Share Posted April 29, 2015 Drop [url="http://basschat.co.uk/user/7835-kiogon/"]KiOgon[/url] a PM explaining your predicament. He will give you advice and suggest what kind of wiring loom will help. His prices are very reasonable too Quote Link to comment Share on other sites More sharing options...
buff Posted April 29, 2015 Author Share Posted April 29, 2015 Up to now i thought the sound that came out of jazz basses, was pretty similar. Have pm'ed kiogon Quote Link to comment Share on other sites More sharing options...
Brother Jones Posted May 2, 2015 Share Posted May 2, 2015 I'm willing to bet it's heavily string-related. When I bought my 2012 US Standard, it had very obviously been in the shop for a while, the strings were dead, etc, so they knocked down the price and threw in some Rotos. Horrible, scratchy, tinny sounding things. Replaced with DR Sunbeams and EMGs, and now I think it's the best Jazz I've ever owned. I do think US Jazzes sound brighter than they used to though. Quote Link to comment Share on other sites More sharing options...
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.