Number6 Posted September 27, 2015 Share Posted September 27, 2015 (edited) Do you prefer a low action with a bit of buzz or a high action because you dig in deep or play with a pick? Do you use certain strings on certain basses or for a particular set up? It's all subjective so not a my set up is better or worse than yours i am just interested. My MIM P is set up slightly lower than Fender spec, i use Rotosound Nickel 66 .045-.105s Swing bass strings and i like to use a foam mute at the bridge because i like the sound. So what is your preference BC'ers? 6 �� Edited September 27, 2015 by Number6 Quote Link to comment Share on other sites More sharing options...
Roland Rock Posted September 27, 2015 Share Posted September 27, 2015 I tend to do the following: - get the neck relief looking good - set the action as low as possible, but not so low that there is even a hint of fretbuzz - set intonation I'm not fussed about ultra-low action; I'd rather have the action a bit higher than any fretbuzz. I don't dig in much, so I'm usually able to get pretty low action with no buzz. Quote Link to comment Share on other sites More sharing options...
JTUK Posted September 27, 2015 Share Posted September 27, 2015 Low and light...the tension may be a tad soft but there you go. Same strings and gauges on all and I work on the bass being a backup so are set-up the same, rather than something different. I do what I do..nothing much changes, altho I tend to be quite a seat of the pants player. Quote Link to comment Share on other sites More sharing options...
Naetharu Posted September 27, 2015 Share Posted September 27, 2015 After messing around with different set-ups for a while I've settled on the following: * La-Bella Black Nylon 'Perfectly Balanced' strings in 50 - 105 guage * Action around mid-level. Well above fretbuzz. I play mostly finger-style and I have a very light touch as quite a bit of what I play depends on very fast triplet runs so this set-up works a dream for me. Quote Link to comment Share on other sites More sharing options...
joeystrange Posted September 27, 2015 Share Posted September 27, 2015 High action and heavy strings. I play pretty hard. Quote Link to comment Share on other sites More sharing options...
FuNkShUi Posted September 27, 2015 Share Posted September 27, 2015 Old strings Don't know what gauge they are as I have never changed them! Low action but without fretbuzz. I value being able to control my dynamics, so I set the volume higher than necessarily needed, and play lightly. When I want/need to dig in,then you will know about it Quote Link to comment Share on other sites More sharing options...
anaxcrosswords Posted September 27, 2015 Share Posted September 27, 2015 As an experiment I’ve been trying a different playing style recently, using my thumb as a plectrum playing almost entirely 16ths, a mix of notes and mutes. It’s very percussive and having a very low action helps – played normally, there’s a tiny bit of fret buzz here and there but it doesn’t worry me. The only question I’m now thinking about is whether or not my preferred 40s gauge is best suited to this style as the G string can sound a little more ‘clicky’ than might be ideal. Quote Link to comment Share on other sites More sharing options...
colgraff Posted September 27, 2015 Share Posted September 27, 2015 I like my action as low as I can with no more than minimal fret buzz. Quote Link to comment Share on other sites More sharing options...
lefrash Posted September 27, 2015 Share Posted September 27, 2015 I used to have mine as low as possible, but I actually prefer a wee bit of push back nowadays. I don't play overly complicated stuff very often though so that might be the reason. back wjen i was acteen and i played extreme, mr big, dream theater etc i needed all the help i could het. Haha Quote Link to comment Share on other sites More sharing options...
Truckstop Posted September 27, 2015 Share Posted September 27, 2015 I have a very robust finger style so quite a high action and I tend to set the pickups quite low too to avoid clanking. LaBella stainless steels every time, they have the tension I like. Quote Link to comment Share on other sites More sharing options...
DarkHeart Posted September 27, 2015 Share Posted September 27, 2015 I like as low an action as I can get, use 40-100 strings and also play exclusively with a pick (ive a short circuit between my fingers and my brain) and i tend to hammer it with the pick. Quote Link to comment Share on other sites More sharing options...
project_c Posted September 27, 2015 Share Posted September 27, 2015 low action, both on p with tapes and j with rounds. I love a bit of fret buzz when I dig in, doesn't bother me in the slightest. I play jazz mostly, finger style only. Quote Link to comment Share on other sites More sharing options...
Cameronj279 Posted September 27, 2015 Share Posted September 27, 2015 In all honesty I'm not sure what I go for. I think I go for a low action (based on playing other other people's basses) but I feel I go for a medium action. Quote Link to comment Share on other sites More sharing options...
Dan Dare Posted September 27, 2015 Share Posted September 27, 2015 Touch of neck relief and strings just high enough not to buzz. Hate fret buzz. Quote Link to comment Share on other sites More sharing options...
Funky Dunky Posted September 27, 2015 Share Posted September 27, 2015 Still trying to figure it out, but a straightish neck, low action but no fretbuzz. I do like quite a high tension in the strings though, that's a recent development. Quote Link to comment Share on other sites More sharing options...
peteb Posted September 27, 2015 Share Posted September 27, 2015 [quote name='Funky Dunky' timestamp='1443385676' post='2874339'] Still trying to figure it out, but a straightish neck, low action but no fretbuzz. I do like quite a high tension in the strings though, that's a recent development. [/quote] Same here - neck straight as possible, low action without fretbuzz and a tight feel in the strings (45-105)... Quote Link to comment Share on other sites More sharing options...
Lozz196 Posted September 27, 2015 Share Posted September 27, 2015 About 3mm at 12th fret, minimal neck relief. I use Roto steel rounds (45 - 105), play with a 1.14mm pick with a fairly hard attack so get the clank I need with this set up. Quote Link to comment Share on other sites More sharing options...
Hobbayne Posted September 27, 2015 Share Posted September 27, 2015 Medium high action using the slightly heavier Ernie ball [size=4]Regular Slinky's (50-105).[/size] [size=4]My style of playing varies between playing with a pick and fingerstyle depending on the song, But I am heavy handed and a too low action doesnt work for me.[/size] Quote Link to comment Share on other sites More sharing options...
paul_5 Posted September 27, 2015 Share Posted September 27, 2015 After years of monkeying about with this sort of this I've settled on the slightest amount of buzz, just enough so that it blooms whenever I dig in (often) .105" - .045" roundwound stainless steel strings. I like a nice wide string spacing too (18 or 19mm), and shim the neck if you have to. Quote Link to comment Share on other sites More sharing options...
Jimryan Posted September 28, 2015 Share Posted September 28, 2015 (edited) My precision and stingray are both set up with 40-100 Rotosound Nexus, the necks are set dead straight with no relief at all, the strings are low as possible without them choking, but low enough they buzz if persuaded, with the pickups raised high enough that the string doesn't touch them (caught my fingers on the magnets once by playing too hard). Removed the strap pin on both and have two, each one about 3 inches either side of where the original one was for different height options too. On my precision I fitted a Hipshot "A" type bridge too, and I've adjusted the string spacing. They're not evenly spaced on it, just set at what feels right. Edited September 28, 2015 by Jimryan Quote Link to comment Share on other sites More sharing options...
CamdenRob Posted September 28, 2015 Share Posted September 28, 2015 I get the neck straight then raise the saddles until it doesn't buzz... job done. there is probably a bit more to it than that but it works for me Quote Link to comment Share on other sites More sharing options...
Skybone Posted September 28, 2015 Share Posted September 28, 2015 I tweak it 'til it feels right. Quote Link to comment Share on other sites More sharing options...
Dave_the_bass Posted September 28, 2015 Share Posted September 28, 2015 [quote name='Lozz196' timestamp='1443387855' post='2874364'] About 3mm at 12th fret, minimal neck relief. I use Roto steel rounds (45 - 105), play with a 1.14mm pick with a fairly hard attack so get the clank I need with this set up. [/quote] This but with rotosound nexus (45 - 105) Quote Link to comment Share on other sites More sharing options...
Telebass Posted September 28, 2015 Share Posted September 28, 2015 Nearly flat neck, TI Jazz Flats, improbably low action, little fret buzz (luckily), quite often with the tone rolled right off. New Squier Jazz has similar setup but stil has rounds on. Seems to work OK, but needs flats... Quote Link to comment Share on other sites More sharing options...
Jazzneck Posted September 29, 2015 Share Posted September 29, 2015 (edited) Big Fat La Bella flats or Roto TruBass Black Nylon 88s, depending on the bass. Highest gauge possible. Slight neck relief. Height at no buzz plus a bit. Intonation accordingly. Oh, and I like a high tension string set up and I don't use a pick. Edited September 29, 2015 by Jazzneck Quote Link to comment Share on other sites More sharing options...
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