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14 tips on how to be a succesful covers band


PaulWarning
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interesting article [url="http://hubpages.com/entertainment/Top-Tips-to-be-Successful-as-a-Musician-in-a-Working-Band"]http://hubpages.com/...-a-Working-Band[/url]
I agree with most of it though the band I'm in only do 1 of his top 50 every covers band should know, oops

Edited by PaulWarning
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Yup, its all true. We are not unlike entertainers at children's parties and those entertainers who are polite, engaging, respectful and reliable get repeat business. One function band I was in had it pointed out that we sounded great but looked miserable. Once we mastered the art of playing while smiling we got much better reactions.

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[quote name='chevy-stu' timestamp='1449412644' post='2923285']
Some interesting points, and certainly many most bands i've worked with, or booked often forget, mainly they're there to sell drinks side of it.. .. It's obviously written from a US based rock bar type point of view.. (I've probably played 80%of the songs too)
[/quote]I wait to hear from Blue then :-)

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Some really good points in there, irrespective of how long we have been playing in covers bands there are always tips we can learn!

I also liked the bar owners perspective, it is largely common sense but it helps to think of it from that angle!

The top 50 songs.....we played two, I have personally played about twelve and there were probably 10 songs I had never even heard of! so not sure about that list in this country at least!

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I'm always fascinated about what people trhink should be in a set..so I only looked at about 6 of his numbers before giving up.

I think repetoire is important up to a point but it is what you play and how you play that counts for the most.

If playing isn't a strong point, then you might need a populist set, but if the band is good and can do something
with a song, then people will listen.
You might have to look further than the dog and duck tho'

Edited by JTUK
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[quote name='Woodinblack' timestamp='1449423300' post='2923413']
There are a lot in the top 50 list that I haven't heard of, let alone played, and several not in there that would be if it was a UK list
[/quote]

Yep, that's a very USA-centric list!

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[quote name='chevy-stu' timestamp='1449412644' post='2923285']
Some interesting points, and certainly many most bands i've worked with, or booked often forget, mainly they're there to sell drinks side of it.. .. It's obviously written from a US based rock bar type point of view.. (I've probably played 80%of the songs too)
[/quote]

I love the business. Most of the work we do is bar/club. At The end of the day, in the States your band could be as hot as a pistol, but if alcohol sales are soft, you probably will not get rebooked.

Blue

Edited by blue
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[quote name='Dropzone' timestamp='1449493424' post='2923953']
I think some venue owners should read it too.
[/quote]anybody know if there's a article for venue owners about advertising gigs, some of them can't even be arsed to put up the posters we send them

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There's a really interesting article here about the many reasons why bands and promoters don't get on. Its written by a guy who runs a fairly successful indie label here in Edinburgh:

[url="http://songbytoad.com/2011/07/a-few-reasons-promoters-and-bands-dont-get-along/"]http://songbytoad.com/2011/07/a-few-reasons-promoters-and-bands-dont-get-along/[/url]

Interesting (if terrifying) reading.

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[quote name='uncle psychosis' timestamp='1449503594' post='2924136']
There's a really interesting article here about the many reasons why bands and promoters don't get on. Its written by a guy who runs a fairly successful indie label here in Edinburgh:

[url="http://songbytoad.com/2011/07/a-few-reasons-promoters-and-bands-dont-get-along/"]http://songbytoad.co...dont-get-along/[/url]

Interesting (if terrifying) reading.
[/quote]who'd be a promoter eh? I know I wouldn't, it's bad enough being in a band

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Interesting read - it's been a few years now (nearly 50), but if I'd had fifty people turn up for a band night, I think I'd have hung myself.
I've employed little acts, Ben E King, Desmond Dekker, Fleetwood Mac, Jethro Tull....and many more..in a smallish back-end pub hall.
By and large we at least broke even. I used to pay the pub, bouncers and 'the f***ing band'....every band night had 30x40 posters, professionally thrown up in London, and by muggins here, on the outskirts....(I was never 'too busy' - it was what I did) - I never asked or expected anyone on the team, and that included girlfriends, to work for nothing - I used to get a team of girls from the venue to work on Saturday afternoons to leaflet local shopping centres - I always went along, they got in free of charge. It was bloody hard work. We all had 'fun', but boy did we put some effort in...and, yes, I was working full-time for most of the journey.....

:)

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