bassjim Posted July 29, 2016 Share Posted July 29, 2016 Thinking about turning the compression off altogether this weekend. Its one of those features I just started using a long time ago via a pedal but for the past 5-6 years, as its built into the amp I use, its there so it gets a turn. I've always backed it off the louder it gets as it kills the dynamics but this weekend I'm thinking about turning it off all together. I wonder if within the first two songs its back on? I shall find out starting this evening....... Am interested in any views for and against on this very subject.. Quote Link to comment Share on other sites More sharing options...
ambient Posted July 29, 2016 Share Posted July 29, 2016 I never use it live, just for recording. Quote Link to comment Share on other sites More sharing options...
BigRedX Posted July 29, 2016 Share Posted July 29, 2016 It's just a tool. Sometimes you need it. Sometimes you don't. The trick is to know when. Quote Link to comment Share on other sites More sharing options...
JTUK Posted July 29, 2016 Share Posted July 29, 2016 I don't use them live for my stage monitoring Studio and FOH is down to the Engr. Quote Link to comment Share on other sites More sharing options...
bassjim Posted July 29, 2016 Author Share Posted July 29, 2016 Any one got into trouble blowing speakers by removing it? Quote Link to comment Share on other sites More sharing options...
LayDownThaFunk Posted July 29, 2016 Share Posted July 29, 2016 I always thought compression was a cover up for poor technique. Honestly. I can see why in the studio it is used so much but tbh I thought that was down to making it easier to get a better mix? Quote Link to comment Share on other sites More sharing options...
ras52 Posted July 29, 2016 Share Posted July 29, 2016 Turn it off. If it sounds better, leave it off... if not, turn it back on again! Quote Link to comment Share on other sites More sharing options...
paul h Posted July 29, 2016 Share Posted July 29, 2016 I have a TC BH550 with a Spectracomp and I leave it at 12 o'clock all the time. It adds a little punch without really squashing everything. Saying that, it's pretty much the only compressor I have really liked. Quote Link to comment Share on other sites More sharing options...
Twincam Posted July 29, 2016 Share Posted July 29, 2016 That bit of natural valve compression is great. Don't like anymore than a hint. Quote Link to comment Share on other sites More sharing options...
Skol303 Posted July 29, 2016 Share Posted July 29, 2016 Oh gawd not this again. It has to be said that compression is certainly THE most misunderstood and maligned tools available to bass players. And I guarantee that it has contributed to precisely 100% of the fabled tones that many of us while away the hours in search of, fruitlessly fiddling with EQ knobs. Compressors have absolutely feck all to do with compensating for poor technique. That seems to be the biggest misnomer surrounding their use - and it's a fallacy that needs to be taken out back, humanely culled and never spoken of again. Because compression is every bass players best friend. Seriously guys, just do a teensy amount of homework on the topic - learn how to set a compressor properly - and a world of fabulous bass tones will be your oyster (whatever the heck that means. It's less fishy than it sounds). Quote Link to comment Share on other sites More sharing options...
JapanAxe Posted July 29, 2016 Share Posted July 29, 2016 I often use compression on electric guitar when playing live, to embiggen(TM) the sound. I also used a bit of Spectracomp live on bass when I had a TC head with it built in, but I love the simplicity of the bass-lead-amp setup and I just can't bring myself to faff around with pedals. Quote Link to comment Share on other sites More sharing options...
paul_5 Posted July 29, 2016 Share Posted July 29, 2016 My compressor (Aphex 1404) optical compressor is always on. I use it as a buffer for my pedalboard, clean DI out and finally a compressor set to 'tickle my peaks' by giving me 3 - 4dB gain reduction on my peaks. Lovely stuff. FWIW flatwound strings are what you want if you're looking to hide bad technique Quote Link to comment Share on other sites More sharing options...
tonyquipment Posted July 29, 2016 Share Posted July 29, 2016 I always seem to just brick wall my sound but I'm just used to it I guess. Down to personal preference Quote Link to comment Share on other sites More sharing options...
Wonky2 Posted July 29, 2016 Share Posted July 29, 2016 (edited) In all my years I've never used it. Engineers may have foh or in studio, but me no, I go in dry hahaha It's something that I've always suspected I should use or more so, learn to use as I understand it's place.... But I've just never gone there, mostly through fear of its voodoo. The new tc spectracomp pedal is the only one that has caught my attention due to it simplicity of use, it's one knob for this one nob Edited July 29, 2016 by Wonky2 Quote Link to comment Share on other sites More sharing options...
Skol303 Posted July 29, 2016 Share Posted July 29, 2016 (edited) [url="http://www.youtube.com/watch?v=ekWJKSLez54"]Here's a nice little video review[/url] that summarises the basics of how the majority of typical pedalboard compressors work. Rack-based (and software) compressors are more sophisticated and versatile, but really no more complicated to use once you get the hang of it. [i]I would trust the guy in the video though... he looks well dodgy to me[/i] Edited July 29, 2016 by Skol303 Quote Link to comment Share on other sites More sharing options...
lowdown Posted July 29, 2016 Share Posted July 29, 2016 [quote name='Skol303' timestamp='1469819836' post='3101353'] [url="http://www.youtube.com/watch?v=ekWJKSLez54"]Here's a nice little video review[/url] that summarises the basics of how the majority of typical pedalboard compressors work. Rack-based (and software) compressors are more sophisticated and versatile, but really no more complicated to use once you get the hang of it. [i]I would trust the guy in the video though... he looks well dodgy to me[/i] [/quote] Jesus christ. He has a music stand and is sitting down. Quote Link to comment Share on other sites More sharing options...
JapanAxe Posted July 29, 2016 Share Posted July 29, 2016 [quote name='paul_5' timestamp='1469812670' post='3101300'] FWIW flatwound strings are what you want if you're looking to hide bad technique [/quote] Ooooh!! Quote Link to comment Share on other sites More sharing options...
Pinball Posted July 29, 2016 Share Posted July 29, 2016 Hmm, I'm surprised with the responses so far. I pretty much always use a small amount of compression. I find that it helps keep everything stable and the volume even when using effects. Particularly with wah and distortion. Quote Link to comment Share on other sites More sharing options...
Bobthedog Posted July 29, 2016 Share Posted July 29, 2016 Gosh, is it that time of the year already. Hopefully this thread will end better than one of the previous ones. Quote Link to comment Share on other sites More sharing options...
discreet Posted July 29, 2016 Share Posted July 29, 2016 I forget all about the technicalities of compression and just plug in my Diamond BCP-1. It sounds bloody great. That is all. Quote Link to comment Share on other sites More sharing options...
Lozz196 Posted July 29, 2016 Share Posted July 29, 2016 [quote name='ambient' timestamp='1469801504' post='3101176'] I never use it live, just for recording. [/quote] Same here. Let the engineer/producer do what they need to but live I have my own way of compression - hit everything as hard all the time, that way there`s never a spike or dip in the volume Quote Link to comment Share on other sites More sharing options...
0175westwood29 Posted July 29, 2016 Share Posted July 29, 2016 I never turn my Cali76 bass compact off, ive got it after all of my drives, it adds warmth and i use it with the clean bass cranked so its parallel compression. Quote Link to comment Share on other sites More sharing options...
Woodinblack Posted July 29, 2016 Share Posted July 29, 2016 I have a TC RH450 head and the spectracomp is always on a bit. I hardly ever fiddle with it, the only thing I really change is sometimes I put the TubeTone thing on, as it sounds good for old covers. Quote Link to comment Share on other sites More sharing options...
Painy Posted July 29, 2016 Share Posted July 29, 2016 [quote name='discreet' timestamp='1469824487' post='3101391'] I forget all about the technicalities of compression and just plug in my Diamond BCP-1. It sounds bloody great. That is all. [/quote] My approach to compression too. When I have mine on it sounds 'nicer'. So I have it on. Quote Link to comment Share on other sites More sharing options...
DiMarco Posted July 29, 2016 Share Posted July 29, 2016 (edited) ANY concert you visit, ANY album or TV show you listen to has compression applied to the bass so go figure. It is the part of your tone that makes it manageable for sound systems. The low end is woeful for many a speaker without it. The question isn't "compression or not" but "do you manage your compression or does the foh guy do it". I like to be in control of my tone so yes I use a compressor and it is always on, just like the 10band EQ that cuts off everything underneath 60hz (but boosts at 80hz and cuts around 2k-4k a little). These two effects sit nicely in my amp's effect loop while danglin at the back of my stack like the secret weapons they are. Edited July 29, 2016 by DiMarco Quote Link to comment Share on other sites More sharing options...
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