Painy Posted September 7, 2016 Posted September 7, 2016 I've been listening to Jeff Wayne's War of the World's quite a bit recently and really enjoying Herbie Flowers' tone. In fact it's probably one of my favorite recorded bass tones ever but it's pretty much the complete opposite of the bright, aggressive, brand-new steel roundwound string tone I aim for myself. Just wondered, does anyone else on here have a similar love for another player's sound but wouldn't be heard dead using it themselves? Quote
progben Posted September 7, 2016 Posted September 7, 2016 Probably Les Claypool. Although a large part of that is because I'm not talented enough to play his lines, nor do I play in a band where I could get away with as outrageous a bass sound. Still, Primus exist and for that I am happy. Quote
Sferg Posted September 7, 2016 Posted September 7, 2016 Debbie Googe, that muddy "clack" sounds awesome in the context of MBV but wouldn't work for my band. Quote
MacDaddy Posted September 7, 2016 Posted September 7, 2016 Bootsy Collins. Gotta love Bootsy baby, but ain't got no use for a Mu-Tron myself. Quote
stingrayPete1977 Posted September 7, 2016 Posted September 7, 2016 Anyone using a P bass, love the sound of them as long as I'm not the one creating it! Quote
Lozz196 Posted September 7, 2016 Posted September 7, 2016 Jah Wobble, I love his really bassy warm tones on songs like Public Image, however they`re not for me - at present of course. Quote
Delberthot Posted September 7, 2016 Posted September 7, 2016 Not so much don't like but currently of no use to me are Chris Squier and Geddy's sounds. Somehow I don't think they'd fit in with a wedding/function band. Quote
acidbass Posted September 7, 2016 Posted September 7, 2016 Geddy Entwistle's later stuff Jaco and anyone who solos bridge pickup really. Quote
project_c Posted September 8, 2016 Posted September 8, 2016 Jaco for me too, love the tone, wish it worked for me but I found my tone when I discovered maple necks and tapewounds on fretless precisions, the Jaco tone only comes out at home when I need a break from the P's. I could never use it in a band context, as much as I love it: Quote
Barking Spiders Posted September 8, 2016 Posted September 8, 2016 I'm no fan of Yes or Rush but I do like Squire's and Lee's tones. As I mostly play funk and general dance stuff though these would never fit Quote
Cosmo Valdemar Posted September 8, 2016 Posted September 8, 2016 I love Peter Steele's tone - massively distorted and drenched in howling feedback. It's so unique that anyone who gets even remotely close to sounding like it would be accused of ripping off his sound. Also, as mentioned above, it wouldn't really work for wedding gigs. Quote
progben Posted September 8, 2016 Posted September 8, 2016 [quote name='Cosmo Valdemar' timestamp='1473327889' post='3129079'] I love Peter Steele's tone - massively distorted and drenched in howling feedback. It's so unique that anyone who gets even remotely close to sounding like it would be accused of ripping off his sound. Also, as mentioned above, it wouldn't really work for wedding gigs. [/quote] Niche markets my friend, niche markets. Quote
leschirons Posted September 8, 2016 Posted September 8, 2016 Bruce Foxton. So perfect for what Jam did but of no use to me at all. Quote
Muzz Posted September 8, 2016 Posted September 8, 2016 Pino's trombone fretless parp, and Mick Karn's chorused hoohah...love to listen to them, would never use them... Quote
TheRev Posted September 8, 2016 Posted September 8, 2016 Justin Chancellor from Tool. Love listening to it and love playing his stuff in the privacy of my own home but couldn't use that sound live. Quote
Hobbayne Posted September 8, 2016 Posted September 8, 2016 John Entwhistle. A lot of people think the sun shined out of his arse, but I am not a fan of his clanky twang. Quote
stingrayPete1977 Posted September 8, 2016 Posted September 8, 2016 Dookie era Greenday, sounds great but I'm not sure it would work for me in my function set. Quote
JTUK Posted September 9, 2016 Posted September 9, 2016 All the sounds I like, I use.... Having said that, I can appreciate a a few more, but wouldn't use altho I might emulate their sound for a track or two... but I'd do this with the hands, not amp settings. Quote
lowhand_mike Posted September 9, 2016 Posted September 9, 2016 [quote name='progben' timestamp='1473276063' post='3128659'] Probably Les Claypool. Although a large part of that is because I'm not talented enough to play his lines, nor do I play in a band where I could get away with as outrageous a bass sound. Still, Primus exist and for that I am happy. [/quote] yep what first came to mind for me, love his tones but just wouldnt work in our band Quote
christhammer666 Posted September 9, 2016 Posted September 9, 2016 I love Mark kings tone but would not suit my sludge/groove metak band Quote
Cosmo Valdemar Posted September 9, 2016 Posted September 9, 2016 [quote name='Hobbayne' timestamp='1473366380' post='3129578'] John Entwhistle. A lot of people think the sun shined out of his arse, but I am not a fan of his clanky twang. [/quote] Missing the point of the thread entirely 😉 Quote
discreet Posted September 9, 2016 Posted September 9, 2016 [quote name='Cosmo Valdemar' timestamp='1473327889' post='3129079'] ... [/quote] The man in your profile pic is Jon Pertwee and I claim my five pounds. Quote
Highfox Posted September 9, 2016 Posted September 9, 2016 A few been mentioned on here already. will add Bernard Edward's Chic sound to the list, love it, but a bit too neat and tidy for what I try to play/do. Quote
discreet Posted September 9, 2016 Posted September 9, 2016 Got to be Jamerson... I'd be delighted to use that sound 24/7, but I fear my playing may not quite be up to his standard... Quote
PaulWarning Posted September 9, 2016 Posted September 9, 2016 J J Burnel, loved the tone on the early Stranglers stuff but can't imagine using it on anything else other than Stranglers covers. Quote
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