xgsjx Posted February 26, 2017 Share Posted February 26, 2017 (edited) Mine's probably the shortest rig list thus far. Band rig: Bass: Ibanez SR1000e Pedals: Korg Pitchblack Poly, PSK SDS3 & Boss CE-2 Rig: Radiovox Valve amp > EBS CL410 Church rig: Ibanez SR1000e Pedals: Korg Pitchblack Poly Rig: Apple earbuds. To think, a couple of years back that list was much different. Edited February 26, 2017 by xgsjx Quote Link to comment Share on other sites More sharing options...
paul_5 Posted February 27, 2017 Share Posted February 27, 2017 (edited) Some nice stuff on here; I'll do what I can to lower the tone... Bitsa Jazz basses (Fretted is drop tuned D, G, C, F with Rotosound RS55s, Fretless is tuned to concert with Roto 66 Swingbass) Pedals - Tuner, Aphex Compressor, OC2 (clone), Earthquaker Devices Tentacle (clone), B3K (clone) Coloursound Bass Fuzz (clone), Chunk Systems Agent 00Funk (clone), EHX Small Stone (clone), EHX Small Clone (clone). Yeah, I make a LOT of pedals! Amp - Amp SVP PRO preamp into Laney SP300 power amp Cab - Barefaced Gen 1 Compact. Edited January 24, 2018 by paul_5 updated list Quote Link to comment Share on other sites More sharing options...
blue Posted February 27, 2017 Share Posted February 27, 2017 (edited) To much gear to mention. However, right now I'm bar gigging with my Line 6 wireless relay, G&L ASAT bass, GK 1000rb , head through a GK RBX 2 10 cab. The high end pre-amp boost in the ASAT will cut through anything. Dedicated Pedals, I'm using a little reverb, chorus and phase. Blue Edited February 27, 2017 by blue Quote Link to comment Share on other sites More sharing options...
Leonard Smalls Posted February 27, 2017 Share Posted February 27, 2017 [sharedmedia=core:attachments:239255] Wal it Yammy FX7700 used as pre-amp and tuner, into ch.1 of DBX compressor, into 1990 Marshall Jubilee amp. FX loop goes into Bass Whammy, Darkglass tube distortion, 3 Leaf envelope follower and back into ch.2 of compressor. and then amp. Amp outputs into Markbass 2x10 and Precision Devices 15" in ancient Yamaha cab. Sounds pretty big and perhaps a touch weird! Quote Link to comment Share on other sites More sharing options...
Freddy Le Cragg Posted February 27, 2017 Share Posted February 27, 2017 Fender Jazz MIM 2006 into TU2 into Boss OD2 into Carlsboro Marlin X150 with 150 watt slave power amp into Kustom 2x15 cab Simple yet weighs a ton. Sounds like a thunderstorm on Jupiter. Quote Link to comment Share on other sites More sharing options...
Floyd Pepper Posted February 27, 2017 Share Posted February 27, 2017 My live (electric) setup looks something like this... Bass Centre 'Blockhead' Bass (strung with Elite Player strings) and a NS Design NXT4 Into a Boss LS-2 and a Boss TU-2 Into a Fender Rumble 500 2x10 Combo with a 2x10 extension cab And just for good measure, here's a quick pic (NXT4 and pedals out of shot) Quote Link to comment Share on other sites More sharing options...
nightsun Posted February 27, 2017 Share Posted February 27, 2017 (edited) mmmm k, here yea go: Basses: Fender flea Jazz or Fender Precision Hotrod depending on the mood (ikle clip on tuner for quick ref tuning) Leads: Inherited over many years (aaahhem) Effects: Zoom B3 (where the sound lives) - Set up with a good old fashioned big end tone Head: TC BH800 (BH250 as running spare) - I run this flat with Spectracomp/tubetone on TP1 and a subtle octaver on TP2 Cabs: RS210 & Rs212 If push comes to shove I can DI out of the B3 and still have my 'sound', whatever that may be that week. It looks like this: Edited February 27, 2017 by nightsun Quote Link to comment Share on other sites More sharing options...
CamdenRob Posted February 27, 2017 Share Posted February 27, 2017 Bass (Wal) - Cable (OBBM) - Amp (Epifani) - Cables (OBBM) - Cabs (Barefaced One10s) Quote Link to comment Share on other sites More sharing options...
ern500evo Posted February 27, 2017 Share Posted February 27, 2017 My current rig: Musicman Bongo 4HS or Yamaha Attitude Ltd 2 Both strung with D'Addario pro steels Into a pedaltrain mini which houses: Korg Pitchblack tuner Ashdown James Lomenzo Hyperdrive EBS Billy Sheehan signature drive (purple) Arachnid Audio channel switching pedal Rig: GK MB Fusion 500 Barefaced Big Twin 2 I find the Bongo sounds better through the Ashdown pedal and the Yamaha better through the EBS. If it's a gig I'm likely to use both basses on, I set up the 2 channels of the Fusion as one for each bass. So if I switch basses, I just switch which drive pedal is on and switch amp channel. If I'm only likely to use the one bass I'll set the 2 channels up so that one is a boost channel. Quote Link to comment Share on other sites More sharing options...
ROConnell Posted February 27, 2017 Share Posted February 27, 2017 Fender MiM Precision Bass Deluxe Special - strung with Rotosound Swing Bass 66 Backed up by a Squier VM Jazz Bass - same strings. Into a Boss ODB-3 > Boss TU-3> Ashdown Mag 300 EVO ii head into either an Ashdown 115 or a TC Electronic BC410. Not the most exciting, but it works and sounds good. Quote Link to comment Share on other sites More sharing options...
Dood Posted February 27, 2017 Share Posted February 27, 2017 Wow, what a great idea Painy! - I'll be coming back to read all of these posts in detail and post my own too. Awesome! Geekathon! Quote Link to comment Share on other sites More sharing options...
dudewheresmybass Posted February 27, 2017 Share Posted February 27, 2017 (edited) Band 1 Barbed Basses:- 2 bc rich warlock (1 black,1 red crackle finishes) Different tuning :- dean demonator 4 ( black) Rig:- Marshall DBS 7400 head 2x Marshall Mbc 410 cabs Pedalboard:- X2 wireless Boss geb7 Pitchblack Bass soul food Mxr bass fuzz deluxe Mxr bass octave deluxe Ehx b9, c9 (separate output to pa) Ehx glove Freeze Dunlop 105q Ibanez weeping demon Mxr black label chorus Boss ps6 Mxr carbon copy Tomsline mini active di On a gator pedal tote pro powered by two gator g bus psu Band 2 Ultimate sin - Ozzy tribute Basses :- Fender modern player jag Self build p w. Spb3 pup Rig:- Marshall DBS 7400 and 2 Mbc 410 Pedals :- X2 wireless Tu2 Ehx c9 ( straight to di) Bass soul food Ibanez ts9b Bass fuzz deluxe Mooer bass eq Bass octave deluxe Boss ce5 Ibanez weeping demon Band 3 Thunderstick Basses:- USA fender p Westbury track 2 Self build p (white with spb3 and mirror plate) Bc rich ironbird Rig:- Marshall 7400 and 2x Mbc 410 Pedals:- Poly tune mini Bass soul food Mooer bass eq Ashdown nm2 Deep gigs get the thunder stick rig 😉 All basses strung with swing bass 50-110 Edited March 2, 2017 by dudewheresmybass Quote Link to comment Share on other sites More sharing options...
FuNkShUi Posted February 27, 2017 Share Posted February 27, 2017 I think mine might be most simple so far... Warwick Streamer or AJR singlecut ---> Yamaha mixing desk Touch of compression and EQ'd to the room. I like the sound of my basses Quote Link to comment Share on other sites More sharing options...
phil.c60 Posted February 27, 2017 Share Posted February 27, 2017 Very, very simple setup for me: Fender HotRod Precision from about 1999 or std. 96 Precision both with Rotosound Monel flats. Both left handed. OBBM cables Korg Pitchblack Tuner, Samsamp VT bass just for emergencies so I can play through the PA if necessary. Little Mark 3 Barefaced Gen 2 Compact. Thats all, folks Quote Link to comment Share on other sites More sharing options...
Nicko Posted February 27, 2017 Share Posted February 27, 2017 Everything I need for pub gigs: 0.8mm nylon pick (or fingers) Squier CV 70s reissue PBass, American Special PBass (spare) Both strung with D'addario EXL160 Nickel wound 50-105 Fender instrument cable Pedaltrain mini TC Polytune EBS Multicomp Mooer Green mile (not used for bass) EHX MicroPOG MXR M109 graphic Xvive micro power block Markbass Blackline 250 Unknown brand speaker cable Markbass 102P traveller 5 min set up time Quote Link to comment Share on other sites More sharing options...
casapete Posted February 27, 2017 Share Posted February 27, 2017 Great thread, enjoying reading them all. What has surprised me though is how many BC ers use pedals, especially overdrives to get their sound. I've always stuck to just a lead between bass and amp, only using my Sansamp set flat for DI purposes. Maybe I need to start investigating some stomp boxes. Quote Link to comment Share on other sites More sharing options...
ead Posted February 27, 2017 Share Posted February 27, 2017 For me it's: 95% of the time - Bass (probably ACG) > Smooth Hound wireless > Radial ProDI passive box > PA (bass through stage monitors) 5% of the time - Bass (probably ACG) > Smooth Hound wireless > Genz Benz Streamliner > Barefaced Midget/Compact stack (both Gen 2) Sometimes with a mini pedal board containing Korg Pitchblack; Boss CEB-3 and ODB-3 Quote Link to comment Share on other sites More sharing options...
Muzz Posted February 27, 2017 Share Posted February 27, 2017 Mine's fairly straightforward, too (apart from the basses): Dunlop .88 picks Any two of four basses (two Shuker Horns, Dingwall ABZ4, Shukerbird), all have East U-Retros OBBM Cable Mesa Walkabout or Genzler Magellan OBBM Cable BF Super Twin Plus a 'just in case' Behringer BDI21 in the gigbag...oh, and a clip-on tuner Quote Link to comment Share on other sites More sharing options...
Low End Bee Posted February 27, 2017 Share Posted February 27, 2017 Warwick RB Starbass 32" Fender 2007 Am Std P Bass D'Addario Pro Steels on both Clayton 1.07 big triangle picks Vox curly leads or OBBM ones for recording If DI Tech 21 Bass Fly Rig If au naturale Boss TU2 TC Classic head TC RS210 & RS112 cabs Plus 11 clip on tuners and 14 music stands Quote Link to comment Share on other sites More sharing options...
Roland Rock Posted February 27, 2017 Share Posted February 27, 2017 Wood&Tronics Ergon 5 > pedalboard* > Glockenklang Blue Rock > Barefaced Super Twin * TC Polytune Mini > SFX Loop Logic☆ ☆Loop 1 = OC2>Dwarf Bitch>Xerograph◇ Loop 2 = Density Hulk ◇ optional Hot Hand control Quote Link to comment Share on other sites More sharing options...
beely Posted February 27, 2017 Share Posted February 27, 2017 2006 Fender Mustang - StageClix Jack - SansAmp Bass Driver DI - EBS Reidmar 250 - Barefaced Bass Retro 210. At Saturday's gig I set up off-stage while the drummer was setting up his kit and then carried the whole thing on in a one-er. Quote Link to comment Share on other sites More sharing options...
tauzero Posted February 27, 2017 Share Posted February 27, 2017 I'm settling in with new bands so this is what I was using with the recently-deceased rock covers band: Sei Original fretless 5 or Sei Flamboyant 5 fretted Homemade jack to mini-XLR cable Line 6 G50 wireless Homemade Neutrik/Van Damme cable Zoom B3 Neutrik-ended cable with two DC power extensions sheathed with it to power B3 & G50 (using original power supplies) Tecamp Puma 900 Speaker cable with Neutrik speakon plugs First Bergantino AE112 Warwick Rockbass speaker cable with speakon plugs Second Bergantino AE112 Quote Link to comment Share on other sites More sharing options...
Thunderpaws Posted February 27, 2017 Share Posted February 27, 2017 (edited) Here's mine. Fender American Special Precision 3 Colour Sunburst with Rosewood neck. Fender custom shop cables. Snark Pedal Tuner Seymour Duncan Studio Bass Compressor EHX Bass Soul Food Genz Benz Streamliner 600 Genz Benz Focus 210 cab DR HiBeam strings. Edited February 28, 2017 by Thunderpaws Quote Link to comment Share on other sites More sharing options...
radiophonic Posted February 27, 2017 Share Posted February 27, 2017 Mine (from last night's gig). Although the monitors were so loud that the amp was basically redundant. The sound guy ran the stage volume like we had a drum kit. Which we don't. [attachment=239293:IMG_0563.jpg] Basses: 1990 EB Musicman Stingray 2016 USA Fender Jazz Fretless Pedals: Too complicated and cramped and last night I paid the price. Boss ABY box. One input for each bass > Boss TU3 (about to be retired for space reasons and replaced with a PolyTune Clip) > Boss BCX1 Compressor > Boss LS2 Line Switcher - for one touch switching between distortion and either phase or delay and for balancing bass volume Pike Vulcan - Loop A MXR Phase 90 - Loop B TC Flashback Delay (Loop B here, although that was a bad move, see above. Now on the naughty step) Hartke LH500 2 x Hartke 210 XL Quote Link to comment Share on other sites More sharing options...
scalpy Posted February 27, 2017 Share Posted February 27, 2017 G&L asat, polytune, bass soul food, mxr octave, source audio manta, markbass tube 500, Aggie db112s. In tweed. Makes a big difference to how they sound. Oo, and suitable top notch cables, obbm speaker leads, planet waves and those solderless jobs on the board. They really do make a difference! Quote Link to comment Share on other sites More sharing options...
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