Callumjord Posted March 10, 2017 Share Posted March 10, 2017 So in 2 weeks time I'll be playing at an open acoustic night at a local coffee house. Having spoke to the organiser it has been made apparent that myself and another guy on the drum stool thing (I have no idea what it's called) will form an unofficial "backing house band" for the full night. I have never played a gig like this before so I am looking to you guys and girls for some advice and tips. I'll be DI into the pa, what other equipment should I take? What bass? I have a feeling something with flat wounds would be appropriate. Do I just try and sit back, provide some solid bass lines and have more of a "supportive role"? Quote Link to comment Share on other sites More sharing options...
CamdenRob Posted March 10, 2017 Share Posted March 10, 2017 [quote name='Callumjord' timestamp='1489135819' post='3254560'] Do I just try and sit back, provide some solid bass lines and have more of a "supportive role"? [/quote] Naah I reckon wailing solos played on your knees, or maybe some foot on monitor action... Quote Link to comment Share on other sites More sharing options...
chris_b Posted March 10, 2017 Share Posted March 10, 2017 Is this an "anyone can walk in off the street" open night or are particular people expected to turn up? Don't worry about your strings, if you can, find out who you'll be backing and get a set list off them so you can get a heads up on the numbers you'll be expected to play. If anyone can just turn up and play. . . well, good luck. I've seen these nights and you can get a lot of acoustic bedroom players turn up with their "original" songs. It's usually best to let them play unaccompanied. Quote Link to comment Share on other sites More sharing options...
BrunoBass Posted March 10, 2017 Share Posted March 10, 2017 As someone who plays at acoustic nights and open mics with my "original" songs on a regular basis I can indeed say that house cajon players, bass players etc are incredibly off-putting when they're trying to accompany you on a song they've never heard before. Quote Link to comment Share on other sites More sharing options...
TrevorR Posted March 10, 2017 Share Posted March 10, 2017 Definitely a "less is more" situation. Root notes and little walking runs if you are feeling flash. And no one will notice/care what type of strings you've got on. Play what you think will feel/sound good for you. And, yes, the singers will probably jump at the idea of having a "backing band" but not think about little things like having chord sheets for the backing musos... Quote Link to comment Share on other sites More sharing options...
RhysP Posted March 10, 2017 Share Posted March 10, 2017 [quote name='PaulGibsonBass' timestamp='1489137347' post='3254590'] As someone who plays at acoustic nights and open mics with my "original" songs on a regular basis I can indeed say that house cajon players, bass players etc are incredibly off-putting when they're trying to accompany you on a song they've never heard before. [/quote] This. Nothing more annoying than somebody trying to force bass & drums onto a song that was never intended to have them. Quote Link to comment Share on other sites More sharing options...
BigRedX Posted March 11, 2017 Share Posted March 11, 2017 Just play it like any other gig... http://www.youtube.com/watch?v=mJx_CD-qj2g Quote Link to comment Share on other sites More sharing options...
skankdelvar Posted March 11, 2017 Share Posted March 11, 2017 (edited) * Turn right down and play the fewest number of notes possible * If the arrangement permits, give it at least a verse before you come in so you know which direction the 'performer' is heading * Play seated and try very hard not to be noticed (wear subdued clothing and sit as far back as you can) * Suppress all visible signs of emotion and affect a 'been there, done it' disposition. It will give the 'performer' confidence that you know what you're doing even if you don't. [color=#faebd7].[/color] Edited March 11, 2017 by skankdelvar Quote Link to comment Share on other sites More sharing options...
ivansc Posted March 11, 2017 Share Posted March 11, 2017 Being able to hack other peoples songs unheard is a learn-able skill. I worked in one of those vanity studios in Nashville occasionally & after a while you only have to hear the first line of ANY of them and you know 99% where the rest is going. So (grin) the answer is "get out thre and do it" But while you are learning you probably WILL piss off a lot of rather precious singer songwriters... The good 'uns will either tell you not to play "because this one's tricky" or put up with the odd clunker. Quote Link to comment Share on other sites More sharing options...
bazzbass Posted March 12, 2017 Share Posted March 12, 2017 I'd bail, how can you be expected to play along to songs you've never heard before (assuming they're originals)? You will only get in the way imho ymmv If the 'artist' hasn't put in the effort to find a bassist,why should they have one on stage? Quote Link to comment Share on other sites More sharing options...
gafbass02 Posted March 12, 2017 Share Posted March 12, 2017 [quote name='skankdelvar' timestamp='1489248902' post='3255489'] * Turn right down and play the fewest number of notes possible * If the arrangement permits, give it at least a verse before you come in so you know which direction the 'performer' is heading * Play seated and try very hard not to be noticed (wear subdued clothing and sit as far back as you can) * Suppress all visible signs of emotion and affect a 'been there, done it' disposition. It will give the 'performer' confidence that you know what you're doing even if you don't. [color=#faebd7].[/color] [/quote] This. As house bassist and host at several weekly open mics for the last few years. This. Unless you can avoid playing altogether. Then that. Quote Link to comment Share on other sites More sharing options...
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