bubinga5 Posted May 19, 2017 Share Posted May 19, 2017 I get the feeling that a floppy B string is a neck construction thing. but also from the pickups involved. just sayin. Quote Link to comment Share on other sites More sharing options...
GreeneKing Posted May 19, 2017 Share Posted May 19, 2017 My best B is my ACG Finn Uber, by a mountain mile. 7 piece Wenge and Bubinga does it methinks. I think it's mainly neck rigidity given equal string length and type. Quote Link to comment Share on other sites More sharing options...
stingrayPete1977 Posted May 19, 2017 Share Posted May 19, 2017 I've played a rubbish 37" B and a rubbish 34", I've also played some great 35" and 34". I've actually got a Fender with a very useable B which I never thought possible! Quote Link to comment Share on other sites More sharing options...
LITTLEWING Posted May 19, 2017 Share Posted May 19, 2017 I had a Squier VM 5 once, the B string always sounded like a farty wet rubber band with any brand of strings. Moved the heap of cow dung on rather swiftly. Shame, the other strings actually sounded damn good. Put me off 5 stringers for life. Quote Link to comment Share on other sites More sharing options...
eude Posted May 21, 2017 Share Posted May 21, 2017 I've had plenty 33" basses with amazing B strings, better than some 35" and 36" basses I tried a while back. I also have a 31.5" 6 string, and it works just fine too! Like the OP, I think it's more to do with the neck and construction. Not trying to sound snobby, but a modern, high end, hand made bass can pretty much achieve anything you would want within reason. I've also found that pickup location can make a difference too, popping the pickup somewhere that can naturally produce more mids, especially low mids will really help with your low B too. Cheers, Eude Quote Link to comment Share on other sites More sharing options...
Guest ixlramp Posted May 26, 2017 Share Posted May 26, 2017 It's odd how no-one mentioned the obvious, floppiness is due to low string tension, so just increase the gauge. Almost all bass sets have the B at a lower or much lower tension than the other strings. If you want to match the E in tension the E-B pairs are: .090 .120 .095 .125 .100 .135 .105 .140 .110 .145 Quote Link to comment Share on other sites More sharing options...
Mykesbass Posted May 27, 2017 Share Posted May 27, 2017 [quote name='ixlramp' timestamp='1495834474' post='3307028'] It's odd how no-one mentioned the obvious, floppiness is due to low string tension, so just increase the gauge. [/quote] Not entirely true. Yes, if you are talking about upping the gauge of the b using the same brand, but gauge alone is not the main factor of tension. Construction and mass are also very important. D'addario have a massive chart of all their string tensions. Nickel half rounds have more tension in the same gauge as rounds, and flats even more. Also a round core will give more tension than a hex core. Quote Link to comment Share on other sites More sharing options...
Guest ixlramp Posted May 29, 2017 Share Posted May 29, 2017 (edited) Correct. So yes i mean raise the string tension, and tension is determined by mass, so is affected by string construction and materials. It would be possible to have a brand A .125 tighter than a brand B .130 due to construction and materials. Floppiness is also, to a lesser extent, caused by string flexibility. Edited May 29, 2017 by ixlramp Quote Link to comment Share on other sites More sharing options...
GreeneKing Posted May 29, 2017 Share Posted May 29, 2017 The 'string tension' is a known depending on the characteristics of the particular string and there is a formula for calculating it. To me this is quite different to what the OP is talking about given that some basses exhibit a floppy B whatever string is fitted. For equal tension strings the 'floppiness' factor is to me determined mainly, in fact overwhelmingly by the rigidity of the neck. Quote Link to comment Share on other sites More sharing options...
Mastodon2 Posted May 29, 2017 Share Posted May 29, 2017 String gauge isn't everything, using fatter strings can have a negative impact on tone (or positive depending on your aims). Big fat strings can cause a boomy, round sound, I prefer the snappier sound of lighter gauges, Scale length isn't everything either. I honestly think a lot of it is in the woods or other construction materials of the instrument. My Warwick Thumb (34") feels different on the low B to my Spector Euro 5LX (35"). The wood feels different as it vibrates, The Spector is very birght and clear, the warwick is dark and growly - and that is just playing it unplugged. Quote Link to comment Share on other sites More sharing options...
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