KingPrawn Posted January 12, 2018 Share Posted January 12, 2018 (edited) I was listening to 6 music earlier. This came on and it struck me that some bass lines are meant for synth bass. I don’t think even with a synth pedal you could accurately produce the feel of this Edited January 12, 2018 by KingPrawn Quote Link to comment Share on other sites More sharing options...
ambient Posted January 13, 2018 Share Posted January 13, 2018 There's a lovely version of this by Matt Garrison with Teri Lyn Carrington, I'm not sure whether he plays it on his EUB. I know what you mean though, Superstitious by Stevie Wonder for instance. Quote Link to comment Share on other sites More sharing options...
Funkfingers Posted January 13, 2018 Share Posted January 13, 2018 It is possible to cop the timing aspect. Hammering on and pulling off isn't the same as keys. Quote Link to comment Share on other sites More sharing options...
drTStingray Posted January 13, 2018 Share Posted January 13, 2018 (edited) It's possible to get a decent sounding version of this using a Stingray with an envelope filter. Another track which would be better with synth bass is Flashlight. Ive played Chameleon live quite often on bass guitar without effects and have merged the bass part from Flashlight with it - having a fat bass sound helps. Edited January 13, 2018 by drTStingray Quote Link to comment Share on other sites More sharing options...
Cato Posted January 13, 2018 Share Posted January 13, 2018 (edited) 2 hours ago, KingPrawn said: I was listening to 6 music earlier. This came on and it struck me that some bass lines are meant for synth bass. I don’t think even with a synth pedal you could accurately produce the feel of this To be pedantic I don't think that's synth bass, I'm pretty sure it's a standard bass through an envelope filter pedal. That seems to be how he played it live in the early days... Although I've also seen clips of him playing the bass on his synths pretty much all the way through. As aside I've had some success copying the synth bass on Bruno Mars' 24k magic with a fretless and an envelope filter. Edit: sorry, Dr Stingray I didn't fully read your post before putting up mine. Edited January 13, 2018 by Cato Quote Link to comment Share on other sites More sharing options...
Higgie Posted January 13, 2018 Share Posted January 13, 2018 4 minutes ago, Cato said: To be pedantic I don't think that's synth bass, I'm pretty sure it's an envelope filter pedal. I'm pretty sure it's a synth. If Wikipedia is anything to go by: "The piece's signature funky bass line was played by Hancock on an ARP Odyssey, as was one of the keyboard solos." Quote Link to comment Share on other sites More sharing options...
Cato Posted January 13, 2018 Share Posted January 13, 2018 13 minutes ago, Higgie said: I'm pretty sure it's a synth. If Wikipedia is anything to go by: "The piece's signature funky bass line was played by Hancock on an ARP Odyssey, as was one of the keyboard solos." I stand corrected, I was going by early live vids of him performing the song. Quote Link to comment Share on other sites More sharing options...
SICbass Posted January 13, 2018 Share Posted January 13, 2018 This one, despite evidence to the contrary on this “live“ TV appearance... Here, the bassline-proper doesn‘t kick in until about 00:54 Oberheim I think? Quote Link to comment Share on other sites More sharing options...
lowdown Posted January 13, 2018 Share Posted January 13, 2018 Both electric & synth bass on this. They work well locked in together. Quote Link to comment Share on other sites More sharing options...
drTStingray Posted January 13, 2018 Share Posted January 13, 2018 Another one from the era of Chameleon but a top 20 single. This always sounded more like an organ to me - i don't know what type of keyboard is used. I think you would need an octaver to perform this on a bass guitar - interesting bit at 1.39 - almost a little bass solo. These tracks are certainly from the days of punchy, up front bass in the mix - none of that woolly rumbling in the background!! Quote Link to comment Share on other sites More sharing options...
drTStingray Posted January 13, 2018 Share Posted January 13, 2018 (edited) 12 hours ago, KingPrawn said: I was listening to 6 music earlier. This came on and it struck me that some bass lines are meant for synth bass. I don’t think even with a synth pedal you could accurately produce the feel of this There is actually a bass guitar part on this - playing a type of guitar picked line high up on the fretboard. If you are very adventurous you can play the keyboard bass part into a looper on bass guitar with envelope filter and then play the actual bass guitar part over it!! I'm sure lots of people play this, the band I'm in plays this the guitarist plays the picked part but changes to duplicate the melody line with the sax - it actually sounds quite effective. We play it as a latter day jazz standard along with Watermelon Man and others. Edited January 13, 2018 by drTStingray Quote Link to comment Share on other sites More sharing options...
EBS_freak Posted January 13, 2018 Share Posted January 13, 2018 yes, people play it on a bass... not the same Quote Link to comment Share on other sites More sharing options...
drTStingray Posted January 13, 2018 Share Posted January 13, 2018 Here's another - much more recent in fact positively modern - but the bass part idea sounds slightly reminiscent of Electric Avenue - Eddie Grant - another with a synth bass part. Quote Link to comment Share on other sites More sharing options...
lee650 Posted January 18, 2018 Share Posted January 18, 2018 i use my 3 leaf wonderlove set in the up position and a bit of synthy grit from my You're doom for Chameleon! its not spot on,but still sounds great Quote Link to comment Share on other sites More sharing options...
chris_b Posted January 18, 2018 Share Posted January 18, 2018 Anyone trying to play this has a bigger problem than the bass sound. . . . no Harvey Mason or Herbie Hancock. Most of the guys who put synth bass lines on their records back then actually tour with bass guitarists. Quote Link to comment Share on other sites More sharing options...
Old Man Riva Posted January 18, 2018 Share Posted January 18, 2018 Quote Link to comment Share on other sites More sharing options...
Burns-bass Posted January 18, 2018 Share Posted January 18, 2018 Let’s Dance by Bowie is an awesome synth bass line that really isn’t replicated as well by a bass player. Quote Link to comment Share on other sites More sharing options...
Barking Spiders Posted January 18, 2018 Share Posted January 18, 2018 Weren't the basslines to Hyperactive by Thomas Dolby and Frankie GTH's Two Tribes done on a Fairlight? Quite difficult to get the exact sounds on tha bass Quote Link to comment Share on other sites More sharing options...
lowdown Posted January 18, 2018 Share Posted January 18, 2018 (edited) 16 hours ago, Burns-bass said: Let’s Dance by Bowie is an awesome synth bass line that really isn’t replicated as well by a bass player. I alway thought that was played on Bass Guitar by Carmine Rojas ? Blimey, I learn something every day. EDIT: As I first thought. Various articles on the net says it was indeed, Carmine Rojas (including himself). Thought I was going mad for awhile... Stevie Glasgow posted up a transcription online and some track info, what Bass was used etc... (if anyone is interested). http://www.stevieglasgow.com/transcriptions_e/let's-dance.html Edited January 19, 2018 by lowdown Quote Link to comment Share on other sites More sharing options...
Highfox Posted January 18, 2018 Share Posted January 18, 2018 Very camp But this one back-in-the-day, could never tell if bass was doubled with the synth? anyone know. Quote Link to comment Share on other sites More sharing options...
lowdown Posted January 18, 2018 Share Posted January 18, 2018 36 minutes ago, Highfox said: Very camp But this one back-in-the-day, could never tell if bass was doubled with the synth? anyone know. Aaah, the subject of a lot of speculation over the years. Highfox, the answer, from the very man himself.... 'Tony Swain'.....Not sure from what article it came from (my son found it recently - He was transcribing the track). "There has been much speculation about this subject but as I also played and recorded the bass lines it is time to put the record straight! The Bass was played using an early Roland SH1000 made in the late 70's This was originally designed to sit on top of a Hammond organ so it looked like one! This was a monophonic synth but would play two octaves at once so using a combination of square and sine waves an octave apart combined with a lot of wrestling with a portamento switch to get the slides this is how the bass lines were done. No sequencer was used at all on the bass lines just a lot of sweat and keeping time which was helped by me also being a drummer! The synth was recorded through a Boss chorus guitar pedal (blue type) and then compressed a lot through a studio DBX160 a really great vintage compressor.The bass was very high in the mix but cut through because of the compression and the split octaves.Just an illusion bass was the best of two different lines recorded over two days on Analogue 24tk before digital came in. I hope this finally answers the question. All the Best Tony" 1 Quote Link to comment Share on other sites More sharing options...
Highfox Posted January 18, 2018 Share Posted January 18, 2018 Thanks for that lowdown, that clears it up nicely. Quote Link to comment Share on other sites More sharing options...
Burns-bass Posted January 19, 2018 Share Posted January 19, 2018 16 hours ago, lowdown said: I alway thought that was played on Bass Guitar by Carmine Rojas ? Blimey, I learn something every day. EDIT: As I first thought. Various articles on the net says it was indeed, Carmine Rojas (including himself). Thought I was going mad for awhile... Stevie Glasgow posted up a transcription online and some track info, what Bass was used etc... (if anyone is interested). http://www.stevieglasgow.com/transcriptions_e/let's-dance.html He did, but I think it was double tracked as a synth part too. I'm talking more about it live - I've seen some terrible versions that don't nail it unless it's double tracked. Quote Link to comment Share on other sites More sharing options...
musicbassman Posted January 19, 2018 Share Posted January 19, 2018 17 hours ago, Barking Spiders said: Weren't the basslines to Hyperactive by Thomas Dolby and Frankie GTH's Two Tribes done on a Fairlight? Quite difficult to get the exact sounds on tha bass I think Hyperactive is more about the exact muting and note length than the exact sound. And as for Two Tribes, here's Trevor Horn doing a pretty fair job................. Quote Link to comment Share on other sites More sharing options...
chris_b Posted January 19, 2018 Share Posted January 19, 2018 2 minutes ago, musicbassman said: . . . . as for Two Tribes, here's Trevor Horn doing a pretty fair job................. Exactly. A bass guitar can carry any song that was recorded with a keyboard bass line, because they were bass lines in the first place. Quote Link to comment Share on other sites More sharing options...
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