redbandit599 Posted May 24, 2018 Author Posted May 24, 2018 Thanks for all the input - I do currently use an amp and have just played my first gig with iems. I suppose I was after tips about getting a good FOH bass sound in the PA, and have had some good pointers on this. Core gigs are pubs/clubs and we provide pa and do sound ourselves ( with a bit of input from some other guys from bands who often come to see us)- occasional festival/event with supplied PA and we leave that to the sound guys. Those are the easy ones 😀 Quote
EBS_freak Posted May 24, 2018 Posted May 24, 2018 1 hour ago, redbandit599 said: Thanks for all the input - I do currently use an amp and have just played my first gig with iems. I suppose I was after tips about getting a good FOH bass sound in the PA, and have had some good pointers on this. Core gigs are pubs/clubs and we provide pa and do sound ourselves ( with a bit of input from some other guys from bands who often come to see us)- occasional festival/event with supplied PA and we leave that to the sound guys. Those are the easy ones 😀 I guess the easy solution is to get a modeller if you having problems getting things eqed as you’d like. Maybe try the cheaper but highly capable zoom as a starting point. Quote
Dropzone Posted May 24, 2018 Posted May 24, 2018 The Pre / Post allows the sound engineer the choice. If he can't get anything usable with just a post signal you could be stuffed without a pre signal. Quote
mrtcat Posted May 24, 2018 Posted May 24, 2018 If you have a decent digital mixer then this is a good option 1 Quote
Kevsy71 Posted May 31, 2018 Posted May 31, 2018 I'm certainly getting won over by the low stage volume/no backline/leave the FOH mix to the FOH approach. Now this begs the question - if you do all this, and onstage tone (which probably only I care about in the band) becomes less important, then what becomes essential? - Bass in tune and intonates well - Active bass has sufficient battery life - Shielding from interference, from bass to mixer - Appropriate signal strength from bass to PA can be achieved without adverse side effects. - A "tone that the sound engineer can work with", i.e. rubbish in rubbish out, don't crank the low bass on an active EQ, etc. - No nasties in the signal (bad fret clank etc.) Once those are covered, bass choice would seem to hinge on playability, setup, weight/balance, and of course colour! Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.