fleabag Posted September 10, 2018 Share Posted September 10, 2018 (edited) What is the tone difference between them, all things being equal. Lots of different aspects of strings always seem to affect the tone of a string - hex core, round core ( DR sunbeams ) , nickel winding , stainless winding, ad inf. Is there a general feature that determines high tension ? EG always have hex core or must have stainless winding etc ? I wanted to have a smack around on HT strings to see if i get on with them. My pref. is nickel, so i'd be looking for a set of that nature So, what tone difference can i expect , if it's possible to say ? Edited September 10, 2018 by fleabag Quote Link to comment Share on other sites More sharing options...
itu Posted September 12, 2018 Share Posted September 12, 2018 Would this be of any help? www.daddario.com/upload/tension_chart_13934.pdf Quote Link to comment Share on other sites More sharing options...
Dood Posted September 12, 2018 Share Posted September 12, 2018 @D'Addario UK's Adam is a man who has the answers! Quote Link to comment Share on other sites More sharing options...
fleabag Posted September 12, 2018 Author Share Posted September 12, 2018 (edited) Thanks guys. Unfortunately, after 3 days with no posts, i bought some Chromes from PawelG so i hope they're what i'm looking for, which was high tension flats that were not too dull and thumpy. I already have set of Roto 77 one of my basses and they were ace but thought i'd like to try another make. Chromes are well liked on BC We'll see how they go Edited October 24, 2018 by fleabag Quote Link to comment Share on other sites More sharing options...
The59Sound Posted September 14, 2018 Share Posted September 14, 2018 Chromes are not as high tension as Roto flats. Chromes have a similar tension to XLs in the same gauge but less flex. A lot of people perceive flexibility as tension, the less flex, the more tension. That's why flats get a bad rep for high tension - they're not. It's just the way the string is constructed. Nearly all flats are hexcore. TIs and La Bella Low Tension Flats are roundcore and very low gauges, hence their low tension and high flexability. 1 Quote Link to comment Share on other sites More sharing options...
The59Sound Posted September 14, 2018 Share Posted September 14, 2018 Oh - high tension nickel rounds. Rotos and Boomers in the heavy gauge. Quote Link to comment Share on other sites More sharing options...
fleabag Posted September 14, 2018 Author Share Posted September 14, 2018 Ta 59 Long as the Chromes are not too floppy, i can live with them Quote Link to comment Share on other sites More sharing options...
Maude Posted September 15, 2018 Share Posted September 15, 2018 I just can't get on with low tension, high flexibility, floppy, call it what you want strings. I have Chromes on P bass and like them. You'll need to play them for a while before judging them as they feel quite grippy (correct technical term 😁) for a while. I use D'Addario half rounds on my main gigging bass. They give me a fairly high tension with flat-like fundamental but with some decent top end, a very good compromise for what I do. Quote Link to comment Share on other sites More sharing options...
fleabag Posted September 15, 2018 Author Share Posted September 15, 2018 They weren't new strings Maude, so i doubt i'll need to play them for a while. I guess the running in period has already been sorted 1 Quote Link to comment Share on other sites More sharing options...
RedVee Posted September 16, 2018 Share Posted September 16, 2018 I could never really understand what all of the fuss is about when Bassists state they cannot play floppy strings or will only use high tension strings. I have numerous Basses that have different types of string tension and I have never had any trouble alternating between a tensioned Roundwound and a so called floppy Flatwound TI. I just don't get it! Quote Link to comment Share on other sites More sharing options...
Maude Posted September 16, 2018 Share Posted September 16, 2018 For me it's not so much that I can't play them, more that they don't suit my playing/gigging style. I have two acoustics used at home with Fender tapewounds on which are very low tension and no problem but I would have to change my style if I gigged with them. I'd rather change my strings to suit me rather than change me to suit my strings. 1 Quote Link to comment Share on other sites More sharing options...
fleabag Posted September 16, 2018 Author Share Posted September 16, 2018 Same here - it's not that floppy is unplayable, but more that high or higher tension is the preference, so why settle for something you don't want, when the what you do want is available Quote Link to comment Share on other sites More sharing options...
RedVee Posted September 16, 2018 Share Posted September 16, 2018 For me its not about the tension, its about how the strings sound. If you specifically go off tension then it will limit your choice. Quote Link to comment Share on other sites More sharing options...
Maude Posted September 16, 2018 Share Posted September 16, 2018 I think there's enough choice of string in low tension, high tension, flat, round, half round, steel, nickel, tape, long scale, short scale, etc, etc these days that whatever style of string you choose you won't be particularly limited. After years I have settled on the type of string I like that suits my style and sound. I now just concentrate on my playing. 1 Quote Link to comment Share on other sites More sharing options...
Jack Posted September 18, 2018 Share Posted September 18, 2018 It's a personal thing. We could all gig with a Jazz, but some people will prefer other basses... I really, really like balanced, quite high tension, coupled to bright sound so I'm loving the D'Addarios. Not everyone will though! 1 Quote Link to comment Share on other sites More sharing options...
Delberthot Posted September 24, 2018 Share Posted September 24, 2018 I love D'addario strings and tried the EXL160BT balanced tension strings but I found them a wee bit too high tension for my liking and have since jumped down to EXL20BT set which are pretty good and not in the lightest bit floppy considering they are 40-95 gauge. I can even drop the E to D and they still sound good. When I was using Chromes I made my own balanced set as at the time I could buy them as singles cheaper than as a set and used 45, 60, 80, 110. They were right on the money and I was detuning the E to D back then as well Quote Link to comment Share on other sites More sharing options...
Guest ixlramp Posted October 24, 2018 Share Posted October 24, 2018 On 10/09/2018 at 23:50, fleabag said: Is there a general feature that determines high tension ? Depends on what you mean by 'tension'. By this many musicians mean the 'feel' or 'perceived tension''. However 'tension' is also a scientific term for the pull force on a string, the value stated in lbf (pound-force) on tension charts. There is much confusion between the two on bass forums. The scientific tension is determined by string mass (primarily determined by gauge but also string construction), scale length and pitch only. See that D'Addario tension pdf, it's excellent. The 'feel' or 'perceived tension' is determined by a mix of scientific tension (the actual 'tightness') and the string's scientific stiffness (as in lack of 'flexibility'). Stiffness is determined by construction, for example flats are inherently stiff compared to roundwounds. Anyway, simply, if you want high tension, you need to increase the gauges. Some might start suggesting brands and string lines without mentioning gauge, but that''s meaningless, what they mean by this is: 'for the same gauge, this brand/string line feels stiffer'. Indeed you can alter the 'feel' by choosing a stiffer brand or string line, for example flats, but the primary determiner of tension, either scientific or perceived, is gauge. Quote Link to comment Share on other sites More sharing options...
FinnDave Posted October 24, 2018 Share Posted October 24, 2018 On 15/09/2018 at 22:00, fleabag said: They weren't new strings Maude, so i doubt i'll need to play them for a while. I guess the running in period has already been sorted Probably the Chromes I sold Pawel a couple of months ago, I remember he didn't get on with them and re-advertised. Could have saved time and postage and got them off me back then! Quote Link to comment Share on other sites More sharing options...
fleabag Posted October 24, 2018 Author Share Posted October 24, 2018 If only i'd known ! As it happens, i'm going back to wound strings, and those Chromes and my Roto 77 flats will be getting sold on, when i can get round to it Quote Link to comment Share on other sites More sharing options...
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