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Blackstar bass combo - any love ???


Black Coffee
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Ive just spent about ten minutes playing one of these and im really surprised at how good it sounded/felt.  

 

A drunk customer in the shop then starting pushing me and i had to stop, then left the shop. 

Strange experience.  

 

So any thoughts / experiences good or bad on these ?

Edited by Black Coffee
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1 minute ago, BigRedX said:

Top-mounted controls have no place on any new amp for either bass or guitar. Back to the drawing board Blackstar.

Makes sense on a combo, so you can look down at the dials - otherwise you have to crouch down in front. Kinda prefer it tbh.

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1 hour ago, ped said:

Makes sense on a combo, so you can look down at the dials - otherwise you have to crouch down in front. Kinda prefer it tbh.

It is not the 1950s any more.

The reason combos were originally designed with the controls on the top was because the manufacturers expected them to be placed at the front of the stage and musicians would be stood behind them when playing (the control labels were originally positioned with this set up in mind so on very old amps they are "upside down"). No-one in even the most retro-influenced bands actually does this. 

Nowadays, combos whether they are for the guitar or bass go on tilt-back stands, or some other means of aiming the speakers at the musicians' ears rather than their ankles. Doing so means that the controls are now very difficult to get at. 

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27 minutes ago, BigRedX said:

It is not the 1950s any more.

The reason combos were originally designed with the controls on the top was because the manufacturers expected them to be placed at the front of the stage and musicians would be stood behind them when playing (the control labels were originally positioned with this set up in mind so on very old amps they are "upside down"). No-one in even the most retro-influenced bands actually does this. 

Nowadays, combos whether they are for the guitar or bass go on tilt-back stands, or some other means of aiming the speakers at the musicians' ears rather than their ankles. Doing so means that the controls are now very difficult to get at. 

I very rarely see a combo in a tilt back stand, but I see what you mean. Horses for courses I suppose. One is as annoying as the other (and you have to take a stand with you!)

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1 hour ago, BigRedX said:

It is not the 1950s any more.

The reason combos were originally designed with the controls on the top was because the manufacturers expected them to be placed at the front of the stage and musicians would be stood behind them when playing (the control labels were originally positioned with this set up in mind so on very old amps they are "upside down"). No-one in even the most retro-influenced bands actually does this. 

Nowadays, combos whether they are for the guitar or bass go on tilt-back stands, or some other means of aiming the speakers at the musicians' ears rather than their ankles. Doing so means that the controls are now very difficult to get at. 

But isn't Retro 'In'?

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A few weeks back I saw The Last Resort at Bedford and JJ, their bassist was using this gear - the event was sponsored by Blackstar I believe. Not sure about on-stage but out front it sounded great, and not that dissimilar from his usual Ampeg SVT.

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  • 4 weeks later...
On 28/10/2018 at 09:57, Skybone said:

Anyone tried the powered cab?

I wanted to try an Eden preamp pedal and the guys at PMT put it stright into the powered cab...Wow it was loud. Alsmost too loud as I gave myself a fright and it had me scabbling for the volume nob. It must have been OK as I bought the pedal.

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