LukeFRC Posted April 13, 2020 Share Posted April 13, 2020 14 minutes ago, molan said: Looks like it’s already getting congested with comments about why someone doesn’t like FRFR cabs 🤦♂️ Quite. 1 Quote Link to comment Share on other sites More sharing options...
molan Posted April 13, 2020 Share Posted April 13, 2020 For what it’s worth I’m loving my Stomp into RCF NX12-SMA setup. Having great fun playing with presets and building sounds I really like. I’ve found it very sensitive to different instruments as well. I thought it might be one of those things were everything sounds the ‘same’ because the effects/amp/cab are having a major impact on the final tone but it’s really not the case. The only downside to this is that I can spend lots of time setting up a tone for one bass and then when I try another I almost have to start all over again. I think I need more banks of presets to play with, lol. Quote Link to comment Share on other sites More sharing options...
LukeFRC Posted April 13, 2020 Share Posted April 13, 2020 7 minutes ago, molan said: For what it’s worth I’m loving my Stomp into RCF NX12-SMA setup. Having great fun playing with presets and building sounds I really like. I’ve found it very sensitive to different instruments as well. I thought it might be one of those things were everything sounds the ‘same’ because the effects/amp/cab are having a major impact on the final tone but it’s really not the case. The only downside to this is that I can spend lots of time setting up a tone for one bass and then when I try another I almost have to start all over again. I think I need more banks of presets to play with, lol. I’m finding that too - it’s really sensitive to input. You kinda have to set up compression and anything that uses dynamics for each bass. im using mine into the effects return of a HK quantum 600 and into Stevies BCCab I made. So FRFRish on a budget 1 Quote Link to comment Share on other sites More sharing options...
dave_bass5 Posted April 13, 2020 Share Posted April 13, 2020 Im keeping out of that thread, as I too prefer a coloured cab/rig. It’s just not rock and roll lol. Quote Link to comment Share on other sites More sharing options...
LukeFRC Posted April 13, 2020 Share Posted April 13, 2020 18 minutes ago, dave_bass5 said: Im keeping out of that thread, as I too prefer a coloured cab/rig. It’s just not rock and roll lol. So do I - I just add the colour with the helix! Quote Link to comment Share on other sites More sharing options...
EBS_freak Posted April 13, 2020 Share Posted April 13, 2020 1 hour ago, molan said: Looks like it’s already getting congested with comments about why someone doesn’t like FRFR cabs 🤦♂️ Aye. Disruptive dinosaurs. Doesn't really give me any incentive to continue. Quote Link to comment Share on other sites More sharing options...
EBS_freak Posted April 13, 2020 Share Posted April 13, 2020 18 minutes ago, LukeFRC said: So do I - I just add the colour with the helix! Indeed. That’s the idea! Quote Link to comment Share on other sites More sharing options...
dave_bass5 Posted April 13, 2020 Share Posted April 13, 2020 49 minutes ago, EBS_freak said: Indeed. That’s the idea! It’s not just tone/EQ though, it’s authority, the way the cab interacts with the amp/bass etc. Going from the F112 to the CH212 made a huge difference in how the bass was perceived in the mix. And of course a 1x12 will not do quite what a 212 will as far as heft and fullness (given both are high end boxes) so maybe for me it was just a 1x12 didn’t work for me rather than a FRFR. i got some fantastic tones out of the 1x12 with the Stomp, but I could never get a decent live tone. Plus the heads I was using made a tonal difference, so to me even if the cab was neutral the signal arriving at it wasn’t. Quote Link to comment Share on other sites More sharing options...
LukeFRC Posted April 13, 2020 Share Posted April 13, 2020 1 hour ago, dave_bass5 said: It’s not just tone/EQ though, it’s authority, the way the cab interacts with the amp/bass etc. Going from the F112 to the CH212 made a huge difference in how the bass was perceived in the mix. And of course a 1x12 will not do quite what a 212 will as far as heft and fullness (given both are high end boxes) so maybe for me it was just a 1x12 didn’t work for me rather than a FRFR. i got some fantastic tones out of the 1x12 with the Stomp, but I could never get a decent live tone. Plus the heads I was using made a tonal difference, so to me even if the cab was neutral the signal arriving at it wasn’t. It’s different ethos of how you approach live sound. I’m using the stomp into a PA at church (proper FRFR) and using the amp and cab models. The perception of how it works in the mix is via the PA. That said when I was in my originalls band we very very quickly got to a point where the PA was doing all the lifting for the FOH sound - at that point the amp and cab are essentially a fancy stage prop at worst or a single instrument monitor at best. Obviously your experiences don’t match mine which proves the point that everyone’s needs and bands needs are different! Quote Link to comment Share on other sites More sharing options...
dave_bass5 Posted April 13, 2020 Share Posted April 13, 2020 5 minutes ago, LukeFRC said: It’s different ethos of how you approach live sound. I’m using the stomp into a PA at church (proper FRFR) and using the amp and cab models. The perception of how it works in the mix is via the PA. That said when I was in my originalls band we very very quickly got to a point where the PA was doing all the lifting for the FOH sound - at that point the amp and cab are essentially a fancy stage prop at worst or a single instrument monitor at best. Obviously your experiences don’t match mine which proves the point that everyone’s needs and bands needs are different! Yeah, I’m talking about rehearsals (so not going through a PA), and using my rig as the only source of bass, so again, not through a PA. Quote Link to comment Share on other sites More sharing options...
NickD Posted April 13, 2020 Share Posted April 13, 2020 Not an immediate issue, given lockdown and all that, but does anyone have a recommendation for a screen protector for the LT, ideally UK based? Everything happens via that screen, and I can be a cumsy clunt at times. 1 Quote Link to comment Share on other sites More sharing options...
dave_bass5 Posted April 13, 2020 Share Posted April 13, 2020 21 minutes ago, NickD said: Not an immediate issue, given lockdown and all that, but does anyone have a recommendation for a screen protector for the LT, ideally UK based? Everything happens via that screen, and I can be a cumsy clunt at times. You could by a screen protector for a large smart phone and cut it down. 2 Quote Link to comment Share on other sites More sharing options...
Frank Blank Posted April 13, 2020 Share Posted April 13, 2020 http://www.planetz.com/helix-screen-protectors/ Quote Link to comment Share on other sites More sharing options...
Frank Blank Posted April 13, 2020 Share Posted April 13, 2020 47 minutes ago, NickD said: Not an immediate issue, given lockdown and all that, but does anyone have a recommendation for a screen protector for the LT, ideally UK based? Everything happens via that screen, and I can be a cumsy clunt at times. http://www.planetz.com/helix-screen-protectors/ 1 Quote Link to comment Share on other sites More sharing options...
NickD Posted April 14, 2020 Share Posted April 14, 2020 Thanks! 😊 Quote Link to comment Share on other sites More sharing options...
Dood Posted April 14, 2020 Share Posted April 14, 2020 On 31/12/2019 at 17:00, Davebassics said: It's a real shame the HX Effects doesn't have amp/cab sims. Would be perfect otherwise. I was reading some grievances on the line6 forum about users who max out the DSP before hitting the maximum number of blocks. That would be annoying. I'm torn between incorporating a stomp into my pedal board or replacing the entire thing with an LT. How do LT users find it without the scribble strips? LT: I've never even thought about it, so I guess I don't miss what I never had The screen is easily configured at the touch of a button to see what is assigned to each button - and for me, I tend to use the same layout where possible for my patches, so the same type of effect, patch or snapshot appears on the same button. Quote Link to comment Share on other sites More sharing options...
Dood Posted April 14, 2020 Share Posted April 14, 2020 7 hours ago, NickD said: Thanks! 😊 replied to your PM 1 Quote Link to comment Share on other sites More sharing options...
41Hz Posted April 19, 2020 Share Posted April 19, 2020 Can anyone give any tips to get get an organ type sound. Ive got an HXFX that I’ve mainly been using for pitch shift and a bit of compression, so a bit of a noob on the other effects. I want to recreate the organ sound at the start of mr Crowley (OZZY) Quote Link to comment Share on other sites More sharing options...
Rollin Thunder Posted April 19, 2020 Share Posted April 19, 2020 1 hour ago, 41Hz said: Can anyone give any tips to get get an organ type sound. Ive got an HXFX that I’ve mainly been using for pitch shift and a bit of compression, so a bit of a noob on the other effects. I want to recreate the organ sound at the start of mr Crowley (OZZY) i have been trying to get that sound for ages that and john lord type hammond organ, without success. realistically maybe the only way is to get a Hammond organ or a proper myth that can do it. best i have got is using the legacy synth sims. Quote Link to comment Share on other sites More sharing options...
dave_bass5 Posted April 21, 2020 Share Posted April 21, 2020 (edited) Looks like we are good to go with FW 2.9 https://line6.com/software/index.html Helix / HX 2.90 | Helix Native 1.90 “The Always Level Presets By Ear at Stage Volume with the Rest of the Band Playing Update” Helix / HX 2.90 and Helix Native 1.90 include new amps, cabs, effects, features, and bug fixes, and is strongly recommended for all Helix and HX owners. Updating to 2.90 Helix Floor, Helix Rack, Helix LT, HX Effects, HX Stomp STEP 1 — Updating HX Edit to 2.90 1. Log onto line6.com, download, and install HX Edit 2.90: Mac OS X: link Windows 7/8/10: link STEP 2 — Updating Helix / HX Firmware to 2.90 If you have Helix Rack/Control, turn off Helix Control. Also, shut down all Line 6 software or any programs that use audio, like DAWs, iTunes, Spotify, video games, etc. Connect your Helix/HX device to a Mac or PC via USB (do not use any sort of USB hub, which may include the front USB ports on towers) and turn it on. Launch the new version of HX Edit 2.90 you installed in Step 1 above. If you’re not signed in, click “Check for Updates” in the lower right corner and sign in. If you’re already signed in, a dialog panel appears, indicating an update is available. Click “Update Now.” A window appears, asking you to back up your Helix/HX hardware. Click OK, optionally rename the backup and / or choose a different destination folder, and then click “Create Backup.” Continue following the prompts. Once updated, the window reads “Update Complete” and your Helix / HX hardware begins rebuilding its presets; wait for this to complete and click “Back to HX Edit.” If you have Helix Control connected to Helix Rack, turn on Helix Control. Helix Rack reads “Helix Control must be updated to work properly.” Press Knob 6 (OK). New Amp Models in 2.90 Helix Floor, Helix Rack, Helix LT, Helix Native, HX Stomp Revv Gen Purple, based on* the purple (Gain 1) channel of the Revv® Generator 120 New Cab Models in 2.90 Helix Floor, Helix Rack, Helix LT, Helix Native, HX Stomp 1x12 Fullerton, based on* the classic 1958 Fender® 5C3 Tweed Deluxe 1x12 Grammatico, based on* the modern 2016 Grammatico LaGrange New Effects Models in 2.90 Helix Floor, Helix Rack, Helix LT, Helix Native, HX Effects, HX Stomp Distortion > Alpaca Rouge (Mono, Stereo), inspired by* the Way Huge® Red Llama (modded) Distortion > Legendary Drive (Mono, Stereo), based on* the Carvin VLD1 Legacy Drive (high gain channel) Distortion > Xenomorph Fuzz (Mono, Stereo), inspired by* the Subdecay Harmonic Antagonizer Dynamics > Rochester Comp (Mono, Stereo), based on* the Ashly® CLX-52 and created in conjunction with Billy Sheehan Modulation> Pebble Phaser (Mono, Stereo), based on* the Electro-Harmonix® Small Stone phaser Split > Dynamic, Line 6 original. This new Split block type lets you dynamically route signals to Path B, depending on how hard you play. For example, you could roll your guitar’s volume back a bit and play clean chords through a Grammatico on Path A and then roll it back up and dig in to blend in a searing Revv Gen Purple lead on Path B Knob 1 (Threshold) — Signals below the Threshold are routed to Path A; signals above the Threshold are routed to Path B Knob 2 (Attack) — Determines how fast the signal routes to Path B once reaching the Threshold Knob 3 (Decay) — Determines how fast the signal returns to Path A once falling below the Threshold Knob 4 (Reverse) — Swaps dynamic path routing. When set to “On”, signals below the Threshold are routed to Path B and signals above the Threshold are routed to Path A NOTE: All product names used in this document are trademarks of their respective owners and neither Yamaha Guitar Group nor Line 6 are associated or affiliated with them. These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development. New Features in Helix/HX Firmware 2.90 Output Meters Helix Floor, Helix Rack / Control, Helix LT The following block types display output meters in the inspector when selected: Output Send/Return > Send Send/Return > FX Loop IMPORTANT! Meters (in any product, not just Helix) are never appropriate for ensuring consistent levels from preset to preset. The models you use, the preset's frequency and dynamic response, your guitar or bass, your pickups, your playback system, your environment, your location in front of (or behind!) your playback system, and especially your bandmates all radically affect the perceived loudness of various presets. It's very common for the meters of one preset to show it's louder than another, while what you hear is the exact opposite. ALWAYS trust your ears when leveling presets, and whenever possible, level presets at stage volume, with the rest of the band playing. Gain Reduction Meters Helix Floor, Helix Rack / Control, Helix LT The following block types display a gain reduction meter in the inspector when selected: Dynamics > Compressor (the 3-Band Comp displays three meters) Dynamics > Gate Signal Present/Clip Indicators Helix Floor, Helix Rack / Control, Helix LT, HX Stomp The following block types now display a pale green background when signal is present and a bright red background if the block clips: Input Output Send/Return > Send (clip indication only) Send/Return > Return (clip indication only) Send/Return > FX Loop (clip indication only) Improved IR Referencing Helix Floor, Helix Rack / Control, Helix LT, Helix Native, HX Effects, HX Stomp Impulse Response blocks now reference each IR file by waveform instead of index number. This means that when presets are shared and the recipient has the same IRs, they'll appear in the right place without having to manually reorder all IRs to match. IMPORTANT! For improved IR referencing to take place, all presets must be rebuilt. Presets should've automatically been rebuilt after updating to 2.90, but if they didn't, you can manually rebuild them: Helix, Helix LT: While holding FS10 and FS11 (bottom row), turn on Helix. Wait for "Will rebuild all Presets..." to appear and let go Helix Rack: While holding Knobs 1 and 3 below the screen, turn on Helix Rack. Wait for "Will rebuild all Presets..." to appear and let go HX Effects: No preset rebuild necessary HX Stomp: While holding both the Upper and Lower Knobs, turn on HX Stomp. Wait for "Will rebuild Presets..." to appear and let go Helix Native: The first time you open the plug-in, a dialog appears, reading "Your presets are being parsed to associate IR blocks intelligently with the IRs they reference." Click OK. Command Center > HX Preset Helix Floor, Helix Rack / Control, Helix LT, HX Effects A new Command Center command type lets you assign any preset (or Next Preset or Previous Preset) to any stomp switch. Together with HX Snapshot and HX Looper commands, you can now customize Stomp footswitch mode to your liking. From the Command Center, select a stomp switch and turn Knob 1 (Command) to select "HX Preset." Turn Knob 2 (Preset) to choose Next Preset, Previous Preset, or any single preset within the current setlist. IMPORTANT! Although stomp mode switches can be assigned to multiple functions, to avoid unintended behavior, we strongly recommend HX Preset commands be assigned to empty footswitches. Command Center > HX Snapshot Helix Floor, Helix Rack / Control, Helix LT, HX Effects A new Command Center command type lets you assign any snapshot (or Snapshot Up or Snapshot Down) to any stomp switch. Together with HX Preset and HX Looper commands, you can now customize Stomp footswitch mode to your liking. From the Command Center, select a stomp switch and turn Knob 1 (Command) to select "HX Snapshot." Turn Knob 2 (Behavior) to set the behavior of the stomp switch: Press / Release — Pressing the switch engages the Knob 3 (Press) function; releasing the switch engages the Knob 4 (Release) function. Press / Hold — Briefly pressing the switch engages the Knob 3 (Press) function; pressing and holding the switch for 1 second engages the Knob 4 (Hold) function IMPORTANT! Although stomp mode switches can be assigned to multiple functions, to avoid unintended behavior, we strongly recommend HX Snapshot commands be assigned to empty footswitches. Command Center > HX Looper Helix Floor, Helix Rack / Control, Helix LT, HX Effects A new Command Center command type lets you assign any Looper function to any stomp mode switch or instant command. Together with HX Preset and HX Looper commands, you can now customize Stomp footswitch mode to your liking. Note that a 6 Switch Looper or 1 Switch Looper block must be present in your preset for HX Looper commands to function properly. Also, caution should be taken when assigning HX Looper commands, as only the Press function is displayed on the scribble strip (Performance View on Helix LT); Release and Hold functions are not displayed. From the Command Center, select a stomp switch and turn Knob 1 (Command) to select "HX Looper." Turn Knob 2 (Behavior) to set the behavior of the stomp switch: Press / Release — Pressing the switch engages the Knob 3 (Press) function; releasing the switch engages the Knob 4 (Release) function. Press / Hold—Briefly pressing the switch engages the Knob 3 (Press) function; pressing and holding the switch for 1 second engages the Knob 4 (Hold) function. IMPORTANT! Although stomp mode switches can be assigned to multiple functions, to avoid unintended behavior, we strongly recommend HX Looper commands be assigned to empty footswitches. Shortcut > Model Subcategory Helix Floor, Helix Rack / Control, Helix LT, HX Effects, HX Stomp You can now quickly skip through model subcategories without ever having to open the model list. Finding a specific amp or effect is now faster than ever. Helix / Helix Rack / Helix LT — From the Home screen, hold to jump to the the next subcategory. Hold PAGE> and press HX Effects — From Stomp view, press and turn the Big Knob to skip subcategories, then turn normally to select models within that subcategory HX Stomp — From Edit view, press and turnthe Lower Knob to skip subcategories, then turn normally to select models within that subcategory For example, if you have HX Stomp and have selected an empty block location, pressing and turning the Lower Knob will jump to the first model in each subcategory: Distortion > Mono, Distortion > Stereo, Distortion > Legacy, Dynamics > Mono, Dynamics > Stereo, Dynamics > Legacy, EQ > Mono, EQ > Stereo, Modulation > Mono, Modulation > Stereo, and so on. Update Firmware From HX Edit Helix Floor, Helix Rack / Control, Helix LT, HX Effects, HX Stomp Instead of hanging out on social media, desperately asking when the next firmware’s dropping, you can now, I dunno, actually play guitar? As soon as a new update becomes available, HX Editwill tell you, and all you gotta do is follow the prompts. Edited April 21, 2020 by dave_bass5 2 Quote Link to comment Share on other sites More sharing options...
dave_bass5 Posted April 21, 2020 Share Posted April 21, 2020 And Native 1.9 New Features in Helix Native1.90 NOTE: For additional information on Helix Native 1.90 or HX Edit 2.90, check out the latest Helix Native and HX Edit Pilot’s Guides, which are automatically installed with the new 1.90 / 2.90 software. A/B Compare Helix Native A new set of buttons lets you temporarily store all of the Helix Native instance’s model selection and parameter settings, then tweak any number of parameters and easily compare an A version and a B version. Click the middle button to quickly copy the current state to the other (A to B or B to A). Other Changes and Improvements in Helix / HX 2.90 | Helix Native 1.90 The EQ > Low / High Shelf model’s Hi Freq parameter now goes down to 400Hz (Helix Floor / Rack / LT, HX Effects, HX Stomp, Helix Native) Booting up now takes roughly half the time (Helix Floor / Rack / LT, HX Effects) While in Tuner mode, the three footswitch LEDs act as additional tuning indicators (HX Stomp [feature is already in HX Effects]) Edited presets now display a small “E” icon (HX Effects, HX Stomp [feature is already in Helix Floor / Rack / LT]) Blocks can now quickly be copied and pasted across signal flows by Option-dragging (Windows: Control-dragging) the block (Helix Native, HX Edit) IRs can now be dragged directly from the Impulses list onto the signal flow view (Helix Native, HX Edit) Double-clicking an IR in the Impulses list now auto-populates the currently selected IR block (Helix Native, HX Edit) Parameters with very few values now appear as select boxes instead of sliders (Helix Native, HX Edit) Parameters assigned to controllers now scale slider width to reflect Min and Max values (Helix Native) A “Check for Updates” box has been added to the Preferences window (Helix Native, HX Edit) Lots of stability and usability improvements across the board (Helix Native, HX Edit) Bug Fixes in 2.90 Distortion > Obsidian Drive’s polarity was reversed Remotely changing Powercab Plus speaker modes upon preset recall could sometimes result in a volume bump Using Learn to quickly assign a parameter to footswitch control could occasionally swap the switch’s Latching / Momentary setting Setting the Input block on Path 1A to S/PDIF could stop passing audio if a new Path 1B Input block had been created Connecting an expression pedal to Helix Control could sometimes cause the pedal position display to behave erratically Lots of other minor bug fixes Known Issues in 2.90 A slight thump can be heard when loading a Distortion > Kinky Boost, Arbitrator Fuzz, or Tycoctavia Fuzz model While backing up, the scribble strip on FS8 can sometimes flicker (Helix Floor, Helix Rack / Control) In very rare cases, leaving the unit on for many hours can sometimes cause reverb models to cease outputting audio In a preset with two IRs blocks, moving one IR block to Path B can sometimes cause the other IR block to reset its Impulse Response to slot 1 In rare cases, after exporting and then importing presets using HX Edit, the Split block’s bypass state can sometimes change (Helix Floor, Helix RackControl, Helix LT)/ When using Blue Cat Audio’s PatchWork VST host software, resizing the Helix Native window may not scale smoothly (Helix Native) Compatible OS: Windows 7, Windows 8, Windows 10 1 Quote Link to comment Share on other sites More sharing options...
cattytown Posted April 21, 2020 Share Posted April 21, 2020 Got it, went ok OK but had to look up how to get snapshots back on switches. Anyone looked at the metering? Looks like there's some latency... Paul. Quote Link to comment Share on other sites More sharing options...
dave_bass5 Posted April 21, 2020 Share Posted April 21, 2020 2 minutes ago, cattytown said: Got it, went ok OK but had to look up how to get snapshots back on switches. Anyone looked at the metering? Looks like there's some latency... Paul. Unfortunately for me I won’t get the meters, just the clipping indicator. Quote Link to comment Share on other sites More sharing options...
cattytown Posted April 21, 2020 Share Posted April 21, 2020 Did the usual - turned it off and back on again and thr several seconds latency on the metering looks to have gone. P. 1 Quote Link to comment Share on other sites More sharing options...
Rollin Thunder Posted April 21, 2020 Share Posted April 21, 2020 Red llama nice, almost a Fuzz New Fuzz very nice New Rev Purple amp great with drive very low, sounds like an Ashdown evo, James Jamerson Biffy clyro and higher drive getting into JJ Burnel, classic British distorted amp Stone Phaser sounds great but a bit quite. Rochester comp sounds good but too squishy at first lowered to 4.1 and lowered level then sounded great. Quote Link to comment Share on other sites More sharing options...
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